Jean Raspail, Charles Krafft and David Dees

Jean Raspail (1925-2020)

According to Eliot, April is “the cruellest month” – but this year June has put in a strong bid.

No sooner had we published an obituary to our old friend and comrade Eddy Morrison, than we heard of the deaths of three very different major figures in the worldwide movement for White resistance and historical truth.

Jean Raspail – who died on June 13th three weeks before his 95th birthday – was without doubt the best known. H&D readers will probably best remember him for his 1973 novel Camp of the Saints, a dystopian perspective on mass non-White immigration and the swamping of Europe.

A regular H&D contributor who is proficient in French will be writing about Raspail in a forthcoming issue of the magazine, so for now we shall simply repeat Jean-Marie Le Pen’s tribute: “Jean Raspail has departed just at the moment when his prediction arrived.”

Though I never met Jean Raspail, I did meet and correspond with the American artist Charles Krafft, who died the same day aged 72. Rooted in the ‘pop art’ of late 1960s hippies, and first becoming known in such circles as part of an artistic commune in Fishtown near Seattle, by the 1990s Krafft had become a collectable ceramicist. That is to say, he was commercially successful and his work was exhibited in mainstream galleries and purchased by ‘respectable’ people – for example the chief executive of sportswear company Nike had a Charles Krafft teapot in his office.

One of Charles Krafft’s famous teapots

In 2016 Krafft visited London where an exhibition of his work was planned for an East London gallery. This was cancelled after pressure from ‘antifascist’ magazine Searchlight, but Krafft was able to speak at a London Forum meeting organised by Jez Turner, alongside David Irving, Richard Edmonds, Lady Michèle Renouf, Dave Yorkshire of Mjolnir magazine, and Abdallah Melaouhi, Rudolf Hess’s nurse at Spandau.

Charles Krafft generously donated some of his work to an auction to raise funds for Horst Mahler, the imprisoned German philosopher and activist.

It was only during the last twenty years or so that Krafft became active in political and revisionist movements: this cost him a great deal financially and in disruption to his artistic career. His courage and commitment will be long remembered.

Charles Krafft in his studio

A very different artist who also came to politics in middle-age was David Dees, who died on May 31st aged 62. (Like Charles Krafft, Dees died from cancer.)

Whereas much of Krafft’s work involved the Third Reich and militaria, Dees focused on ‘conspiracy theory’ – indeed his art has perhaps had more influence on more ‘conspiracy theorists’ than any other individual has achieved.

Formerly based in Louisville, Kentucky, Dees lived in California for the last decade. During the 2016 Republican primaries, future President Donald Trump proudly held up a Dees print showing him engaged in ‘whacking’ leading liberal ‘moles’.

Unfortunately Trump himself went on to become part of the problem – but there’s a difference between art and politics…

Like Charlie Krafft, David Dees was bravely and generously committed to the cause of Europeans who fight for historical truth (and who face long jail sentences for what would in other fields be ‘normal’ research).

When truth, justice and racial identity prevail, Europeans will celebrate the memory of Jean Raspail, Charles Krafft and David Dees. Very different though they were in background, temperament and ideology, all three of these men were valiant warriors for the cause of embattled Europeans.

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