Fade to Black – The darkening of our screens and its part in the theft of our past and our future

You fly into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And, the villages of Midsomer are teeming with more people-of-colour than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black Vikings, Black Centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favourite gardening program is presented by a Brown person. The Brown person presenting your favourite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.

In disgust, you turn off your TV and browse through the latest brochure from The National Trust. But something is odd – most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But, you aren’t dreaming. You are living through a waking nightmare. And, I can tell you why.

Dev Patel (above right) as David Copperfield

I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups – old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And, I know how, why and by whom our screens are being darkened, I am being denied work and our past and future are being stolen from us.

The answer is BAME. It stands for Black, Asian or Mixed Ethnicity. And, that acronym is now an essential part of every media company’s ethos. When a brand is hiring actors for a commercial or a production company is hiring actors for a play, movie or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White.)

The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “colour-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing it big-time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or, a Black Macbeth and White Lady Macbeth. The audience wasn’t supposed to notice these racial absurdities and anyone who did was a racist. So, most people pretended not to notice and they still do.

Oriental audiences are more forthright in their opinions. They want White heroes. Star Wars films that feature Black actors flop in China – a very important film market. So, the Star Wars producers avoid putting Black faces on the film posters. And, the latest Star Wars had to remove a gay kiss to make it acceptable to Orientals who want their heroes straight, too.

We Occidentals feel the same even if most won’t admit it. We vote in private with our money. The producer of the mega-successful comic-book “cape hero” film franchise let slip at a convention that movies and action figures based on non-White characters don’t sell – worldwide. The sale of dolls, clothing and mugs etc. is a major part of the profit stream for any film or animation. It is a racially revealing economic fact that Black Barbie and Ken dolls don’t sell – even to Black kids. Gay and trannie Barbies and Kens also gather dust on store shelves. White heterosexuality is the go-to choice for everyone.

But, shouting “Commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI) which bestows crucial funding to film projects fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history. Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!

The levels of race and gender-blind casting mandated include –
• At least one lead character must be non-White
• 50-50 male-female ratio in entire cast
• At least 20% of cast must be non-White
• At least 10% must be LGBTQ
• At least 7% disabled
• A large proportion of plot lines and filming locations must be set among underrepresented groups.

With those parameters in mind, try writing a film that should by natural law, reason and historical fact be set in a White, male world. How can you fit that many women, homos, lesbians, trannies, Hindus, Muslims, Sikhs, Blacks and crippled, cis-phobic, bi-curious Eskimos into a Lancaster bomber, a monastery or the Alamo? And, I wonder if these same race and gender targets will apply if an all-Black film company sought funding for a movie set in a lesbian bathhouse in Somalia? Would the screenwriter have to find a way to squeeze White, Christian, hetero males into the steam room?

Shakespeare’s Globe Theatre recently produced Richard II with an all-black female cast

We aren’t being betrayed by the BFI alone. The British Academy of Film and Television Arts which bestows the prestigious BAFTA awards is equally on-board the globohomo express though it is (small comfort) privately funded. Still, if you want to win a BAFTA you must bow down to the Cultural Marxists who run that outfit.

And British Equity (the actors’ union) promotes and protects every race but White. It cares nothing for the race that only created theatre, film, television, radio, the internet and trade unions! It promotes and protects every sexual persuasion but heterosexuality. My union dues are currently paying for a campaign to ensure that “trans” actors get to audition for roles of any gender including those of the gender they claim to have left. Meanwhile, I can’t get an audition to play an old White guy because it’s being played by a Black female-to-male trannie!

The BBC admitted that its race-blind casting of period dramas is not historically accurate but feels it is important to do it in the interests of cultural cohesion. Well… if this BAME business is not part of an anti-White agenda but just a well-intentioned attempt to make us all race and gender-blind then when do I get to play Martin Luther King or Winnie Mandela?

Meanwhile, for all their disingenuous calls for race-blindness, Black performers insist on race based preferential treatment and love “acting Black” – especially in period dramas. Notice how Black actors in plays by Shaw, Ibsen or Wilde will use a ghetto pose and vocal inflection to get a cheap laugh. They are Black to their bones and they know it and are happy to play the minstrel if it’s to their advantage.

At this point a few questions come to mind. If non-Whites were important personages in what we thought had been a White world then what the hell are they complaining about? If Blacks really “wuz kangz” as the Black Israelites proclaim (including kangz of England) then where was the discrimination? And, if Blacks were capable of achieving so much back-in-the-day then what the heck happened? Did they simply forget how to be physicians, scientists, architects, engineers and, yes, kangz?

Remember those National Trust brochures full of photos of happy smiling Brown people? They are a staged hoax. The National Trust advertised on casting sites all over Britain for BAME models and actors to pose as visitors and staff at stately homes. But, in reality, if you visit NT properties you will see that with rare exception they are delightfully White in both staff and visitors. Still this hasn’t stopped the NT management from pushing globohomo. They “out” and promote queer members of the families that owned the properties. And, they suggest that bent Uncle Bertie was the best of the bunch. The NT even tried to force its volunteers to wear rainbow flags but most refused. Meanwhile, when I speak privately with older NT volunteers, I find they have fond memories of Enoch Powell and Oswald Mosley.

I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the colour of the actor’s skin? So, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black Nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And, we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on sacrificing profits for propaganda.

Case in point: Gillette recently ran an anti-male ad campaign that suggested all men (especially White men) are sex-pests. White men were outraged. This campaign culminated in an ad in which a Black father showed his daughter who had “transitioned to male” how to shave. This time Black men were outraged. This PC campaign cost Gillette a record amount of profit. But its CEO said it was worth it to promote diversity.

Alongside the tribe that foments and feasts off our replacement lives an opportunistic parasite – the Black “race hustler.” The uber-obnoxious Whoopi Goldberg is master of this scam. And, despite being as funny as a fire in an orphanage, Whoopi has made a fortune playing the fat, sassy soul-sista who is the depository of all wisdom. (Sort of an X-rated version of Mammy in Gone with the Wind or a potty-mouthed Aunt Jemima.) You’ll notice that this smart, sassy maid stereotype is a staple of sitcoms. She is always the smartest person in the house she cleans. She’s certainly smarter than the doofus White dad who is the butt of all her jokes. (There is literally a genre of US sitcom called “Doofus Dad.”)

Believing her own BS, Goldberg has morphed into a political pundit. She holds forth daily on US TV on all manner of subjects while injecting the race card into all of them – no matter how misplaced. She gets away with this because Whites are afraid of challenging her lest they be called racist. Believe me, if you think Jews are good at squeezing the holocaust into any discussion you ain’t seen nuthin’ till you see Whoopi at work. (We have the Jewish director Mike Nichols to thank for Goldberg’s rise to fame.)

Another race-hustler is Bonnie Greer, a smug, American negress based in the UK and a poor-man’s Goldberg. Greer is a regular on BBC political chat programs where she is introduced as, “Noted American playwright.” But, I challenge anyone on either side of the pond to name a single Bonnie Greer play. In fact, in America she is entirely unknown. The woman is a fraud. And, like Whoopi, she benefits from Whites’ reticence to call her out. Meanwhile, the BBC loves wheeling her out because it allows them to tick certain boxes on their diversity chart. Foreigner. Female. Black. Greer’s many appearances allow her to shoe-horn the race card into every subject imaginable while demonstrating the stultifying banality of her opinions. But, I gotta give this sassy, soul-sista credit because with no talent (especially no play writing talent) she has become the House Negro of the British middle-class and (wait for it) a board member of the British Museum!

Homosexuals are also useful idiots for their Cultural Marxist masters. They’ll do anything if it gives them the chance to snort poppers and wear frocks. The lesbians get to wear the pants on stage in taxpayer funded all-female Shakespearean productions. It is true that in Shakespeare’s day young men played the female roles. But, this was not transvestism by choice. It was necessary because women weren’t allowed on the Elizabethan stage. And, there was no kissing or touching in the original productions.

Homosexual playwrights, directors and designers rarely miss a chance to demean Whiteness and masculinity and to degrade females. In a recent London production of a play based on Patrick Hamilton’s brilliant WW2 novel The Slaves of Solitude, the queer director and adaptor changed the American GI who was the play’s love interest into a Black soldier. This was impossible casting for all sorts of reasons. But, it allowed the queers to indulge in their own fantasy of having a Black buck ravage the spinsterish English heroine.

There have been many other instances of plays and musicals being mangled by ludicrous race and gender-bending casting. Edward Albee, Arthur Miller, Tennessee Williams, Noel Coward and Rodgers and Hammerstein all forbade such changes. Some of those men were homosexual but they still recognised cultural vandalism when they saw it. Sadly, their estates are managed by their PC grandchildren determined to make their Grandpa’s back catalog hipster-friendly. That sound you hear is of those disrespected gents turning in their graves.

Meanwhile, the hypocrisy of the Cultural Marxists and their apparatchiks in the arts is stunning. They live in the Whitest communities they can find and send their children to the Whitest schools. (The Clintons live in the Whitest zip code in America, and Jewish Bernie Sanders moved from multi-ethnic Brooklyn to Vermont – the Whitest state!) The only contact these hypocrites have with any non-White is with their Black maid. And, if she gets too sassy, they’ll fire her Black behind.

As employers they are anything but progressive. All the major film, TV and commercial producers including the big streaming services film their projects in poor countries. South Africa and Eastern Europe are especially popular. They do this to bust the performer’s unions in the US and UK. This anti-worker behaviour is nothing new. In the 1930s, the Jewish movie moguls who ran Hollywood hired goon squads to bust up organising meetings for the Screen Actors Guild. Meanwhile, British Equity is too busy creating new genders to act as a genuine trade union and fight the media giants.

These media liberals also go abroad to abuse and exploit the local actors and crews. The same producers and stars who cry on the awards shows about Trump and climate change and animal rights allow film extras to be treated like cattle – forced to stand in the cold and wet for many hours (sometimes all night) and given little or no food and very meagre wages. I’ve had extras beg me for food while the loud-mouth lefty stars dined like Meghan Markle. And, the film crews are forced to work round the clock which leads to unsafe conditions. I have seen actors and extras almost decapitated by machinery. I have walked off unsafe sets but most actors are afraid to stand up for themselves.

If I sound angry it’s because I am. And, I’m proud of it. I’m also proud of my history, heritage and culture and I’ll be damned if I’ll let anyone degrade, destroy or steal them. My anger is fuelled by the blood of my ancestors that flows through my veins. And, as long as that most precious blood flows through me, I shall do all I can to expose and resist the deliberate genocide of our people. A genocide that is being dramatised and broadcast. On primetime. And, we are paying to watch the spectacle. If you don’t believe me just go to a movie or play. Turn on your radio or TV. Or, open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate. And, we can stop it. But the entirely legal means of doing so are best discussed elsewhere. In the meantime – Hail Victory!

Jack Antonio, Brooklyn, New York City

Editor’s Note: this article first appeared in the May-June issue #96 of Heritage and Destiny magazine.For a sample copy please send £5.00 or $10.00 to; H&D, 40 Birkett Drive, Preston, PR2 6HE, England, UK. Or email – heritageanddestiny@yahoo.com

Jack Antonio is the author of Boy Outa Brooklyn – a murder memoir. It is available on amazon as a paperback and eBook and from all major eBook distributors. Or, visit Jack’s blog at http://www.boyoutabrooklyn.com

Secret tapes show politicians once dared to speak about race

President Richard Nixon (above left) in conversation at the White House with Prof. Daniel Patrick Moynihan

In July this year the US National Archives released a previously secret tape recording of then President Richard Nixon and future President Ronald Reagan speaking frankly about racial differences.

Today two American scholars writing in The Atlantic reveal that these forbidden views were not held only Reagan and Nixon, a man who of course has long been demonised by the political establishment, but by an ultra-respectable academic.

The President was conversing in October 1971 with Daniel Patrick Moynihan, a Harvard professor who had previously been an adviser to Nixon but was more closely associated with the Democratic Party. Indeed despite his bipartisanship, Moynihan was for decades an icon of America’s liberal intelligentsia.

Yet on this White House tape and in an earlier memorandum, Prof. Moynihan explicitly recognised racial realities. Commenting on an article on race and IQ by Richard Herrnstein published earlier that year, Moynihan wrote: “Herrnstein is, of course, very much worth reading. The findings of intelligence testing, which he summarizes, have profound implications for social policy. …Psychologists now think they know something of the ranking of the major races. Asians first; Caucasians second; Africans third.”

Prof Richard Herrnstein was co-author of The Bell Curve, a book that pointed out the differences between black and white IQ.

Moynihan agreed with the President that in implementing federal programmes to promote black education, he had to bear in mind their fundamental weaknesses – that because of their IQ blacks would basically be at a disadvantage “when you get to some of the more, shall we say, some of the more profound, rigid disciplines”.

His memo to Nixon concluded with pragmatic advice that no doubt influences even those few politicians today honest enough to address racial realities: “Finally, may I plead that you say nothing about this subject, nor let anyone around you do so. There is no possibility of your concern being depicted for what it is, a desire to respond to knowledge in a responsible and prudent manner.”

Moynihan died in 2003, but he would not be surprised that 21st century journalists and scholars are using these newly revealed tapes not to challenge their own liberal multiracialist dogmas, but to demonise Moynihan himself.

White men ‘endangered species’ in UK boardrooms

Tesco chairman John Allan in trouble

Tesco chairman John Allan in trouble

Liberal knives are bring sharpened for one of the UK’s top businessmen, Tesco chairman John Allan, after it emerged that he told a retail industry conference: “If you are a white male, tough. You are an endangered species and you are going to have to work twice as hard.”

Speaking to an audience of executives at the Retail Week Live event on Thursday, Mr Allan said:
“For a thousand years men have got most of these jobs. The pendulum has swung very significantly the other way. If you are female and from an ethnic background and preferably both, then you are in an extremely propitious period.”

Speaking to a journalist from The Guardian the following day, Mr Allan sought to explain his comments as “intended to be humorous, a bit hyperbolic.”

However H&D suspects that a more grovelling apology will be required if Mr Allan is to keep his job…

 

BNP activist cleared in court

LANCASHIRE EVENING POST, 21 June 2010: A BNP activist from Lancashire who wrote and distributed leaflets which blamed Muslims collectively for the heroin trade has been cleared of intending to incite religious hatred.

Tony BamberAnthony Bamber, 54, told a jury his intention was to create a debate about the “crime against humanity” that was the flow of the drug on to Britain’s streets.

He was responsible for heading a campaign which sent up to 30,000 of the leaflets by hand or post to targeted areas and individuals throughout the north of England over a 12-month period.

Bamber, of Greenbank Street, Preston pleaded not guilty to seven counts of distributing threatening written material intended to stir up religious hatred between March and November 2008. He was cleared by a jury at Preston Crown Court of all seven counts.

Representing himself, Bamber said there had been “no unpleasant incidents or social unrest” following the sending of the leaflets. Giving evidence last week, he explained they were targeted at educated professionals such as teachers, doctors, lawyers and clerics who were unlikely to take physical retribution against Muslims upon reading the literature. His aim was to create curiosity and interest which would then lead to a debate, he said.

Link to full article [external site]

Stop Anglophobia! Leicester (23/05/2010)

The Streets of Leicester, 23 May 2010:

May 23 2010 – Stop Anglophobia Demo: Leicester City Clock Tower.

Overall it was a fantastic turnout and a well executed peaceful demo against the continuous Anglophobia happening here in England and also its surrounding countries. Lets keep up the good work!

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The English Shieldwall: http://englishshieldwall.weebly.com/support-us.html

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Stop Anglophobia – Facebook Page/Photos

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Stop Anglophobia – YouTube Video

Labour’s secret plan to lure immigrants was borderline treason – and plain stupid

Was this author was too scared to accuse the Cultural Marxists running New Labour of outright treason? The info obtained by Migration Watch in their Freedom of Information request proves, not just treason, but attempted genocide of whites within the British Isles. Racial nationalists have been vindicated.

Telegraph Blogs, 10 Feb 2010: Incredible. I am stunned. Back in October Andrew Neather, a former Labour party speechwriter, let the cat out the bag when he said that the Government had encouraged immigration “to rub the Right’s nose in diversity”. But while Neather quickly backtracked, documents now released under the Freedom of Information Act suggest that he was telling the truth. Rather than being the result only of incompetence or a short-term economic measure to reduce inflation, Labour’s policy of runaway immigration was a deliberate and cynical attempt to change the face of British society.

The document released yesterday suggested that Labour originally pursued a different direction. It was published under the title “Migration: an economic and social analysis” but the removal of significant extracts suggested that officials or ministers were nervous over references to “social objectives”.

The original paper called for the need of a new framework for thinking about migration policy but the concluding phrase — “if we are to maximise the contribution of migration to the Government’s economic and social objectives” — was edited out.

Link to full article [external site]

The defeated Equality Bill contains Harmanesque poison

Harriet Harman sneeringDAILY TELEGRAPH, 26 Jan 2010: Last night the Government was defeated in three key votes on the Equality Bill. The Bill is not all bad. It consolidates into one Bill a lot of anti-discrimination law (some good, some not so good) that is at present scattered across several Acts, making it easier to read and understand.

However, there are within it some really nasty Harmanesque capsules of authoritarian poison, and a prime example of European judicial Imperialism. Last night it was the Churches who were to be the victims, but in a packed House things did not go the way of the Government.

Before the main clash between the Government and the largely religious lobby, the prominent homosexual Labour peer Lord Ali moved some amendments which posed some awkward questions for those of us who do not believe that the state should look into men’s heads and seek to criminalise their thoughts, rather than their actions. Fortunately in the face of the Government’s opposition he did not push his amendments to a vote, although he might do at a later stage.

Link to full article [external site]

The Discrimination Bill – also known as the ‘Equality’ Bill

Even though this is Labour’s little ‘baby’, truth is Cameron’s lot are just as likely to go ahead with it if they win the next GE.

FROM THE TWISTED MIND OF HARRIET HARMAN, 07 Jan 2010:

October 2010

Most of the provisions of the [Discrimination Bill, known in ‘polite’ and deceitful circles as the] Equality Bill are expected to come into force as the Equality Act 2010. The purposes of this legislation are to harmonise the different strands of discrimination law and strengthen protection. Changes in the draft bill include:

  • Extending the prohibition on “associative and perceptive” discrimination and harassment to all discrimination strands. [I.e. If you were found guilty of discriminating against someone else and I perceived that you were discriminating against me, then you must have been!]
  • Employers will be explicitly liable for failing to prevent harassment by third parties. [I.e. Your employers will become the new Equality Thought Police to prevent themselves being heavily sued – thanks for your understanding, boss!]

Link to full article [England First – analysis]

The Most Hateful Quote of 2009

Thanks to Colonel Buckshot for highlighting this one…  The full top ten are posted over at James Edwards – the Political Cesspool

BLOGOSPHERE, 02 Jan 2010:

It’s horrifying to imagine kids being proud to be white.
Quote from: Newsweek, Sept. 14, 2009

Read Colonel Buckshot [external link]

Read The Top Ten Most Hateful Quotes of 2009 [external link]

A stronger Europe?

Guardian says: “The Lisbon treaty will bring the continent closer together and give it a single, firm voice.” Which would be fine, if that voice was saying the right things…

GUARDIAN, 03 Jan 2010: The Lisbon treaty, which came into force on 1 December, opens up a new stage for the European Union, for this project of coexistence between 27 countries and 500 million people, a project created on the values of freedom and human dignity, of tolerance and solidarity.

As presidents of the European council and of the government of the rotating presidency, we would like the application of the Lisbon treaty to be as diligent and rigorous as possible. In a spirit of co‑operation, we will promote the EU’s new institutional order so we can address and resolve the problems that concern us all. Together we will address the priorities set out in the programme of the presidency.

Read full article [external link]

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