MET RECRUITS ILLITERATE COPS TO BOOST “DIVERSITY”

The cartoon above first appeared in the May 1982 issue of the Police Federation magazine Police. If nationalists had published a similar cartoon themselves, they would have been prosecuted.

London’s Metropolitan Police are recruiting applicants who are “functionally illiterate in English” to meet “diversity targets”, Matt Parr, one of His Majesty’s Inspectorate of Constabulary, has revealed.  

This is in response to trying to meet a demand from the then Commissioner of the Metropolitan Police, the lesbian Cressida Dick, to make London’s police force 40% Black and other non-White by 2023. In fact they have not yet reached even 17% ethnic minority, and they are clearly getting desperate.  

The result is, as Mr Parr found, sticking people who cannot read or write in English in Police uniforms, purely on the basis of their race. This is a practice loudly decried as “racism” unless, as in this case, native White Britons are the victims.    

Cressida Dick, former Commissioner of the Metropolitan Police, is seen here speaking to the private Jewish security/intelligence organisation, Community Security Trust. Before being forced to resign, Ms Dick set her police force the target of becoming 40% Black and other non-White by 2023.

Despite discovering this unfortunate issue in practice, the Inspector of Constabulary was nevertheless all in favour of this anti-White racist policy in principle: “we completely support the idea that London – which will likely be a minority White city in the next decade or so – should not be policed by an overwhelmingly White police force”, he said.  

Or apparently necessarily even an overwhelmingly law-abiding one – he went on to observe, as has long been known and just as long hushed up, that “young Black men tended to have a greater involvement with the criminal justice system in London than any other group. But,” he went on, “that does not mean they should be barred from the Police”.  

Meanwhile native British constables, clearly regarded as surplus to requirements, are being purged from the Metropolitan Police purely for expressing Politically Incorrect opinions, such as remarking in texts sent to colleagues on the total ethnic transformation of large areas of Britain’s capital city. Thus patriotic White policemen are, it seems, being cleared out to make way in the policing of London’s streets for illiterate Black criminals…  

The Martin Luther King race relations industry

Among the most ludicrous products of the worldwide ‘race relations’ industry is the veneration of Martin Luther King.

This cult’s latest emanation is a sculpture unveiled this week in Boston, Massachusetts.

Amid controversy about the sculpture, critics and supporters alike have missed its essential absurdity.

The artist responsible for this work says he was inspired by a photograph of King embracing his wife: but nothing could be more ridiculous than seeking to venerate the ‘martyred civil rights leader’ as, of all things, a faithful husband.

The new statue in tribute to Martin Luther King is titled ‘The Embrace’

By today’s moral standards, Martin Luther King would be condemned as a serial adulterer. Indeed one of his main political enemies – FBI Director J. Edgar Hoover, who viewed King as a crypto-communist – had by the time of King’s murder compiled many volumes of evidence about his infidelities.

Had King not been the victim of a literal assassination, there was ample evidence to assassinate his character. One FBI document records how King laughed as he watched a colleague rape a woman.

This and many other shocking allegations were discussed almost four years ago in a mainstream magazine article by a respected biographer.

But all this has to be written out of history, because King’s status as patron saint of black liberation is simply too important for our rulers to allow facts to contaminate the legend.

Remembering the Fallen

104 years ago today, four years of European civil war ended. In what was then termed the ‘Great War’, or simply ‘the war’, but which we now call the ‘First World War’, nine million soldiers died in combat, with another 23 million wounded. Though civilian casualties were fewer than in the second European civil war that broke out just over twenty years later, it’s estimated that around five million civilians died as a result of the conflict.

At 11 am today, Britons will fall silent to remember those terrible events and our ancestors’ sacrifice.

Alongside respectful memory, there should also be anger.

Earlier this year, the work of Britain’s best-known war poet, Wilfred Owen – who was killed in action in northern France, exactly one week before the end of the war – was removed from the GCSE English Literature course by one of the main examination boards.

H&D readers will not be surprised to learn that this change (which also involved removing the work of Philip Larkin, arguably the greatest 20th century English poet) was made in the name of “diversity”.

Whatever else nine million Europeans died for during 1914-18, they certainly didn’t die for the dubious benefits of “diversity”.

So even if schoolchildren will no longer study Wilfred Owen, H&D readers should today read and think about his Anthem for Doomed Youth.

What passing-bells for these who die as cattle?
      — Only the monstrous anger of the guns.
      Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells; 
      Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
      And bugles calling for them from sad shires.

What candles may be held to speed them all?
      Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
      The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

Instagram’s war on truth: H&D writer banned within 24 hours

H&D writer Isabel Peralta – the 19-year-old student from Madrid who is the best and brightest of a new generation of European nationalist activists – launched a new Instagram account this week, but was banned within 24 hours!

Readers can judge for themselves whether this ban was justified under Instagram’s rules against promotion of ‘hate’.

Every attempt to ban Isabel from social media exposes the hypocrisy of our rulers and exposes what they truly fear.

Our rulers are happy with the crudest and most ill-focused expressions of ‘hatred’ and anti-social behaviour.

They fear a clearly expressed ideological challenge to their anti-European agenda.

We have total confidence that Isabel Peralta will continue that challenge with courage, intelligence and ideological fortitude.

Though banned now from Twitter and Instagram, Isabel still has a YouTube channel – but she has no connection with numerous other social media accounts that use her name.

Earlier today H&D published an English-subtitled version of Isabel’s latest video (see below), in which she recommends books and other cultural foundations for those who wish to dedicate themselves to a 21st century European renaissance.

Death threat to H&D author as Zionist vandals hit German art gallery

As part of an escalating dispute between Zionist extremists and the pro-Palestinian movement, vandals have attacked Germany’s most famous exhibition of contemporary art, defacing the site with graffiti threatening H&D writer Isabel Peralta.

Far from intimidating Miss Peralta or H&D, these death threats perfectly illustrate the contradictions that have overtaken once-allied movements of International Zionism and the ‘multicultural’ Left.

The attack occurred earlier this week at documenta – an exhibition that takes place every five years in the German city of Kassel at the Fridericianum, one of Europe’s oldest museums, which for more than thirty years has been dedicated to ‘contemporary art’.

The Fridericianum, Kassel

While Kassel is best known as the home of the Brothers Grimm – archetypal chroniclers of German folk tales – this documenta festival was intended from its inception almost seventy years ago as a celebration of modernism and a rejection of national-socialism. It was founded in 1955 by an ‘anti-nazi’ artist and teacher – Arnold Bode, who set out to celebrate those artists who had been ‘forbidden’ or discouraged during the Third Reich.

Bode curated the first four documenta events but since 1972 a committee of experts has appointed a different artistic director each time. The 2022 event – the fifteenth in the series held every five years – is directed by ruangrupa, a ‘contemporary art collective’ based in Indonesia.

However, months before the exhibition was due to open, Jewish lobby groups began to attack these Indonesians for their support of the ‘Boycott Divestment and Sanctions’ movement (BDS) that seeks to isolate the State of Israel for its increasingly brutal treatment of the Palestinians.

The attack was focused on one of ruangrupa‘s partners in the exhibition – the Khalil Sakakini Cultural Centre, which is Palestine’s leading artistic organisation.

The Khalil Sakakini Cultural Center, Ramallah, Palestine

As in the UK, Zionists and their support network in Germany have sought to demonise and criminalise the BDS movement, in the latest of their usual manoeuvres to portray victims as culprits.

Several meetings have been held between leading German Jews and Claudia Roth, a politician from the Green Party who is now Culture Minister in the federal German government, having overall political responsibility for major artistic events such as documenta.

Zionist commentators in the German media had been very critical of Ms Roth but were becoming more confident that their lobbying was having effect. However the violent wing of the Zionist movement has now jeopardised this ‘progress’ by taking matters into their own hands and physically attacking the exhibition a month before it is due to open.

Late last Friday night or early Saturday morning, burglars from this Zionist faction broke into the building in Kassel where the exhibition is being prepared. On the walls of the building they sprayed the number ‘187’ (typically used in ‘rap’ and graffiti ‘culture’ as a reference to Section 187 of the California Penal Code, i.e. murder) and the name ‘Peralta’.

German police and journalists all assume that this referred to Isabel Peralta, the young Spanish nationalist now writing for Heritage and Destiny who was controversially banned from entering Germany two months ago.

Isabel has attracted controversy since February last year when she spoke at a memorial for the Division Azul, Spanish volunteers who fought alongside German forces against Stalin’s Red Army on the Eastern Front after 1941.

Isabel Peralta and comrades at a pro-Palestinian demonstration in Madrid – click here for video

She has also spoken out against the Spanish government’s failure to control immigration, and has addressed demonstrations in support of the embattled Palestinians.

It seems clear that the Zionist vandals were intending to threaten both Isabel Peralta and the pro-Palestinian groups involved in organising the documenta exhibition.

To his credit, the Mayor of Kassel quickly denounced the attack: “Having discussions about documenta fifteen is one thing, wanting to intimidate artists with criminal offences goes far beyond what is acceptable.”

H&D is continuing to investigate the extremist Zionist networks behind this attack.

One irony is that for most of the 20th century (and even today) prominent Jews and Organised Jewry were champions of the most extreme forms of contemporary art, seeking to ‘deconstruct’ Western civilisation. The former treasurer of the Conservative Party – Ehud Sheleg, presently the focus of controversy over an allegedly illegal Russian donation – is a prime example.

As with other forms of ‘multiculturalism’ promoted for a century by leading Jewish spokesmen – notably mass non-White immigration into Europe – Zionists are now reaping what they have sown.

The next issue of H&D will include an article by Isabel Peralta viewing the ‘Decline of the West’ through the prism of art. This week’s criminal vandalism and death threats will not deter her or us.

Part of the Zionist vandalism this week in Kassel

Woke censorship of UK Latin teaching

The tide of ‘woke’ political correctness has finally reached one of the final bastions of traditional British education – the small number of schools that still teach Latin.

Classical education was fundamental to many generations of Britons, including those who built and ruled the British Empire (often in conscious emulation of the Romans). Now that traditional education is deemed to have transgressed against the holy commandments of ‘woke’.

At the centre of the row is the Cambridge Latin Course, a series of books first introduced in 1970 and now used in the vast majority of those British schools that still teach Latin. (Although when I was taught Latin from 1978-1984, we used much older textbooks, and until this row developed I knew nothing of these Cambridge books.)

The books teach children their first simple Latin phrases by introducing the household of a Roman called Lucius Caecilius – a real man who lived in Pompeii, the city largely destroyed by volcanic eruption of Mount Vesuvius in 79 AD. Caecilius himself had probably died seventeen years before this eruption, but his home can still be seen in the ruins of Pompeii and some of its contents are in the Naples archaeological museum.

The problem for modern politically correct censors is that Caecilius – like all wealthy Romans of his era – owned slaves. These slaves were probably White, but the racial politics of our own era means that any mention of slavery requires all White people to grovel in apology, however absurd, ahistorical or otherwise meaningless such apologies are.

The teaching of history is no longer an end in itself – still less is it allowed for Europeans to have any pride in their classical ancestry. Rather, it is compulsory to search for aspects of the past that lead to denigration of our own civilisations.

In addition, the school and university curriculum must be purged of anything that might cause offence to any protected group. The league table of protected groups is headed by Jews, then extends via ethnic minorities, the infinitely expanding variety of sexual minorities, and eventually to women in general. The only group without a victim card to play in this game are White men.

And the problem with the Cambridge Latin Course is that the slaves in Caecilius’ household are portrayed as going about their daily tasks in a normal and even happy environment.

A nuanced approach to teaching Latin (and Ancient History) would have to accept that there were many brutal realities, or just very strange aspects of life in the ancient world that are not suitable for young children, so inevitably when they are introduced to this world it will be in a sanitised and incomplete form.

But for the woke generation of teachers, the whole point of teaching any subject is to instil wokeness. So the Cambridge Latin Course seems likely to be scrapped, and replaced by something that better suits the brainwashing agenda of the 2020s.

Perhaps one of Roman history’s traditional villains will be reinvented as a hero for the 2020s?

Publius Clodius was a vicious gangster and pervert whose murder by a rival gangster in 52 BC led to one of the great speeches by Cicero, the most famous legal orator in history, who successfully defended Clodius’ murderer Titus Annius Milo.

In this speech (Pro Milone) Cicero refers to Clodius’ part in one of the greatest scandals of Ancient Rome some ten years earlier, when Clodius disguised himself as a woman in order to infiltrate the traditional women-only religious rite of the Bona Dea.

This was an all-night festival conducted at the home of Rome’s ceremonial chief priest (on this occasion Julius Caesar), but in an environment that was not only all-female but which had to be ritually cleansed of all male associations before the ceremony (even of male animals or works of art portraying men).

So when Clodius dressed as a woman and attended the event, it was a major scandal, inevitably involving rumours of sexual perversion involving Caesar’s then wife and even Clodius’ own sister. Modern readers are perhaps most familiar with the case because of the phrase Caesar used when divorcing his wife: although there was no proof that she had connived with Clodius, “Caesar’s wife must be above suspicion”.

The scandal of Publius Clodius at the rite of the Bona Dea, as depicted in 1810 in an engraving by Silvestre David Mirys

Clodius was prosecuted for incestum (which in Roman law meant ‘sacrilege’ rather than what we would now call ‘incest’, though one of the allegations was that he had indeed committed incest with his sister).

He was eventually acquitted because a powerful political ally bribed the jury. In 2022 the verdict of woke historians does not need to be bought. After all in our world, we are no longer permitted to recognise biological differences between men and women, so the Bona Dea ceremony itself would be unacceptable and Clodius would be judged a pioneering transsexual hero!

Perhaps the cross-dressing adventures of Clodius will replace the now-unacceptable Cambridge Latin Course as a means of introducing children to the classical world?

Or more likely the entire history of that world will be scrapped, and replaced by something more suitable for teaching European children that they must bow down before Africans.

British historian condemns ‘moronic’ wokeness of US National Archives

British historian Andrew Roberts has ridiculed the US National Archives for its latest display of wokeness, after Washington officials placed a ‘trigger warning’ notice next to its historic copy of the 1776 Declaration of Independence.

‘Trigger warnings’ and ‘safe spaces’ have become commonplace in academic and public institutions in recent years as wokeness has taken over. The idea is that minority groups (or just people with ultra-woke ideas) might be offended by any contact with people or writings that convey different ideas, even in a historical context.

As Roberts (biographer of the wartime British Ambassador to Washington, Lord Halifax, and more recently of King George III against whom the Declaration was written) pointed out last weekend to an audience at the Oxford Literary Festival: “Anyone who thinks an 18th century document is not going to be outdated, biased and offensive is frankly a moron. When you go to see the Declaration, you read what it says about Native Americans and so on, you won’t be so offended that you can’t stand up.”

The really interesting thing about this row is what it tells us about American notions of ‘freedom’ and ‘equality’. While liberals like to parrot the Declaration’s phrases about “all men” being “created equal” with “inalienable rights”, they ignore that in practice this meant White men.

The rotunda of the US National Archives in Washington, where the Declaration of Independence – and now the absurd ‘trigger warning’ – are displayed

Hence the words that are now found objectionable, where the Declaration complains that King George:
“has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.”

Rather than focus their complaint on the word “savages”, the woke brigade might do better to reflect on what this tells us about American values than and now, and about the broader values of liberalism.

Red Indians – now known as Native Americans – supported the British Crown because they knew that the Empire offered them a better deal than they would get under liberal capitalism. The same applied half a century later to the British working-class, exploited as footsoldiers by the liberal middle-class in their campaign for ‘reform’, but then left worse off then ever under the ‘free’ capitalism of early and mid-Victorian England.

As for ‘racism’, Americans might find it uncomfortable to reflect on the fact that their famous Olympic athlete Jesse Owens was treated far better by Adolf Hitler in national-socialist Berlin in 1936 than he was by his fellow Americans!

And the American “rule of warfare” – despite the implication of their own Declaration of Independence, has turned out to be truly destructive “of all ages, sexes and conditions”, from Dresden to Hiroshima to Baghdad.

What this ridiculous fuss about ‘trigger warnings’ really tells us is that it is absurd to try to force history into our 21st century preconceptions. In Washington this absurdity takes the form of placing warning notices next to the Declaration of Independence, in modern Germany it takes the form of locking up 93-year-old Ursula Haverbeck for expressing forbidden historical opinions and daring to ask forbidden questions.

American Olympic gold medallist Jesse Owens (above right) with fellow long jumper Luz Long, a German who won silver at the same 1936 Olympics in National Socialist Berlin. Luz Long was killed while fighting with the Germany Army in Sicily in July 1943, aged 30.

Isabel Peralta reports on her arrest – new video update + new Instagram link (March 27th)

Isabel Peralta, the 19-year-old student who during the past 12 months has emerged as the brightest leader of a new generation of European nationalists, was stopped by border security at Frankfurt airport last Tuesday (15th March).

On searching her hand baggage she was immediately detained, even though the only item found was a copy of Homer’s Iliad – which dates back to the 8th century BC!

Spanish and German security services whose officers were waiting for Isabel at the airport had clearly planned her detention in advance and had files ready on her political activities, none of which are grounds for deportation from Germany.

As explained in the video below, a process was under way to deport Isabel from Germany on grounds of “threat to national security”, long before her other bag was retrieved from the plane’s hold. Other items in that bag (widely reported in the media) were her private belongings and therefore not an offence under Germany’s ‘public order’ law. In fact the authorities had no grounds under the Schengen treaty governing EU travel even to search the bag.

This and many other aspects of the case – including the fact that Isabel was for many hours denied access to a lawyer – are now being pursued.

After being detained overnight Isabel was deported back to Madrid, where on Friday evening (March 18th) she gave the live interview above, now available with English subtitles.

Commenting on Instagram earlier today, H&D‘s assistant editor wrote: “Isabel Peralta is the bravest and best comrade I have encountered in any country. She has sought to direct the new generation of nationalists in a principled, intelligent but strategically sensible manner. She is the very opposite of a terrorist or criminal. Her treatment yesterday and today is a disgrace to the Federal Republic and I have every confidence that her legal representatives will ensure she is not treated in this manner in future. All friends of the real Europe should give Isabel every support.”

Later we shall report further details of this disgraceful abuse of power by the authorities of the Federal Republic. Legal proceedings continue and we are confident that Isabel’s German lawyer will resolve the matter in her favour.

An article by Isabel Peralta will appear in the May-June edition of H&D. Our readers will be hearing a lot more from this excellent representative of European youth. Click here for Isabel’s YouTube channel.

For an update on Isabel’s case in Madrid against the professional liars of the international media, please click here.

UPDATE 20th March: On Friday evening Isabel appeared on a live broadcast from Madrid, in which she answered a range of questions about her unconstitutional detention. The story is very different from that told by the mainstream media. Please click here to watch an English-subtitled version of this broadcast. We apologise for very occasional passages that are unsubtitled for technical reasons.

UPDATE 27th March: Isabel Peralta has a new Instagram account at https://www.instagram.com/aquiles.helade/ See her introductory video below (with English subtitles).

Isabel writes: “Following the censorship suffered by people and organisations critical of the state welfare system – a system whose highest values according to the constitution are ‘freedom’, ‘equality’, and ‘political pluralism’ – I feel compelled to open another account. All Europeans must have the right to know the true ideas of their blood.”

Spot the criminal – Germany seeks to jail 93-year-old publisher while ‘Holocaust’ museums hang on to billionaire gangster’s donations

Ursula Haverbeck at the Berlin appeal court, 18th March 2022

Ursula Haverbeck – the extraordinarily courageous German patriot and educator now aged 93 – was back in court earlier today in Berlin, appealing against convictions for ‘Holocaust denial’ and a 12-month prison sentence.

This is a combined appeal against two convictions and sentences for similar ‘crimes’, one in 2017 involving a speech to an audience of 80 people in Berlin; the other in 2020 relating to a YouTube interview conducted by Nikolai Nehrling, known in German nationalist circles as the Volkslehrer.

Mainstream German press reports see nothing wrong in dragging a 93-year-old lady through the courts for the ‘crime’ of doubting and asking questions about the alleged murder of six million Jews by a mysterious unique mass murder weapon – the alleged homicidal gas chambers.

H&D’s assistant editor has met Ursula several times, and she could not be further from the stereotype of an ‘inciter of hate’. She is a polite, very well-educated lady who expresses her views in reasonable terms. And it should be noted that she is one of the last generation of Germans who experienced the horrors of fleeing with her family from the invading barbarians of Stalin’s Red Army in 1945.

Ursula Haverbeck knows what it means to be a genuine refugee.

Ursula Haverbeck (above centre) with her Berlin attorney Wolfram Nahrath (above right) at today’s hearing

A very different type of human being is Roman Abramovich, chief financial fixer for the bloodstained tyrant Vladimir Putin.

BBC’s Panorama broadcast a detailed investigation of Abramovich’s criminal career on Monday evening. It is crystal clear that – aided and abetted by both Boris Yeltsin and in particular Putin – Abramovich built his fortune on defrauding the Russian people of literally billions of pounds worth of their national assets.

The beneficiaries of Abramovich’s loot include two of the world’s leading ‘Holocaust’ museums. A few days ago we discussed his links to Yad Vashem in Israel. Now it has become clear that the Imperial War Museum in London has no intention of returning the money given by Abramovich for its vastly expensive new ‘Holocaust’ gallery.

The museum has not disclosed quite how much Abramovich donated, but the total budget for the exhibition is at least £30.5 million.  In addition to his personal contribution (or should we say the contribution of the long-suffering Russian people, since Abramovich’s wealth comes from assets stolen from them) Abramovich also staged a fundraising event for the project at Stamford Bridge, the home of Chelsea Football Club, which he owned until his London assets were frozen this week.

London’s world-famous Imperial War Museum, founded in 1917, bends over backwards to avoid any association with ‘racism’ or ‘slavery’ – yet shamelessly hangs on to millions donated from the ill-gotten fortune of Roman Abramovich

At the time of the donation in October 2018, the Imperial War Museum’s director gushed that: “This donation will enable IWM to reinterpret these galleries, which will present critical insights into the Holocaust as well as integrate the devastating events of the Holocaust into the broader history of the Second World War, revealing why this often overlooked dimension is so important.”

Quite shamelessly – given that it is one of the world’s leading military museums so ought to be taking a close interest in the world-changing events currently under way in Ukraine – the IWM says it will be “retaining the funds from Roman Abramovich”, and in the sly tradition of the barrack room lawyer insists: “This is compliant with all government regulations regarding sanctions”.

Meanwhile Yad Vashem has said only that it is “suspending its strategic partnership” with Abramovich and has yet to confirm whether it will hand back any of the stolen money.

While the Kremlin dictator Putin attempts a real genocide, valiantly resisted by Ukrainian patriots, his gangster henchman Abramovich has funded several prominent examples of a one-sided view of history – exploited for the benefit of yesterday’s Soviet butchers, today’s Russian imperialists, and the shameless Zionist pirates of both yesterday and today.

Those like Ursula Haverbeck who face trials across Europe for the ‘crime’ of ‘denying the Holocaust’ doubtless appreciate the irony that official ‘Holocaust history’ is funded by one of the world’s worst fraudsters, whose career of theft and brutality has been protected by a genuine war criminal.

On Monday Ursula Haverbeck’s latest court ordeal continues in Berlin. H&D will carry further updates throughout the case, both here and in forthcoming issues of our magazine.

‘Holocaust’ memorial appeal judge is wife of leading Jewish politician

Plans for the giant ‘Holocaust Memorial’ dwarfing London’s major heritage sites

Regular H&D readers will know that there has for several years been a plan to build a gigantic ‘Holocaust memorial’ in the heart of Westminster – close to the Houses of Parliament and Westminster Abbey – and taking over one of Central London’s few green spaces, Victoria Tower Gardens.

H&D‘s assistant editor Peter Rushton submitted a detailed report in 2019 to the original Westminster City Council planning enquiry, which went on to reject the planned memorial.

However government ministers appointed a central inspector who override the decision of local planners.

Foreign Secretary Lord Carrington with Prime Minister Margaret Thatcher. Carrington, who had won the Military Cross for his bravery during the Second World War, wrote of the original plans for a London Holocaust Memorial: “The whole idea is preposterous”.

Today that central government decision is being challenged in court, reopening the question of whether this monstrous ‘memorial’ will ever be built.

Readers can assess the arguments for themselves by reading Peter Rushton’s fully documented article here.

And we shall of course report on the progress of today’s appeal.

However one strange fact is worth pointing out immediately. The judge in this High Court Appeal is Mrs Justice Thornton – better known as the wife of former Labour Party leader Ed Miliband.

Justine Miliband with her husband Ed – then Labour Party leader – on election day. Swapping her political hat for her judicial one, Mrs Miliband – aka Mrs Justice Thornton – is now sitting in judgment on the London Holocaust Memorial plans.

In 2015 her husband publicly supported the initial plan for a London Holocaust Memorial – and now Mrs Miliband (aka Mrs Justice Thornton) is sitting in judgment on the final version of the same project. We have no reason to believe that Mrs Miliband/Thornton is anything other than totally honest and unbiased, but can this be right, when justice must be seen to be done?

Ed Miliband’s grandfather Sam was a committed communist who fled to London as an illegal immigrant from wartime Belgium. He had earlier fled from his Warsaw birthplace after betraying his own country to fight alongside Trotsky’s invading Red Army during 1920. See our report a decade ago.

Ed Miliband’s grandfather Sam (left) and father Ralph were illegal Jewish Communist immigrants. His wife Justine is now sitting in judgment on plans for a giant ‘Holocaust Memorial’ in London.

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