Boxing promoters aid anti-White racial propaganda war
Even more than Hollywood, the cynical world of professional boxing has this weekend displayed subversive racial propaganda at its worst.
Promotional material for last night’s heavyweight bout at London’s O2 Arena showed a calm and civilised looking negro, facing a snarling, posturing White barbarian.
The ‘British’ challenger (in fact of mainly Nigerian ancestry, mixed with a bit of Irish on his father’s side) was Anthony Joshua (full name Anthony Oluwafemi Olaseni Joshua).
Despite being awarded the OBE four years ago – i.e. he is an ‘Officer of the Most Excellent Order of the British Empire’ – Joshua has taken several opportunities to show his contempt for the White civilization that created the multi-millionaire lifestyle he now enjoys.
In 2017 Joshua used Instagram to preach about “the superior black race”. Had anyone written about “the superior White race” on Instagram their account would swiftly be terminated, their career would be over, and they would probably be arrested.
Joshua then used his Snapchat account to praise the genocidal, anti-White, Zimbabwean dictator Robert Mugabe.
And in 2020 he addressed a “Black Lives Matter” rally, calling on his fellow blacks to discriminate against White businesses.
Joshua has been in trouble with the law more than once. Aged 19 (and already starting out as an amateur boxer) he spent two weeks in prison on remand for violent offences, and as a condition of his release was forced to wear an electronic tag for a year.
Then in 2011 he was convicted of possessing cannabis with intent to supply, and was very lucky to escape a prison sentence: instead he was made to do 100 hours of community service work.
Yet White British boxing fans are either remarkably forgiving or masochistic. They flock to support this black racist criminal.
And boxing promoters cynically produced posters that presented Joshua as ‘cool’ and civilized, while his opponent appears to be a crazy thug.
In reality Robert Helenius (a Finn based in Sweden) has no criminal record and (unlike Joshua) no record of ‘racism’. His image on the posters was simply playacting, living up to the image the promoters wanted.
Those promoters also knew that Helenius (who is 39 years old, at the end of his career, and only fighting at this level because a last minute replacement was needed) was almost certain to lose to Joshua. And as expected, Joshua knocked out Helenius in the 7th round.
The promoters had the result they wanted: Aryan barbarian given a beating by ‘cool’ negro.
Sadly, very many racial nationalists are just as keen to live up to the ‘barbaric’ image that fits our enemies’ script.
The popular image of a racial nationalist in 2023 is of a lout – in American terms a ‘redneck’ – his face contorted with hatred as he impotently rails against ‘superior’ liberals and non-Whites. In the worst examples, hooligans on anti-Muslim demonstrations are photographed urinating on one of Britain’s most historic buildings, Westminster Abbey, because they have consumed so many cans of lager on the way to the demonstration that they are unable to control themselves.
The truth of course is that racial nationalists are the defenders of civilization. Just as German forces (assisted by brave volunteers from many other countries, including Spain, France, Belgium, Ukraine, and the Baltic states) defended Europe’s front line against Stalin’s semi-Asiatic barbarians in 1945, racial nationalists today fight a political and cultural war (and sometimes a literal one) against various forms of anti-European barbarism.
Yet we allow ourselves to be portrayed as though we are the barbarians. Robert Helenius was innocently acting that role for the cameras, as part of the show business side of his sport. As politically aware racial nationalists, we have no such excuses and should have more sense.
Dominique Venner – a hero of the True Europe
Ten years ago – on 21st May 2013 – a great French racial nationalist, Dominique Venner, committed suicide in dramatic circumstances at the Cathedral of Notre Dame.
Venner’s father had been part of Jacques Doriot’s pre-war nationalist party. He was himself politically active from the mid-1950s until his death, as one of the leading figures in an intellectual movement known as the Nouvelle Droite, together with Alain de Benoist, Pierre Krebs, and the late Guillaume Faye. The ND’s leaders later came to disagree with each other on some fundamental issues, but for the past sixty years their work has been among the highest quality contributions to European resistance.
Usually, racial nationalists should disapprove of pessimism, and especially suicide, since our racial nationalist ideology is a celebration of life and optimism.
Of course, some leading European nationalists have killed themselves in exceptional situations, but in today’s world we should not usually accept that suicide is a positive political option.
But Venner was 78 and very seriously ill. He wanted to make a final political gesture while he was able to do so.
Dominique Venner died as he had lived – as a hero of the True Europe.
Historic RAF site to be demolished for ‘refugee centre’: will Gary Lineker intervene?
During the past week, BBC presenter Gary Lineker has deployed wartime rhetoric to condemn government policy on immigration. He suggests that ‘asylum seekers’ are similar to refugees from 1930s Europe. As with so many liberal arguments in favour of immigrants, all the usual ‘anti-Nazi’ rhetoric is mobilised. Lineker suggests that Britain’s ‘heroic’ wartime record implies that we must roll out the welcome mat for those disembarking on our coast daily in small boats.
Yet a story has since emerged that might give even Lineker pause for thought.
RAF Scampton is one of Britain’s most historic wartime sites. In May 1943 Wing Commander Guy Gibson and his 617 Squadron led the famous ‘Dambusters raid’ from this airfield. In recent years it has been used as a base for the Red Arrows, the RAF’s aerobatic team.
A £300m deal had been agreed with the local council earlier this year that would preserve a museum at Scampton, restore the Officers’ Mess into a hotel, and provide 1,000 jobs to local residents.
Home Secretary Suella Braverman is keen to make propaganda about immigration, hoping that the Conservative Party can again deceive British voters. Yet it is her department that is committing this vandalism at Scampton, destroying listed buildings and riding roughshod over British heritage.
Can we expect any word on Twitter from Gary Lineker about this issue?
RAF Scampton was of course also the home of Wing Commander Guy Gibson’s famous dog ‘Nigger’, whose name has been removed by censors from all recent broadcasts of The Dambusters film. Even YouTube now restricts a video featuring this famous dog!
Nigger featured in the film partly because of the coincidence that the dog (a much loved mascot of 617 Squadron) was killed in a car accident on the very night of the Dambusters raid: he was buried at midnight as his owner was en route to Germany. Nigger is buried at RAF Scampton, but in 2021 following ‘Black Lives Matter’ protests, his original gravestone was destroyed. Paying tribute to the black American criminal George Floyd was judged more important than Britain’s own wartime history.
MET RECRUITS ILLITERATE COPS TO BOOST “DIVERSITY”
London’s Metropolitan Police are recruiting applicants who are “functionally illiterate in English” to meet “diversity targets”, Matt Parr, one of His Majesty’s Inspectorate of Constabulary, has revealed.
This is in response to trying to meet a demand from the then Commissioner of the Metropolitan Police, the lesbian Cressida Dick, to make London’s police force 40% Black and other non-White by 2023. In fact they have not yet reached even 17% ethnic minority, and they are clearly getting desperate.
The result is, as Mr Parr found, sticking people who cannot read or write in English in Police uniforms, purely on the basis of their race. This is a practice loudly decried as “racism” unless, as in this case, native White Britons are the victims.
Despite discovering this unfortunate issue in practice, the Inspector of Constabulary was nevertheless all in favour of this anti-White racist policy in principle: “we completely support the idea that London – which will likely be a minority White city in the next decade or so – should not be policed by an overwhelmingly White police force”, he said.
Or apparently necessarily even an overwhelmingly law-abiding one – he went on to observe, as has long been known and just as long hushed up, that “young Black men tended to have a greater involvement with the criminal justice system in London than any other group. But,” he went on, “that does not mean they should be barred from the Police”.
Meanwhile native British constables, clearly regarded as surplus to requirements, are being purged from the Metropolitan Police purely for expressing Politically Incorrect opinions, such as remarking in texts sent to colleagues on the total ethnic transformation of large areas of Britain’s capital city. Thus patriotic White policemen are, it seems, being cleared out to make way in the policing of London’s streets for illiterate Black criminals…
The Martin Luther King race relations industry
Among the most ludicrous products of the worldwide ‘race relations’ industry is the veneration of Martin Luther King.
This cult’s latest emanation is a sculpture unveiled this week in Boston, Massachusetts.
Amid controversy about the sculpture, critics and supporters alike have missed its essential absurdity.
The artist responsible for this work says he was inspired by a photograph of King embracing his wife: but nothing could be more ridiculous than seeking to venerate the ‘martyred civil rights leader’ as, of all things, a faithful husband.
By today’s moral standards, Martin Luther King would be condemned as a serial adulterer. Indeed one of his main political enemies – FBI Director J. Edgar Hoover, who viewed King as a crypto-communist – had by the time of King’s murder compiled many volumes of evidence about his infidelities.
Had King not been the victim of a literal assassination, there was ample evidence to assassinate his character. One FBI document records how King laughed as he watched a colleague rape a woman.
This and many other shocking allegations were discussed almost four years ago in a mainstream magazine article by a respected biographer.
But all this has to be written out of history, because King’s status as patron saint of black liberation is simply too important for our rulers to allow facts to contaminate the legend.
Remembering the Fallen
104 years ago today, four years of European civil war ended. In what was then termed the ‘Great War’, or simply ‘the war’, but which we now call the ‘First World War’, nine million soldiers died in combat, with another 23 million wounded. Though civilian casualties were fewer than in the second European civil war that broke out just over twenty years later, it’s estimated that around five million civilians died as a result of the conflict.
At 11 am today, Britons will fall silent to remember those terrible events and our ancestors’ sacrifice.
Alongside respectful memory, there should also be anger.
Earlier this year, the work of Britain’s best-known war poet, Wilfred Owen – who was killed in action in northern France, exactly one week before the end of the war – was removed from the GCSE English Literature course by one of the main examination boards.
H&D readers will not be surprised to learn that this change (which also involved removing the work of Philip Larkin, arguably the greatest 20th century English poet) was made in the name of “diversity”.
Whatever else nine million Europeans died for during 1914-18, they certainly didn’t die for the dubious benefits of “diversity”.
So even if schoolchildren will no longer study Wilfred Owen, H&D readers should today read and think about his Anthem for Doomed Youth.
What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
Instagram’s war on truth: H&D writer banned within 24 hours
H&D writer Isabel Peralta – the 19-year-old student from Madrid who is the best and brightest of a new generation of European nationalist activists – launched a new Instagram account this week, but was banned within 24 hours!
Readers can judge for themselves whether this ban was justified under Instagram’s rules against promotion of ‘hate’.
Every attempt to ban Isabel from social media exposes the hypocrisy of our rulers and exposes what they truly fear.
Our rulers are happy with the crudest and most ill-focused expressions of ‘hatred’ and anti-social behaviour.
They fear a clearly expressed ideological challenge to their anti-European agenda.
We have total confidence that Isabel Peralta will continue that challenge with courage, intelligence and ideological fortitude.
Though banned now from Twitter and Instagram, Isabel still has a YouTube channel – but she has no connection with numerous other social media accounts that use her name.
Earlier today H&D published an English-subtitled version of Isabel’s latest video (see below), in which she recommends books and other cultural foundations for those who wish to dedicate themselves to a 21st century European renaissance.
Death threat to H&D author as Zionist vandals hit German art gallery
As part of an escalating dispute between Zionist extremists and the pro-Palestinian movement, vandals have attacked Germany’s most famous exhibition of contemporary art, defacing the site with graffiti threatening H&D writer Isabel Peralta.
Far from intimidating Miss Peralta or H&D, these death threats perfectly illustrate the contradictions that have overtaken once-allied movements of International Zionism and the ‘multicultural’ Left.
The attack occurred earlier this week at documenta – an exhibition that takes place every five years in the German city of Kassel at the Fridericianum, one of Europe’s oldest museums, which for more than thirty years has been dedicated to ‘contemporary art’.
While Kassel is best known as the home of the Brothers Grimm – archetypal chroniclers of German folk tales – this documenta festival was intended from its inception almost seventy years ago as a celebration of modernism and a rejection of national-socialism. It was founded in 1955 by an ‘anti-nazi’ artist and teacher – Arnold Bode, who set out to celebrate those artists who had been ‘forbidden’ or discouraged during the Third Reich.
Bode curated the first four documenta events but since 1972 a committee of experts has appointed a different artistic director each time. The 2022 event – the fifteenth in the series held every five years – is directed by ruangrupa, a ‘contemporary art collective’ based in Indonesia.
However, months before the exhibition was due to open, Jewish lobby groups began to attack these Indonesians for their support of the ‘Boycott Divestment and Sanctions’ movement (BDS) that seeks to isolate the State of Israel for its increasingly brutal treatment of the Palestinians.
The attack was focused on one of ruangrupa‘s partners in the exhibition – the Khalil Sakakini Cultural Centre, which is Palestine’s leading artistic organisation.
As in the UK, Zionists and their support network in Germany have sought to demonise and criminalise the BDS movement, in the latest of their usual manoeuvres to portray victims as culprits.
Several meetings have been held between leading German Jews and Claudia Roth, a politician from the Green Party who is now Culture Minister in the federal German government, having overall political responsibility for major artistic events such as documenta.
Zionist commentators in the German media had been very critical of Ms Roth but were becoming more confident that their lobbying was having effect. However the violent wing of the Zionist movement has now jeopardised this ‘progress’ by taking matters into their own hands and physically attacking the exhibition a month before it is due to open.
Late last Friday night or early Saturday morning, burglars from this Zionist faction broke into the building in Kassel where the exhibition is being prepared. On the walls of the building they sprayed the number ‘187’ (typically used in ‘rap’ and graffiti ‘culture’ as a reference to Section 187 of the California Penal Code, i.e. murder) and the name ‘Peralta’.
German police and journalists all assume that this referred to Isabel Peralta, the young Spanish nationalist now writing for Heritage and Destiny who was controversially banned from entering Germany two months ago.
Isabel has attracted controversy since February last year when she spoke at a memorial for the Division Azul, Spanish volunteers who fought alongside German forces against Stalin’s Red Army on the Eastern Front after 1941.
She has also spoken out against the Spanish government’s failure to control immigration, and has addressed demonstrations in support of the embattled Palestinians.
It seems clear that the Zionist vandals were intending to threaten both Isabel Peralta and the pro-Palestinian groups involved in organising the documenta exhibition.
To his credit, the Mayor of Kassel quickly denounced the attack: “Having discussions about documenta fifteen is one thing, wanting to intimidate artists with criminal offences goes far beyond what is acceptable.”
H&D is continuing to investigate the extremist Zionist networks behind this attack.
One irony is that for most of the 20th century (and even today) prominent Jews and Organised Jewry were champions of the most extreme forms of contemporary art, seeking to ‘deconstruct’ Western civilisation. The former treasurer of the Conservative Party – Ehud Sheleg, presently the focus of controversy over an allegedly illegal Russian donation – is a prime example.
As with other forms of ‘multiculturalism’ promoted for a century by leading Jewish spokesmen – notably mass non-White immigration into Europe – Zionists are now reaping what they have sown.
The next issue of H&D will include an article by Isabel Peralta viewing the ‘Decline of the West’ through the prism of art. This week’s criminal vandalism and death threats will not deter her or us.
Woke censorship of UK Latin teaching
The tide of ‘woke’ political correctness has finally reached one of the final bastions of traditional British education – the small number of schools that still teach Latin.
Classical education was fundamental to many generations of Britons, including those who built and ruled the British Empire (often in conscious emulation of the Romans). Now that traditional education is deemed to have transgressed against the holy commandments of ‘woke’.
At the centre of the row is the Cambridge Latin Course, a series of books first introduced in 1970 and now used in the vast majority of those British schools that still teach Latin. (Although when I was taught Latin from 1978-1984, we used much older textbooks, and until this row developed I knew nothing of these Cambridge books.)
The books teach children their first simple Latin phrases by introducing the household of a Roman called Lucius Caecilius – a real man who lived in Pompeii, the city largely destroyed by volcanic eruption of Mount Vesuvius in 79 AD. Caecilius himself had probably died seventeen years before this eruption, but his home can still be seen in the ruins of Pompeii and some of its contents are in the Naples archaeological museum.
The problem for modern politically correct censors is that Caecilius – like all wealthy Romans of his era – owned slaves. These slaves were probably White, but the racial politics of our own era means that any mention of slavery requires all White people to grovel in apology, however absurd, ahistorical or otherwise meaningless such apologies are.
The teaching of history is no longer an end in itself – still less is it allowed for Europeans to have any pride in their classical ancestry. Rather, it is compulsory to search for aspects of the past that lead to denigration of our own civilisations.
In addition, the school and university curriculum must be purged of anything that might cause offence to any protected group. The league table of protected groups is headed by Jews, then extends via ethnic minorities, the infinitely expanding variety of sexual minorities, and eventually to women in general. The only group without a victim card to play in this game are White men.
And the problem with the Cambridge Latin Course is that the slaves in Caecilius’ household are portrayed as going about their daily tasks in a normal and even happy environment.
A nuanced approach to teaching Latin (and Ancient History) would have to accept that there were many brutal realities, or just very strange aspects of life in the ancient world that are not suitable for young children, so inevitably when they are introduced to this world it will be in a sanitised and incomplete form.
But for the woke generation of teachers, the whole point of teaching any subject is to instil wokeness. So the Cambridge Latin Course seems likely to be scrapped, and replaced by something that better suits the brainwashing agenda of the 2020s.
Perhaps one of Roman history’s traditional villains will be reinvented as a hero for the 2020s?
Publius Clodius was a vicious gangster and pervert whose murder by a rival gangster in 52 BC led to one of the great speeches by Cicero, the most famous legal orator in history, who successfully defended Clodius’ murderer Titus Annius Milo.
In this speech (Pro Milone) Cicero refers to Clodius’ part in one of the greatest scandals of Ancient Rome some ten years earlier, when Clodius disguised himself as a woman in order to infiltrate the traditional women-only religious rite of the Bona Dea.
This was an all-night festival conducted at the home of Rome’s ceremonial chief priest (on this occasion Julius Caesar), but in an environment that was not only all-female but which had to be ritually cleansed of all male associations before the ceremony (even of male animals or works of art portraying men).
So when Clodius dressed as a woman and attended the event, it was a major scandal, inevitably involving rumours of sexual perversion involving Caesar’s then wife and even Clodius’ own sister. Modern readers are perhaps most familiar with the case because of the phrase Caesar used when divorcing his wife: although there was no proof that she had connived with Clodius, “Caesar’s wife must be above suspicion”.
Clodius was prosecuted for incestum (which in Roman law meant ‘sacrilege’ rather than what we would now call ‘incest’, though one of the allegations was that he had indeed committed incest with his sister).
He was eventually acquitted because a powerful political ally bribed the jury. In 2022 the verdict of woke historians does not need to be bought. After all in our world, we are no longer permitted to recognise biological differences between men and women, so the Bona Dea ceremony itself would be unacceptable and Clodius would be judged a pioneering transsexual hero!
Perhaps the cross-dressing adventures of Clodius will replace the now-unacceptable Cambridge Latin Course as a means of introducing children to the classical world?
Or more likely the entire history of that world will be scrapped, and replaced by something more suitable for teaching European children that they must bow down before Africans.
British historian condemns ‘moronic’ wokeness of US National Archives
British historian Andrew Roberts has ridiculed the US National Archives for its latest display of wokeness, after Washington officials placed a ‘trigger warning’ notice next to its historic copy of the 1776 Declaration of Independence.
‘Trigger warnings’ and ‘safe spaces’ have become commonplace in academic and public institutions in recent years as wokeness has taken over. The idea is that minority groups (or just people with ultra-woke ideas) might be offended by any contact with people or writings that convey different ideas, even in a historical context.
As Roberts (biographer of the wartime British Ambassador to Washington, Lord Halifax, and more recently of King George III against whom the Declaration was written) pointed out last weekend to an audience at the Oxford Literary Festival: “Anyone who thinks an 18th century document is not going to be outdated, biased and offensive is frankly a moron. When you go to see the Declaration, you read what it says about Native Americans and so on, you won’t be so offended that you can’t stand up.”
The really interesting thing about this row is what it tells us about American notions of ‘freedom’ and ‘equality’. While liberals like to parrot the Declaration’s phrases about “all men” being “created equal” with “inalienable rights”, they ignore that in practice this meant White men.
Hence the words that are now found objectionable, where the Declaration complains that King George:
“has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.”
Rather than focus their complaint on the word “savages”, the woke brigade might do better to reflect on what this tells us about American values than and now, and about the broader values of liberalism.
Red Indians – now known as Native Americans – supported the British Crown because they knew that the Empire offered them a better deal than they would get under liberal capitalism. The same applied half a century later to the British working-class, exploited as footsoldiers by the liberal middle-class in their campaign for ‘reform’, but then left worse off then ever under the ‘free’ capitalism of early and mid-Victorian England.
As for ‘racism’, Americans might find it uncomfortable to reflect on the fact that their famous Olympic athlete Jesse Owens was treated far better by Adolf Hitler in national-socialist Berlin in 1936 than he was by his fellow Americans!
And the American “rule of warfare” – despite the implication of their own Declaration of Independence, has turned out to be truly destructive “of all ages, sexes and conditions”, from Dresden to Hiroshima to Baghdad.
What this ridiculous fuss about ‘trigger warnings’ really tells us is that it is absurd to try to force history into our 21st century preconceptions. In Washington this absurdity takes the form of placing warning notices next to the Declaration of Independence, in modern Germany it takes the form of locking up 93-year-old Ursula Haverbeck for expressing forbidden historical opinions and daring to ask forbidden questions.
