Covid-19 lockdowns in England’s racially ‘enriched’ areas

Tonight lockdown measures were suddenly reintroduced across large areas of northern England, where from midnight residents will be banned from any indoor meetings with people outside their immediate household. This will include pubs and restaurants, making the survival of some businesses very doubtful.

The government’s new rules were published just a few minutes before they came into effect at midnight.

Detailed examination of Covid-19 statistics that have led to this new lockdown show that as in Leicester, where the virus made its first big comeback, the areas concerned are predominantly those with very high Pakistani or Bangladeshi populations.

Yet the lockdown has been imposed across a vastly greater area, including many predominantly White districts where there is little or no sign of a Covid-19 resurgence.

The new measures will affect the whole of Greater Manchester; plus the East Lancashire boroughs of Blackburn with Darwen, Burnley, Hyndburn, Pendle, and Rossendale; plus the West Yorkshire metropolitan boroughs of Bradford, Calderdale and Kirklees; plus the city of Leicester.

Aside from Leicester, the vast area affected is broadly identical to the trans-Pennine region that saw the BNP’s major electoral advances almost twenty years ago. And the two phenomena – strong BNP votes in the early 2000s and a Covid-19 spike in 2020 – are of course related.

The common factor is that both were influenced by very high Asian populations, the behaviour of that particular minority and reactions to that behaviour.

Oldham – former cotton capital of the world, now one of the main Covid-19 hotspots

The statistics speak for themselves, to anyone who knows the racial geography of these areas (as the H&D team know very well). A detailed official map issued this morning gives a breakdown of confirmed new Covid-19 cases within the past week (20th-26th July), listed not merely by town but by much more detailed census areas within each town.

The much publicised Oldham outbreak featured Alexandra Park (22 new cases): this is the Glodwick area, one of the main Asian ghettos. Other hot spots included Chadderton SE (18); Werneth (16); Oldham Town South (10) and Busk – one of the original Bangladeshi areas in the Coldhurst council ward – (9). Also a scattering in several other Oldham areas.

But nothing (or below 3 anyway so not published) in the White working class Derker, Moorside & Sholver, or Alt areas of Oldham – once BNP strongholds. Perhaps a beneficial side-effect of Oldham’s notorious divisions.

In Rochdale, another very Asian area is the highlight: Wardleworth & Newbold Brow, with 21 new cases.

In Preston where H&D is based the outbreak is not as bad, and the city is not yet under lockdown, but those parts of Preston with most Covid cases are again Asian areas: notably St George’s (which includes some of the Deepdale area near Preston’s football ground) with 10 new cases in the past week. An exception is the mainly White working-class Brookfield & Holme Slack area (6 new cases).

The Jaame Masjid, Blackburn’s central mosque, in the Audley district that has seen a Covid-19 spike

Meanwhile in Blackburn with Darwen, where H&D editor Mark Cotterill was once a borough councillor and which is now under renewed lockdown, the worst hit areas are the very Asian Bastwell (23); Audley (18); and Central Blackburn (18).

It does seem likely that certain communities that have strong extended-family traditions, and might have held events, are leading to these latest outbreaks. In this context look at London, where there is very little in most White areas, and by Oldham/Blackburn standards no longer very much even in Asian areas, but Week 30’s highlights included Stamford Hill North (10 new cases); and Stamford Hill West (9 new cases), plus a scattering in other parts of Hackney.

It seems very likely that these are related to the Orthodox Jewish community which is particularly numerous in these areas; just as almost all the other outbreaks are related to areas with large Pakistani or Bangladeshi Muslim populations.

Today’s panic measure by the government is probably related to this weekend’s important Muslim festival of Eid al-Adha. Community leaders and local councils had already cancelled large public events, but there would certainly have been large, indoor, extended-family events in many of the areas now subject to a ban.

The question is whether at such short notice the ban will be communicated in time throughout areas where English might only be spoken at a very basic level, if at all.

Footballer and ‘rapper’ find out whose lives really matter

Tom Pope (above left) scoring for Port Vale against Manchester City in January 2020

Footballer Tom Pope has been banned for six matches by the Football Association – not for any offence committed on the field, nor for misuse of drugs, nor for anything remotely criminal.

His offence was to post something deemed ‘anti-semitic’ on Twitter.

Readers should understand that Tom Pope is not one of the multi-millionaire class of Premier League footballers. He has made his career at humbler levels of the English game, with 274 appearances for his present club Port Vale, in League Two – the old Fourth Division – scoring 90 goals and three times voted Port Vale’s Player of the Year.

Tom Pope is a long way from being a ‘famous’ footballer, but he has a cult following within a tiny subculture of the game – mainly among Port Vale fans, who are not numerous.

In January this year Tom Pope scored in one of Port Vale’s few ‘glamorous’ matches, an FA Cup tie against England’s wealthiest club Manchester City, who predictably won 4-1.

A jocular Twitter exchange after the match led one fan to ask him to “predict the World War III result”, to which Pope replied: “We invade Iran then Cuba then North Korea then the Rothchilds (sic) are crowned champions of every bank on the planet.”

Tom Pope’s offending ‘tweet’ for which he has now been fined and banned by the English Football Association.

The circumstances (and the typing error) showed that this was semi-jocular banter rather than premeditated ‘anti-semitism’, and indeed nothing about Jews or Judaism was mentioned.

However the thought police were soon on the case. This week an FA disciplinary panel convicted Pope of an “aggravated breach” of FA Rule E3 – “bringing the game into disrepute”.

One “aggravating” factor was that Pope had failed to accept that his post was “anti-semitic”. In his defence he had told the panel that he had watched hundreds of videos about 9/11. “He explained that he found the videos convincing in predicting the invasions of four countries – Afghanistan, Iraq, Libya and Sudan. He believed, based on those videos, that the Rothschild banking business had funded the invasions of those eight countries so as to be able to take over their banks.”

Though the FA has never claimed that Pope held “anti-semitic beliefs”, its judgment argued that “the ordinary reasonable person knows very well that the Rothschild family have been used for centuries as a synecdoche for the Jewish people – maligning the family in discourse in order to malign all Jewish people.”

They added: “It is of particular concern that even now Mr Pope does not acknowledge the antisemitic message that is conveyed by the Statement. It is also of concern that he has not seriously questioned the conspiracy theories that he has allowed to inform his views.”

Consequently in addition to his six-game ban Pope was fined £3,500 and ordered to complete an “education course” – i.e. at the age of almost 35 he is being forced to undergo a brainwashing course in establishment definitions of ‘antisemitism’.

In a now-deleted ‘tweet’, Jeremy Corbyn thanked ‘Wiley’ for supporting Labour during last year’s election campaign.

Also in the news this week for Twitter ‘anti-semitism’ is the rapper known as Wiley (real name Richard Cowie), whose art will be little-known to H&D readers but who is “considered a key figure in London’s grime music scene”.

This acclaimed “Godfather of Grime” was awarded an MBE for his “services to music” in 2018 – perhaps a desperate effort by Theresa May’s Conservative government to win some credibility among young urban blacks and their fellow-travellers – though he endorsed Jeremy Corbyn’s Labour Party in last year’s election.

During recent weeks ‘Wiley’ has made several posts to his now-suspended social media accounts, comparing Jews to the Ku Klux Klan (on the basis that both Jews and the KKK supposedly exploit blacks), and calling Jews “cowards” and “snakes”. So far as one can make out, his politics seem to be a version of the usual ‘victim game’, by which everyone else in the world – Europeans, Arabs and Jews included – is responsible for Africans’ misfortune.

What ‘Wiley’ fails to recognise is that in this ‘victim game’, one set of people (not blacks) will always hold the ultimate trump card. He has entered an auction that he can’t win, but where he will nevertheless have to pay.

‘Grime artist’ Wiley is in trouble for ‘antisemitism’.

Unlike Tom Pope, it seems that there is a prima facie case against ‘Wiley’ under Britain’s race laws, and police are investigating. The Zionist lobby group Campaign Against Antisemitism (who were behind the prosecution and jailing of London Forum founder Jez Turner) are petitioning the government to withdraw the rapper’s MBE, and he has been dropped by his management company.

Needless to say, even this is not enough. Leading Zionist campaigners including Jewish Chronicle editor Stephen Pollard are staging a 48-hour boycott of Twitter this week, writing: “You refuse to act against Jew hate. You enable the likes of @WileyCEO to spread their poison.” The Chief Rabbi Ephraim Mirvis also joined the Twitter boycott.

Even the Home Office and the Prime Minister’s office have joined in the kvetching, with Downing Street spokesmen saying this afternoon that social media companies must “go much further and faster in removing hateful content”.

And here of course is the real issue. While mainstream conservative parties on both sides of the Atlantic depend heavily on Facebook (in particular) to manipulate voters’ minds – including playing subtle games with racial politics – they are determined to censor anyone using social media to ask radical questions. Hence they seize on the likes of Tom Pope and ‘Wiley’, so as to justify a broader purge.

Is Rangers F.C. Still a Loyalist Club?

Many (Glasgow) Rangers FC fans have been moaning on various internet social media forms (Facebook, Twitter, Telegram etc.) that Rangers are no longer a “Loyalist club” and have “sold-out to political correctness”, because all of their players “took the knee” in support of the extreme-left wing group Black Lives Matter (BLM) before their friendly game against Lyon, in France last week, with a couple of players even giving the Communist/Republican/Black Power salute!

Rangers players surrender to ‘Black Power’ before a recent friendly match against Lyon.

Rangers official Graham Provan, responded to the many supporters who disagreed with the clubs new liberal-PC stand by saying –

“So proud of Rangers for doing this and weeding out all the racist scum in our support. Why people think this is political is beyond me. I thought our support was better than that but clearly not. Thank you for doing this and standing up for what is right.”

However, those who know their “Rangers history” should remember that Rangers started to cut their ties with the Ulster Loyalist/Protestant cause way back in 1987, when the club turned down (for the first time) the Orange Order’s request to host its annual religious service at Ibrox. And it was then that steps began to remove the vendors of Loyalist/Orange literature, merchandise and paraphernalia from the areas directly around the Ibrox on match days. In fact, Rangers teams of the past had actually gone to Ulster, there to raise funds for the Orange Order!

Two years later in 1989, Rangers under new manager Graham Souness, signed Mo Johnston, a Catholic who had previously played for their arch-rivals Celtic) and as they say the rest is history.

Back in the May-June issue (#60) 2014 of Heritage and Destiny magazine we published an article/review written by Gil Caldwell of a book entitled We Don’t Do Walking Away, The Incredible Inside Story of a Season in the Third Division. For those interested in the debate as whether or not Rangers is still a “Loyalist club”, this article is well worth reading again.


Goodbye to Hello Hello?

Gil Caldwell reviews We Don’t Do Walking Away, The Incredible Inside Story of a Season in the Third Division – by Lisa Gray.
Published by Black and White Publishing Ltd, 2013. ISBN 978-1-84502-635-6 (Paperback). Available for £8.00 from Black and White Publishing, 29 Ocean Drive, Edinburgh, EH6 6JL or online at www.blackandwhitepublishing.com

The tale of Glasgow Rangers’ descent into the lowest, Third Division, of Scottish football and subsequent emergence, thereafter, is a fascinating and, often, an inspiring story. There are, actually, two stories here. One, with an appeal to those with legal and financial minds, is that of the team going into receivership and having to fend off a host of legal and monetary problems. These problems were not of the superficial sort – nor are they, as of yet, completely alleviated. There was a time that the “Gers” were in danger of ending their very existence, which had commenced in March of 1872. The other narrative focuses on the efforts of supporters, players and managers to keep Rangers’ successful identity afloat in the far from glamorous environs of lower tier football.

It is this latter saga which is the focus of Rangers FC: We Don’t Do Walking Away: The Incredible Inside Story of a Season in the Third Division. Essentially, this is the diary of a journalist who attended all the matches, home and away, league and cup, throughout the 2012-2013 season.

However, this is not simply the account of a football season, albeit with the twist of a high-level team competing at a level significantly below them. It is also of some socio-political and religious note. Rangers, have for most of their years, been associated with the Protestant faith and the political cause of Loyalism or Unionism, a cause which has spanned the past century with its focus moving from opposing Home Rule prior to the First World War to preserving the Protestant/British identity of Northern Ireland at present. Underlying all these disputes is the question of religious/cultural/national essence. Does one identify with Protestantism and hence with Britain or with Catholicism and therefore with the Republic of Ireland? Does one wave the Union Jack, the Red Hand of Ulster, St. Andrew’s Cross (with or without inserted Red Hand) or the Irish Republican tricolour?

The reader should keep in mind that the days when this was primarily a conflict of religious doctrine have largely faded. To the extent that Rangers and, their fierce opponents, Glasgow Celtic, represent communities, these are no longer, primarily, orthodox faith communities, professing divergent views of transubstantiation, Papal infallibility, salvation by faith or works or any of the questions, major or arcane, of Christian dogma, which animated Europeans since the Reformation. Rather, we must realize that this, and, to outsiders, somewhat peculiar conflict lies in the hazy realm where religious differences long ago created a gap which is today, almost uniformly, cultural and political. Of course, much of that culture divide makes reference to battles and ideas steeped in religion.

(A brief digression – To a small degree the formerly religious conflicts have been translated into a modern idiom. The covenantal aspects of much of Protestant thought yields a certain modern anti-authority vibe, which might manifest itself in disdain for the supposed subservient (to clergy) nature of Catholics. Many lay Protestants will offer as part of their anti-catholic clichés, their belief that Catholics obey Papal teaching in all areas of life whereas Prods think for themselves. Although an alluring mythology, the notion that Catholics, in other than microscopic numbers still submit to Roman teaching in areas such as birth control and the like is about as true as the notion that a robust Calvinism has nothing to command about bedroom behaviour.)

To those far removed from the history of these struggles, their current fierceness seems surprising and, at this late date in the history of European man, a bit anachronistic. As an American racialist once said to me, “Shouldn’t they all be more concerned with massive non-white immigration and political liberalism?”

In fact, if we may dwell for a moment on whether the feuding supporters really are of differing genetic stock it is worth noting that Scotland, Northern and Southern Ireland are all a part of the areas which at one time spoke a dialect of Gaelic. As to whether the invasion and conquest of what was to become England by Germanic and Scandinavian tribes (Angles, Saxon, Jutes, Frisians etc.) has yielded a somewhat different genetic source for the English is an intriguing question debated among geneticists. But leaving such scholarly matters to the academicians, for the layman, the inhabitants of the once United Kingdom seem largely the same racially, although greatly divided culturally and historically.

(One last point before we proceed, there was and is a school of “radical nationalism”, unable over the years to garner much support, which would like to focus on an Ulster culture which goes beyond the religious divide and seeks complete national independence for that troubled province.)

So, although to racialists of other lands, this conflict may seem like a “fine mess” (as Oliver Hardy used to say to Stan Laurel), to those involved it strikes to the core of their identity and collective memory. If, as racialists assert, that it is moral, healthy and, generally a good thing to have a group identity, then for Rangers/Celtic worlds the question of being a Billy or a Tim should always be part of who one is.

Over the decades the Rangers-Celtic rivalry, known as the “Old Firm” (a cynical view of the rivalry seeing it primarily as a business, dating back to the late nineteenth century) has featured not only a fierce clash of identities, spilling over, time and again, into low level violence, but also features the two best football clubs in Scotland by far. And, although a few of the other teams, of what is now the Scottish Premiership, have had their years or periods of success, at the end of the day, the highest level of competition has always been that of Rangers and Celtic. Each of these teams has had great success in Scotland in both league and Cup play and each has seen moments of glory in Europe. As part of the current self-perpetuating dominance of wealth in football, Rangers and Celtic have built upon their on the pitch talents to acquire the money needed to purchase enough skilled players to maintain their dominance.

Thus, it was a seismic shock when it was revealed in the spring of 2012 that Rangers was deeply in arrears and had engaged into several forms of financial deceit to keep themselves afloat. Faced with the prospect of quite literally going out of business, the players (well, more accurately some of the players), the fans and former Rangers star, now manager, Ally McCoist resolved that the team would not go under. As noted above there is a legal/financial story here as well, but our concern will be the soul of Rangers, not its pocketbook.

Loyalist banners have for generations been a traditional feature of Glasgow Rangers matches

When asked, shortly after the news of Rangers’ bankruptcy became public, as to whether he was going to resign, McCoist was quoted, in words that have since become a rallying cry, “This is my club, the same as it is for thousands and thousands of Rangers supporters, and we don’t do walking away.” So, Rangers’ supporters now had a phrase to add to WATP (“We Are the People”). In short order, a graying Rangers’ fan, surrounded by two stuffed bears clad in tartan light blue, would set the phrase to a lively tune on YouTube which tens of thousands would watch.

When the dust had cleared, before the 2012-2013 season had begun, the Scottish Football League members voted 25-5 to punish Rangers by dumping them into the Third Division. Whether this was an appropriate decision or simply the settling of some old scores is best left to future researchers, but the decision was final. In the coming football season, the once mighty Glasgow Rangers would be facing the likes of Annan, Elgin, Berwick (also “Rangers” by the way), Montrose, Stirling Albion. Of the ten teams on this level, only two had stadiums capable of seating over five thousand (Rangers being one of them) and five could not fit four thousand.

The season proved remarkable in several ways, all which are discussed in full in Gray’s book. First, Rangers’ supporters, in fact, did not walk away. They continued to fill Ibrox, as in years past, and did, indeed follow the squad “anywhere” and “everywhere”. Second, although the Third Division managements and their supporters proved most hospitable and savoured the experience, their players proved, almost always, surprisingly competitive. Eventually, Rangers triumphed over both strange environs and inspired opponents to finish first and secure promotion to Division Two. Third, this being the age of Political Terror and Thought Control, Rangers found themselves, even in the relative obscurity of Division Three, twice embroiled in accusations of “sectarianism” and “racism” by rival supporters and ownership, respectively.

We have now arrived at the second focus of this essay. Over almost every contemporary telling of Glasgow Rangers’ history hovers the ogre of the dreaded “sectarianism”. For example, even in the feel good, lavishly illustrated table top history of the team Rangers: The Official Illustrated History by Lindsay Herron, we read concerning Rangers and Celtic: “The religious divide gives the fixture a dimension that few intra-city rivalries have, but the hatred and bitterness it has engendered is undoubtedly unwanted in modern society.” (We ignore for now the implication that “pre-modern” society either would have been okay with these “hatreds” and, thus, evil or, alternatively, just not yet properly enlightened by the wisdom of modernity. This is a fundamental problem for those who accept the feminism, homophilia and multi racialism of the present as irrefutable dogma, what are they to think about their own immediate and long ago, ancestors? Were they all evil folks? Were all the ancestors of European Man, even as recently as WWII, evil chauvinists, homophobes and racists?) The trendy cliché of “sectarianism”, which lacks even a workable definition, as all similar words employed by the Political Terror that dominates the public forum today, is forever without clear explanation. What might it possibly mean? It is arguable that it is precisely the loose definition of these words of social control which enables our would-be Mind Controllers to use them whenever and wherever they wish. Nonetheless, despite the lack of a lucid definition, powerful forces, in media and government were and are on a mission to do away with the demon of “sectarianism”.

An early victory in the move to soften Rangers identity came in 1989 when the team, under new manager Graham Souness, signed Mo Johnston, a Catholic who had previously played for Celtic, to a contract. (Although, in point of fact, other Catholics, less overt in faith or stature, had played for the team, Johnston was the first public signing in recent memory.) For decades the club had an unwritten rule to employ only Protestants. This was now to be viewed as a great evil and its eradication as a long-awaited triumph for righteousness.

A Belfast mural commemorates the long traditional association between Glasgow Rangers FC and their Ulster brothers.

Yet, if we turn back the clock a bit further, one discovers that the move to sever the link of Rangers to its cultural and historical roots had begun before the Johnston signing. It was in 1987 that the club management turned down for the first time the Orange Order’s request to host its annual religious service at Ibrox. And it was then that steps began to remove the vendors of Orange literature and paraphernalia from the areas directly around the Ibrox. In its past, Rangers teams had actually gone to Ulster, there to raise funds for the Order.

In fact, at one of these benefit matches held on 10 May 1955 to help pay for improvements on the Sandy Row Orange Lodge in Belfast, the game program featured the following rhyme, from an anonymous “Orange Poet”.

To guard the faith which Luther preached
The rights which William won
The Orangeman relies upon
His Bible and his gun.

(We leave aside whether the “faith which Luther preached” would please the true Presbyterian believer of Scotland or Northern Ireland with his consubstantiationist view of the Eucharist. Whether to follow Zwingli or Calvin on this is a question which, one suspects, intrigues Rangers supporters far less than memories of the 1972 European Cup Winners Cup win.)

Similar ventures in poetry will not be printed in Gers’ programmes today, to be sure.

But was it really the case that the old Rangers identity was evil? Would it be considered a moral crime for a black or a Muslim to wish to employ his co-racialists or co-religionists? I am not an expert in this field, but my initial research has yielded that a Muslim is actually required to employ a Muslim, whenever possible, over a non-Muslim. Do not the same Mind Controllers, who spent decades defaming Rangers, encourage group identity for non-whites and Jews? In fact, the Orthodox Jewish law actually commands Jews to employ and patronize their fellow Jews. Is this wrong? May a man not grant first allegiance to family, kin, community, and ethnicity? One begins to think that it is only certain identities that must never be asserted.

Why can’t a team be part of a larger community? Why may a team not have a cultural identity?

Rangers today seek to render the soul of their supporters as antiseptic and arid as possible. The attempt to offer, over the tannoy, the meaningless Penny Arcade and the, more touching, but still identity-less, Blue Sea of Ibrox in place of many “forbidden” songs of the past is the culmination of this process. In fact, even the seemingly innocent Simply the Best (of Bonnie Tyler and later Tina Turner fame) has slowly been shelved due to the supporters’ proclivity to curse the IRA and the Pope via their own creative chorus response. Indeed, many of the most fervent of young Gers supporters these days seem content to wave vapid blue based flags as opposed to the Red Hand, St. Andrew’s Cross and Union Jacks which all flowed on terraces of the past.

(Let us pause here a moment to ponder the two just mentioned cursings. Is it wrong for a Protestant to wish the IRA ill? Would UEFA punish Israelis cursing Hamas? An organization, which has clearly espoused terror against innocents to achieve political power might seem to be a just recipient of its victims’ hatreds. As to the Pope, well, if one accepts the Reformation view of the Papacy as a monstrous error of doctrine which confused the Christianity of millions for over a thousand years, shouldn’t it be justly resented, especially when this errant dogma was often forced upon Europe by physical coercion? Granted that today’s Rome is a far cry from what once was, but must a people abandon its past pain just because political commissars demand it? More on this soon.)

In recent years, Rangers’ management, as much of the European world, has been called to task by our Mind Controllers. And, following in the footsteps of Mayor Lundy, they too have surrendered. Witness this subservient excerpt from the Wee Blue Book Season 06/07. “What the UEFA directives have done is to make us examine our own traditions and make us more determined to celebrate them in a . . . disciplined manner . . . Please support all the initiatives which celebrate our heritage and culture in a colorful and progressive way.” Specifically, the book demands “sing the songs in the Wee Blue Book” and “Display your legitimate flags and banners.”

The original Bridgeton Billy Boys

What exactly did UEFA say in 2006? Well, among other matters, they proclaimed, “The Billy Boys is associated with an attitude that is strongly sectarian and thus discriminatory” and “the singing of the Billy Boys is prohibited.” What is this horrible song with its “sectarian” and “discriminatory” words?

The music of this evil song was actually composed by an American, Henry Clay Work in 1865. He also wrote its lyrics. However, its title at that time was Marching Through Georgia, and it celebrated the barbarous march of Union General William Sherman across the southern state of Georgia in 1864 to capture the coastal city of Savannah. The pillaging of Sherman’s troops has long been regarded with shame on both sides of the Civil War, but in particular it was regarded with horror in the south. Nonetheless, in the revenge filled aftermath of that terrible war, it became quite popular in the north.

This is a frequent occurrence in Northern Ireland, Scotland and England, as many songs of America’s first century, military, folk and religious have been freely shipped back and forth from the colonies to their Mother Country and vice versa. Not a surprising exchange as the early peoples of the United States were largely from UK stock.

I leave to Rangers historians, of greater acumen than I, to determine at what point the song became the Billy Boys. Common wisdom has it that the “Billy” referred to Billy Fullerton, leader of The Protestant Club in 1930s Glasgow and devoted, as its membership card had it, “to uphold King, Country and Constitution . . . and to defend other Protestants.” Glasgow had many clubs (some called them “street gangs” in that era) and the need to defend one’s co-religionists was no idle matter. Interestingly enough, Fullerton was also a member of Rotha Linton-Orman’s British Fascists during the same period. Others have tried to argue that the Billy means King William of Orange and it was just coincidental that Fullerton was also a “Billy”. Whatever the truth may be the song became a terrace favourite.

It actually has fairly long lyrics with references to the 12th July, “no surrender” and the like, but it is the rousing chorus which really caught on. Here are the offending lyrics:

Hello, Hello, we are the Billy Boys
Hello, hello you’ll know us by our noise
We’re up to our knees in Fenian blood
Surrender or you’ll die
For we are the Bridgeton Billy (alt. Derry) boys.

There are others forbidden tunes such as No Pope of Rome, and The Famine Song, but we will focus our attention on the above lyrics, seeing as almost all major Rangers football victories up till recent years have been accompanied by rousing renditions of this tune. (See the YouTube clip “Rangers Fans Incredible Support Rocks Old Hampden Park” for a brief clip of what used to be.) And now it has fallen as silent as did the Old Orange Flute once “Bob Williamson married Brigit McGinn”.

The legend of Billy Fullerton features on many items of Rangers memorabilia

Whether to demonize these anti Catholic manifestations of Rangers identity depends, at root, on what a people’s identity may rightfully be?

Let us turn to the Bible a bit on this subject. The ancient Hebrews were first exiled by the Babylonians in 587 BC. Thereafter, we read in the 137th Psalm, “O daughter of Babylon thou are to be destroyed. Happy shall be he that repayeth thee as thou hast served us. Happy shall be he that taketh and dasheth thy little ones against the rock.” Or, ponder this from Psalm 79, which sounds positively sectarian: “Pour out Thy wrath upon the nations that know Thee not, And upon the Kingdoms that call not upon Thy name.” Similarly, we find in Lamentations 3:66 concerning the Gentiles who waged war against the Hebrews, “Pursue them with anger and destroy them under the Heavens of the Lord.”

Does the above mean that contemporary Hebrews, or Christians who accept the Old Testament, desire to literally smash all Babylonian children’s heads against rocks? No more so than did the thousands who used to assemble on the terraces at Ibrox or Hampden Park wished to actually stride through a deep stream of Catholic blood. And no more than did American abolitionists or 1960s black civil rights’ workers in America who sang the Battle Hymn of the Republic really want to “loosen” upon all white southerners “the fateful lightning of His terrible swift sword” or desire that the Lord’s “heel” should “crush” them all.

These are songs of identities and causes, which in time of physical battle may be meant literally, but usually are simply the way a people recalls its buffetings, triumphs and hopes in history. To this day Jews recite the above quoted portions of the Bible at the Passover service. Does this mean that all Jews are vicious folk, chomping at the bit to launch wars of total destruction? Of course not. It means simply that they are a people with a long memory, who cherish their history and are not going to forget those who caused their suffering in the past.

Our Mind Controllers wish that all men (well, all European men, at least, others are called upon to have long and often bitter memories!) should forget their pasts and despise their ancestors. To the degree that they can commercialize football and reduce to the level of entertainment, they will have succeeded in their plan to destroy the faiths and identities of the heritages of Europe.

The struggle of Glasgow Rangers to climb out of the nether reaches of Scottish football and their supporters’ continued loyalty has been an inspiration around the world. It is a shame that this glorious saga must be hampered by censors and Mind Controllers. When and if the day comes that Europe casts off its chains, the walls of Ibrox and, yes, Parkhead as well, will be in full throttle celebrating their past, present and future. And, if the price to be paid for this was and will yet be the singing of tunes that once displeased our current commissars, then, well, so be it.

Gil Caldwell, Trenton, New Jersey

Editor’s Note: After this article was submitted, I checked Andrew Davies’s book City of Gangs: Glasgow and the Rise of the British Gangster, which seems to conclusively prove that “Billy” refers to King William and that the name was used before Billy Fullerton joined the group. The book has many pages on the subject of the original Billy Boys, including the fact that the song itself was actually sung in the streets of Glasgow as early as the 1920s.

RAF decides Nigger’s life didn’t matter

The gravestone of RAF dog ‘Nigger’ before it was censored by the RAF this week.

In the latest bizarre episode of politically-correct self-censorship, the Royal Air Force has altered a historic gravestone to remove the name of the most famous dog in RAF history.

Wing Commander Guy Gibson led 617 Squadron’s famous ‘Dam Busters’ raid on the night of 16th-17th May 1943, breaching two German dams with the revolutionary ‘bouncing bomb’ designed by Barnes Wallis.

The story was told in a 1955 film The Dam Busters, which also highlights the strange coincidence of Gibson’s dog – a black labrador retriever called ‘Nigger’ – being killed by a car on the very night of the raid. ‘Nigger’ is portrayed in several scenes during the film. Even by 1955, filmmakers didn’t perceive any problem with the dog’s name.

‘Nigger’ was buried at 617 Squadron’s base, RAF Scampton in Lincolnshire. This month the RAF removed his name from the gravestone.

The new censored gravestone with Nigger’s name removed

Politically correct historian James Holland praised the move: “I’m all for it. I think that is sensitive, it’s honouring the fact that the history is still there.”

Mr Holland argued that the name of Gibson’s dog should be airbrushed out of history because “it’s also impacting on how we regard Guy Gibson. Because the accusation is that Guy Gibson was a racist by having a dog called that name. Whereas actually he should be remembered for his heroism in what he achieved, which was absolutely remarkable.”

However local MP Sir Edward Leigh has written to the RAF questioning their decision: “It is perfectly understandable that this is a tricky matter to which there are no simple or easy solutions. I am, however, very fearful of our ability today to erase or re-write history.”

Wing Commander Guy Gibson (1918-1944)

This is yet another indication of Second World War history being turned into a set of fairy tales. The RAF and Mr Holland seem to believe it’s necessary to falsify the image of ‘our side’ so as to pretend that the war was about promoting modern liberal ‘anti-racist’ attitudes, whereas in fact almost all of the combatants in the Second World War – British, French, German, Italian, and above all American – had views that would be judged extremely ‘racist’ by the standards of 2020.

Babyish ‘sensitivity’ on racial matters has led almost all newspapers today either to avoid mentioning the word ‘Nigger’ or to write ‘N****R’ or to photoshop the picture of the previous gravestone.

Wing Commander Guy Gibson didn’t live to see the madness of multicultural, ‘anti-racist’ Britain. He was killed aged 26 on 19th September 1944, when his damaged plane crashed in Holland while returning from a bombing raid on Mönchengladbach.

Generation Identity targeted in latest Twitter purge

The international ‘Alt Right’ group Generation Identity – which grew eight years ago out of the French Bloc Identitaire and its Scandinavian allies but now has branches in many White countries – has been targeted in the latest social media purge.

During the last 24 hours accounts belonging to several GI linked groups have been banned from Twitter, as has GI’s highest-profile leader Martin Sellner. NBC News claims that around fifty accounts have been removed following a hostile report by an ‘anti-racist’ group.

So far Mr Sellner’s American wife Brittany (née Pettibone) has escaped the purge, but is likely to be caught in a further wave of expulsions from Twitter during the next few days.

GI leader Martin Sellner and his wife Brittany Pettibone

Defenders of European values – ranging from the ‘non-racist’ ‘Alt Lite’, through varying shades of civic nationalist, identitarian, Islam-obsessed, racially conscious and fully racial nationalist – have been removed from social media channels (notably YouTube, Twitter and most recently Facebook) at different stages during the past year.

(Generation Identity was analysed in H&D Issue 83 by Tony Paulsen.)

Free political prisoner Matt Hale

Dear Friends and Supporters, 

If you live in the United States of America, I hope that you were celebrating on the Fourth of July with friends and family today.   Please try to remember Matt Hale, as he was an indefatigable champion of White independence and self-determination before he was unjustly imprisoned.   We Whites are increasingly being harassed, discriminated against and assaulted in the United States of America and everywhere in the world where Whites have traitorous, anti-White governments over them.   

Matt Hale

As an update on Matt, I was just informed that the U.S. Federal Bureauof Prisons has moved Matt to the medium-security United States Penitentiary in Marion, Illinois.   Rather than move him to the prison that is a mere 15 miles away from his mother, he will be 258 miles away.  To be sure, this is an improvement over his being 996 miles away in Florence, Colorado, but he is still unnecessarily far from his family members.   Both the closer Pekin, Illinois facility and the one in which he is now imprisoned in Marion, Illinois are medium security prisons.   

Our understanding is that the Marion, Illinois facility has a bad reputation for inmates getting killed by other inmates.   Obviously, Matt is in increased danger over his being in solitary confinement in Florence because he may be in the general population areas of the prison.   Fortunately, the Marion facility does have a maximum security cell-house, should Matt need to be isolated from other prisoners that may be a danger to him.   

Most prisoners in medium-security federal prisons can send and receive emails.   I’ve been informed that Matt has opted to not receive any outside emails from friends or supporters at this time, as last time he was in a medium-security prison, he was put in isolation for 6 months because a supporter emailed him some prohibited speech unsolicited.  If you have received an email reporting your being taken off his email list, that is what is going on. 

Please get your birthday cards in the mail for Matt.  His birthday ison the 27th of July and he’d love to hear from you.  I’m not sure of the restrictions on his mail at his new location.  Use your best judgement.  In Florence, Colorado, “homemade” cards were forbidden and commercial cards were photo-copied, and the photocopies only delivered to him.  Going by the Federal Bureau of Prison’s site, here is his new mailing address.  Mail your cards to the new address to assure prompt delivery:

Matthew F. Hale 15177-424

USP Marion

U.S. Penitentiary

PO Box 1000

Marion, IL 62959, USA

Please also note that Matt’s mother – Evelyn Hutcheson – now has a new address. Please send letters of support and donations for Matt there.

Evelyn Hutcheson

150 Yordy Road

Apartment 301

Morton, IL 61550, USA

Tel – 309 321-8433

Email – evelyn.hutcheson@freematthale.org

Thank you for your support – Free Matt Hale! 

Regards,

Branden Hall

Website –  www.freematthale.org

E-mail – branden.hall@freematthale.org

Rivarol editor convicted under French ‘hate speech’ laws

Jérôme Bourbon, editor of the long-established weekly journal Rivarol, has been given a nine-month suspended prison sentence by the Paris criminal court for the ‘crime’ of posting Twitter messages critical of international Zionism and raising questions about the state of free speech in 21st century France.

The three offending ‘tweets’ dated from 2018. M. Bourbon was banned from Twitter in 2019.

One of the offending ‘tweets’ commemorated First World War French hero Marshal Philippe Pétain, and had been posted by M. Bourbon to mark the centenary of the November 1918 armistice.

M. Bourbon was also required to pay ‘damages’ and court costs amounting to €6,000.

Rivarol is one of the longest established nationalist / traditionalist journals in the world, dating back almost seventy years to January 1951. Its 65th birthday banquet in 2016 was attended by Jean-Marie Le Pen and the late Prof. Robert Faurisson.

YouTube bans David Duke and Jared Taylor

Jared Taylor (second right) during a visit to the North of England with (left to right) H&D editor Mark Cotterill, assistant editor Peter Rushton, and former Member of the European Parliament Andrew Brons.

The online video platform YouTube yesterday banned several high profile pro-White and racial realist channels, including those run by former Louisiana state representative Dr David Duke, Jared Taylor’s American Renaissance, and prominent ‘Alt Right’ personality Richard Spencer.

This is the latest stage in an ongoing war against pro-White voices online. As regular readers will know, Heritage and Destiny was banned from YouTube just over a year ago, and from PayPal around four years ago.

We have to be realistic. Outside certain specific legal circumstances (such as making meeting-rooms and leaflet delivery available for election candidates), no one is under any obligation to provide us with a platform. Still less are they under any ‘free speech’ obligation when providing a free service such as YouTube or Facebook.

Sadly pro-White organisations and individuals will face continuing struggles online, having to move to platforms that refuse to censor us. This will risk ghettoising ourselves, since by comparison to YouTube, Facebook, etc. these platforms will tend to be populated mainly by folk who are already sympathetic to our movement.

The lesson is twofold.

(1) There is still an important role for hardcopy publications despite the proliferation of online access. If you subscribe to Heritage and Destiny, we can guarantee that you will receive your six issues each year – whereas if you subscribe to a YouTube channel it might disappear tomorrow.

(2) Pro-White activists must seek opportunities to engage with a wider public, whether online or in the ‘real’ world. When Covid-19 restrictions are relaxed, there will be no substitute for face to face engagement, both with existing movement sympathisers at conferences, rallies and the like; and with the general public via the electoral process and other public activity.

Fredrick Töben (1944-2020)

Dr Fredrick Töben (above, second left) at the Newmarket Hotel, Port Adelaide, South Australia with (left to right) the late Jock Spooner (H&D patron); a visiting Cuban friend; Peter Hartung (Töben’s Adelaide Institute colleague); and Dave Astin.

H&D greatly regret to report the death of Dr Fredrick Töben, the German-Australian revisionist historian. Dr Töben died yesterday three weeks after his 76th birthday, having been seriously ill for the past two or three months.

Fredrick Töben came to Australia from his German birthplace as a ten-year-old boy when his parents emigrated. He studied at Victoria College of Wellington, New Zealand; Melbourne University; and Stuttgart University.

In the late 1970s Töben lived in Rhodesia towards the end of that country’s struggle against Black Marxist revolutionaries. After a year teaching in Nigeria, he returned to Australia teaching at various institutions in the state of Victoria during the early 1980s.

Töben’s dismissal from his teaching post in 1985 led to a five-year legal battle. He eventually won damages against the State of Victoria and relocated to Adelaide, South Australia, where he formed the Truth Mission in 1994, becoming Adelaide Institute a year later.

This produced a series of ‘Holocaust’ revisionist publications, and led to Töben being targeted by Jewish and ‘anti-fascist’ organisations worldwide, while he became part of an international network of revisionists attending conferences sponsored by the Institute for Historical Review (IHR), and later The Barnes Review, serving on the latter’s Board of Contributing Editors until his death.

Dr Fredrick Töben (above right) with then Iranian President Mahmoud Ahmadinejad at the Tehran Conference in 2006.

In 1998 he was arrested in Germany under that country’s notorious laws restricting free research and discussion of historical topics, spending seven months in prison.

In October 2000 the Australian Human Rights Commission ordered Töben to remove parts of the Adelaide Institute’s website, triggering years of appeals and efforts to enforce the judgment.

Eventually in 2009 Töben was jailed for three months in Adelaide for contempt of court.

Three years earlier Töben had travelled to Iran to speak at the Tehran International Conference to Review the Global Vision of the Holocaust, promoted by then Iranian President Mahmoud Ahmadinejad. This event attracted worldwide publicity and intensified the targeting of Töben and other participants.

In October 2008 while in transit at London’s Heathrow Airport, Töben was seized from his plane and served with an international arrest warrant issued at the request of German authorities who wanted to jail him again for articles published on the Adelaide Institute website.

Dr Fredrick Töben with Lady Michèle Renouf in London, 2008, following the legal victory against a European Arrest Warrant

This was expected to be a rapid ‘rubber-stamping’ procedure, but soon after Töben was taken into custody, Dr David Duke telephoned Lady Michèle Renouf in London to alert her to the arrest. Lady Renouf mobilised a specialist legal team of solicitor Kevin Lowry-Mullins and barrister Ben Watson, resulting in a historic legal victory against the Federal Republic and their Crown Prosecution Service allies.

After a month in Wandsworth prison awaiting the London court’s decision, Töben was freed and returned to Australia.

Persecution by the usual suspects continued, and a legal action for court costs (related to a series of Australian cases) resulted in Töben being declared bankrupt and having his passport confiscated in 2012.

While there was a short period in 2018-2019 when there were serious disagreements between Dr Töben and H&D, these differences were resolved long before his death. We salute Dr Fredrick Töben’s memory as a valiant fighter for historical truth and justice.

Fade to Black – The darkening of our screens and its part in the theft of our past and our future

You fly into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And, the villages of Midsomer are teeming with more people-of-colour than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black Vikings, Black Centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favourite gardening program is presented by a Brown person. The Brown person presenting your favourite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.

In disgust, you turn off your TV and browse through the latest brochure from The National Trust. But something is odd – most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But, you aren’t dreaming. You are living through a waking nightmare. And, I can tell you why.

Dev Patel (above right) as David Copperfield

I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups – old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And, I know how, why and by whom our screens are being darkened, I am being denied work and our past and future are being stolen from us.

The answer is BAME. It stands for Black, Asian or Mixed Ethnicity. And, that acronym is now an essential part of every media company’s ethos. When a brand is hiring actors for a commercial or a production company is hiring actors for a play, movie or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White.)

The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “colour-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing it big-time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or, a Black Macbeth and White Lady Macbeth. The audience wasn’t supposed to notice these racial absurdities and anyone who did was a racist. So, most people pretended not to notice and they still do.

Oriental audiences are more forthright in their opinions. They want White heroes. Star Wars films that feature Black actors flop in China – a very important film market. So, the Star Wars producers avoid putting Black faces on the film posters. And, the latest Star Wars had to remove a gay kiss to make it acceptable to Orientals who want their heroes straight, too.

We Occidentals feel the same even if most won’t admit it. We vote in private with our money. The producer of the mega-successful comic-book “cape hero” film franchise let slip at a convention that movies and action figures based on non-White characters don’t sell – worldwide. The sale of dolls, clothing and mugs etc. is a major part of the profit stream for any film or animation. It is a racially revealing economic fact that Black Barbie and Ken dolls don’t sell – even to Black kids. Gay and trannie Barbies and Kens also gather dust on store shelves. White heterosexuality is the go-to choice for everyone.

But, shouting “Commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI) which bestows crucial funding to film projects fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history. Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!

The levels of race and gender-blind casting mandated include –
• At least one lead character must be non-White
• 50-50 male-female ratio in entire cast
• At least 20% of cast must be non-White
• At least 10% must be LGBTQ
• At least 7% disabled
• A large proportion of plot lines and filming locations must be set among underrepresented groups.

With those parameters in mind, try writing a film that should by natural law, reason and historical fact be set in a White, male world. How can you fit that many women, homos, lesbians, trannies, Hindus, Muslims, Sikhs, Blacks and crippled, cis-phobic, bi-curious Eskimos into a Lancaster bomber, a monastery or the Alamo? And, I wonder if these same race and gender targets will apply if an all-Black film company sought funding for a movie set in a lesbian bathhouse in Somalia? Would the screenwriter have to find a way to squeeze White, Christian, hetero males into the steam room?

Shakespeare’s Globe Theatre recently produced Richard II with an all-black female cast

We aren’t being betrayed by the BFI alone. The British Academy of Film and Television Arts which bestows the prestigious BAFTA awards is equally on-board the globohomo express though it is (small comfort) privately funded. Still, if you want to win a BAFTA you must bow down to the Cultural Marxists who run that outfit.

And British Equity (the actors’ union) promotes and protects every race but White. It cares nothing for the race that only created theatre, film, television, radio, the internet and trade unions! It promotes and protects every sexual persuasion but heterosexuality. My union dues are currently paying for a campaign to ensure that “trans” actors get to audition for roles of any gender including those of the gender they claim to have left. Meanwhile, I can’t get an audition to play an old White guy because it’s being played by a Black female-to-male trannie!

The BBC admitted that its race-blind casting of period dramas is not historically accurate but feels it is important to do it in the interests of cultural cohesion. Well… if this BAME business is not part of an anti-White agenda but just a well-intentioned attempt to make us all race and gender-blind then when do I get to play Martin Luther King or Winnie Mandela?

Meanwhile, for all their disingenuous calls for race-blindness, Black performers insist on race based preferential treatment and love “acting Black” – especially in period dramas. Notice how Black actors in plays by Shaw, Ibsen or Wilde will use a ghetto pose and vocal inflection to get a cheap laugh. They are Black to their bones and they know it and are happy to play the minstrel if it’s to their advantage.

At this point a few questions come to mind. If non-Whites were important personages in what we thought had been a White world then what the hell are they complaining about? If Blacks really “wuz kangz” as the Black Israelites proclaim (including kangz of England) then where was the discrimination? And, if Blacks were capable of achieving so much back-in-the-day then what the heck happened? Did they simply forget how to be physicians, scientists, architects, engineers and, yes, kangz?

Remember those National Trust brochures full of photos of happy smiling Brown people? They are a staged hoax. The National Trust advertised on casting sites all over Britain for BAME models and actors to pose as visitors and staff at stately homes. But, in reality, if you visit NT properties you will see that with rare exception they are delightfully White in both staff and visitors. Still this hasn’t stopped the NT management from pushing globohomo. They “out” and promote queer members of the families that owned the properties. And, they suggest that bent Uncle Bertie was the best of the bunch. The NT even tried to force its volunteers to wear rainbow flags but most refused. Meanwhile, when I speak privately with older NT volunteers, I find they have fond memories of Enoch Powell and Oswald Mosley.

I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the colour of the actor’s skin? So, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black Nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And, we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on sacrificing profits for propaganda.

Case in point: Gillette recently ran an anti-male ad campaign that suggested all men (especially White men) are sex-pests. White men were outraged. This campaign culminated in an ad in which a Black father showed his daughter who had “transitioned to male” how to shave. This time Black men were outraged. This PC campaign cost Gillette a record amount of profit. But its CEO said it was worth it to promote diversity.

Alongside the tribe that foments and feasts off our replacement lives an opportunistic parasite – the Black “race hustler.” The uber-obnoxious Whoopi Goldberg is master of this scam. And, despite being as funny as a fire in an orphanage, Whoopi has made a fortune playing the fat, sassy soul-sista who is the depository of all wisdom. (Sort of an X-rated version of Mammy in Gone with the Wind or a potty-mouthed Aunt Jemima.) You’ll notice that this smart, sassy maid stereotype is a staple of sitcoms. She is always the smartest person in the house she cleans. She’s certainly smarter than the doofus White dad who is the butt of all her jokes. (There is literally a genre of US sitcom called “Doofus Dad.”)

Believing her own BS, Goldberg has morphed into a political pundit. She holds forth daily on US TV on all manner of subjects while injecting the race card into all of them – no matter how misplaced. She gets away with this because Whites are afraid of challenging her lest they be called racist. Believe me, if you think Jews are good at squeezing the holocaust into any discussion you ain’t seen nuthin’ till you see Whoopi at work. (We have the Jewish director Mike Nichols to thank for Goldberg’s rise to fame.)

Another race-hustler is Bonnie Greer, a smug, American negress based in the UK and a poor-man’s Goldberg. Greer is a regular on BBC political chat programs where she is introduced as, “Noted American playwright.” But, I challenge anyone on either side of the pond to name a single Bonnie Greer play. In fact, in America she is entirely unknown. The woman is a fraud. And, like Whoopi, she benefits from Whites’ reticence to call her out. Meanwhile, the BBC loves wheeling her out because it allows them to tick certain boxes on their diversity chart. Foreigner. Female. Black. Greer’s many appearances allow her to shoe-horn the race card into every subject imaginable while demonstrating the stultifying banality of her opinions. But, I gotta give this sassy, soul-sista credit because with no talent (especially no play writing talent) she has become the House Negro of the British middle-class and (wait for it) a board member of the British Museum!

Homosexuals are also useful idiots for their Cultural Marxist masters. They’ll do anything if it gives them the chance to snort poppers and wear frocks. The lesbians get to wear the pants on stage in taxpayer funded all-female Shakespearean productions. It is true that in Shakespeare’s day young men played the female roles. But, this was not transvestism by choice. It was necessary because women weren’t allowed on the Elizabethan stage. And, there was no kissing or touching in the original productions.

Homosexual playwrights, directors and designers rarely miss a chance to demean Whiteness and masculinity and to degrade females. In a recent London production of a play based on Patrick Hamilton’s brilliant WW2 novel The Slaves of Solitude, the queer director and adaptor changed the American GI who was the play’s love interest into a Black soldier. This was impossible casting for all sorts of reasons. But, it allowed the queers to indulge in their own fantasy of having a Black buck ravage the spinsterish English heroine.

There have been many other instances of plays and musicals being mangled by ludicrous race and gender-bending casting. Edward Albee, Arthur Miller, Tennessee Williams, Noel Coward and Rodgers and Hammerstein all forbade such changes. Some of those men were homosexual but they still recognised cultural vandalism when they saw it. Sadly, their estates are managed by their PC grandchildren determined to make their Grandpa’s back catalog hipster-friendly. That sound you hear is of those disrespected gents turning in their graves.

Meanwhile, the hypocrisy of the Cultural Marxists and their apparatchiks in the arts is stunning. They live in the Whitest communities they can find and send their children to the Whitest schools. (The Clintons live in the Whitest zip code in America, and Jewish Bernie Sanders moved from multi-ethnic Brooklyn to Vermont – the Whitest state!) The only contact these hypocrites have with any non-White is with their Black maid. And, if she gets too sassy, they’ll fire her Black behind.

As employers they are anything but progressive. All the major film, TV and commercial producers including the big streaming services film their projects in poor countries. South Africa and Eastern Europe are especially popular. They do this to bust the performer’s unions in the US and UK. This anti-worker behaviour is nothing new. In the 1930s, the Jewish movie moguls who ran Hollywood hired goon squads to bust up organising meetings for the Screen Actors Guild. Meanwhile, British Equity is too busy creating new genders to act as a genuine trade union and fight the media giants.

These media liberals also go abroad to abuse and exploit the local actors and crews. The same producers and stars who cry on the awards shows about Trump and climate change and animal rights allow film extras to be treated like cattle – forced to stand in the cold and wet for many hours (sometimes all night) and given little or no food and very meagre wages. I’ve had extras beg me for food while the loud-mouth lefty stars dined like Meghan Markle. And, the film crews are forced to work round the clock which leads to unsafe conditions. I have seen actors and extras almost decapitated by machinery. I have walked off unsafe sets but most actors are afraid to stand up for themselves.

If I sound angry it’s because I am. And, I’m proud of it. I’m also proud of my history, heritage and culture and I’ll be damned if I’ll let anyone degrade, destroy or steal them. My anger is fuelled by the blood of my ancestors that flows through my veins. And, as long as that most precious blood flows through me, I shall do all I can to expose and resist the deliberate genocide of our people. A genocide that is being dramatised and broadcast. On primetime. And, we are paying to watch the spectacle. If you don’t believe me just go to a movie or play. Turn on your radio or TV. Or, open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate. And, we can stop it. But the entirely legal means of doing so are best discussed elsewhere. In the meantime – Hail Victory!

Jack Antonio, Brooklyn, New York City

Editor’s Note: this article first appeared in the May-June issue #96 of Heritage and Destiny magazine.For a sample copy please send £5.00 or $10.00 to; H&D, 40 Birkett Drive, Preston, PR2 6HE, England, UK. Or email – heritageanddestiny@yahoo.com

Jack Antonio is the author of Boy Outa Brooklyn – a murder memoir. It is available on amazon as a paperback and eBook and from all major eBook distributors. Or, visit Jack’s blog at http://www.boyoutabrooklyn.com

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