PA activists mark Indigenous People’s Day

Patriotic Alternative activists have been celebrating Indigenous People’s Day with a wide range of activities across the UK, highlighting the threat that fake ‘diversity’ poses to real diversity.

Multiracialism implies the extinction of the White Race. PA activists have been in the front line of mobilising opposition to this ‘Great Replacement’.

An especially excellent activity was held at Clifford’s Tower, a 13th century landmark in York built on the site of an earlier 11th century Norman castle.

One particular ethnic lobby group and their fellow-travellers believe that they ‘own’ Clifford’s Tower. In 1190 about 150 Jews are believed to have killed themselves inside the tower rather than convert to Christianity. Jews had become unpopular at the time because of their moneylending activities, seeing themselves as exempt from the Christian ban on charging interest (‘usury’).

In solidarity with these mediaeval moneylenders, 21st century wokeists and fake leftists are outraged that a patriotic group should have carried out a pro-White activity at Clifford’s Tower.

But if the Great Replacement is to be defeated, Britons will have to rediscover the spirit of their ancestors, defy ‘cancel culture’, and assert our own rights in our own land.

Readers can view a wide range of PA activities and discussions at their Odysee page and on the PA website.

Among today’s other celebrations of White Lives Matter on Indigenous People’s Day, PA activists made their point in locations as diverse as the Tullibardine distillery in Auchterarder – gateway to the Scottish Highlands – and Old Sarum, Wiltshire.

(Tullibardine also brews a ‘whisky beer’ called 1488, so called because it was produced for the coronation of King James IV of Scotland in that year.)

Old Sarum was the most famous of the so-called ‘rotten boroughs’ that elected MPs to the UK Parliament before the 1832 Reform Act. Until that reform, Old Sarum (which had once been a substantial town but now comprised only three houses) elected two MPs, while the fast-growing city of Manchester elected none!

The rottenness of today’s ‘democratic’ system is less obvious but even more toxic: Old Sarum was another ideal venue to make the point that White Lives Matter.

Congratulations to Patriotic Alternative and to all those who are fighting for our cause, not only on Indigenous People’s Day but throughout the year.

Woke censorship of UK Latin teaching

The tide of ‘woke’ political correctness has finally reached one of the final bastions of traditional British education – the small number of schools that still teach Latin.

Classical education was fundamental to many generations of Britons, including those who built and ruled the British Empire (often in conscious emulation of the Romans). Now that traditional education is deemed to have transgressed against the holy commandments of ‘woke’.

At the centre of the row is the Cambridge Latin Course, a series of books first introduced in 1970 and now used in the vast majority of those British schools that still teach Latin. (Although when I was taught Latin from 1978-1984, we used much older textbooks, and until this row developed I knew nothing of these Cambridge books.)

The books teach children their first simple Latin phrases by introducing the household of a Roman called Lucius Caecilius – a real man who lived in Pompeii, the city largely destroyed by volcanic eruption of Mount Vesuvius in 79 AD. Caecilius himself had probably died seventeen years before this eruption, but his home can still be seen in the ruins of Pompeii and some of its contents are in the Naples archaeological museum.

The problem for modern politically correct censors is that Caecilius – like all wealthy Romans of his era – owned slaves. These slaves were probably White, but the racial politics of our own era means that any mention of slavery requires all White people to grovel in apology, however absurd, ahistorical or otherwise meaningless such apologies are.

The teaching of history is no longer an end in itself – still less is it allowed for Europeans to have any pride in their classical ancestry. Rather, it is compulsory to search for aspects of the past that lead to denigration of our own civilisations.

In addition, the school and university curriculum must be purged of anything that might cause offence to any protected group. The league table of protected groups is headed by Jews, then extends via ethnic minorities, the infinitely expanding variety of sexual minorities, and eventually to women in general. The only group without a victim card to play in this game are White men.

And the problem with the Cambridge Latin Course is that the slaves in Caecilius’ household are portrayed as going about their daily tasks in a normal and even happy environment.

A nuanced approach to teaching Latin (and Ancient History) would have to accept that there were many brutal realities, or just very strange aspects of life in the ancient world that are not suitable for young children, so inevitably when they are introduced to this world it will be in a sanitised and incomplete form.

But for the woke generation of teachers, the whole point of teaching any subject is to instil wokeness. So the Cambridge Latin Course seems likely to be scrapped, and replaced by something that better suits the brainwashing agenda of the 2020s.

Perhaps one of Roman history’s traditional villains will be reinvented as a hero for the 2020s?

Publius Clodius was a vicious gangster and pervert whose murder by a rival gangster in 52 BC led to one of the great speeches by Cicero, the most famous legal orator in history, who successfully defended Clodius’ murderer Titus Annius Milo.

In this speech (Pro Milone) Cicero refers to Clodius’ part in one of the greatest scandals of Ancient Rome some ten years earlier, when Clodius disguised himself as a woman in order to infiltrate the traditional women-only religious rite of the Bona Dea.

This was an all-night festival conducted at the home of Rome’s ceremonial chief priest (on this occasion Julius Caesar), but in an environment that was not only all-female but which had to be ritually cleansed of all male associations before the ceremony (even of male animals or works of art portraying men).

So when Clodius dressed as a woman and attended the event, it was a major scandal, inevitably involving rumours of sexual perversion involving Caesar’s then wife and even Clodius’ own sister. Modern readers are perhaps most familiar with the case because of the phrase Caesar used when divorcing his wife: although there was no proof that she had connived with Clodius, “Caesar’s wife must be above suspicion”.

The scandal of Publius Clodius at the rite of the Bona Dea, as depicted in 1810 in an engraving by Silvestre David Mirys

Clodius was prosecuted for incestum (which in Roman law meant ‘sacrilege’ rather than what we would now call ‘incest’, though one of the allegations was that he had indeed committed incest with his sister).

He was eventually acquitted because a powerful political ally bribed the jury. In 2022 the verdict of woke historians does not need to be bought. After all in our world, we are no longer permitted to recognise biological differences between men and women, so the Bona Dea ceremony itself would be unacceptable and Clodius would be judged a pioneering transsexual hero!

Perhaps the cross-dressing adventures of Clodius will replace the now-unacceptable Cambridge Latin Course as a means of introducing children to the classical world?

Or more likely the entire history of that world will be scrapped, and replaced by something more suitable for teaching European children that they must bow down before Africans.

Whoopi loses the victim contest

Whoopi Goldberg

The George Floyd case and associated ‘Black Lives Matter’ circus convinced many negroes that they were history’s ultimate victims.

After all, if White people across the civilised world are kneeling in homage to a dead criminal, solely because he happened to be black, then surely there can be no doubt who are the masters now?

But actress Whoopi Goldberg has just discovered that however strong the black victim card, there’s another victim card that trumps it every time.

Speaking on a popular US television show The View, Ms Goldberg committed a cardinal sin against the holy ghosts of Holocaustianity. In a rambling commentary that H&D cannot pretend to understand, Ms Goldberg told viewers:

“Let’s be truthful, the Holocaust isn’t about race, it’s not.

“It’s about man’s inhumanity to man, that’s what it’s about. These are two groups of white people…you’re missing the point… let’s talk about it for what it really is. It’s about how people treat each other.

“It’s a problem. It doesn’t matter if you’re black or white, Jews…everybody eats each other.”

Perhaps in parts of Africa everybody does still eat each other, but American Jewish groups were quick to demand action against Ms Goldberg, who was duly forced to apologise unreservedly and was suspended by ABC television for two weeks.

Some H&D readers might have imagined that Whoopi Goldberg is herself (like the late entertainer Sammy Davis Jr.) part-Jewish. But on investigation we discover that the name ‘Goldberg’ – like so much of negro culture and heritage – is pure invention. Ms Goldberg was born Caryn Elaine Johnson and has not a single drop of traceable Jewish ancestry.

So for all her years of ‘stardom’, Ms Goldberg has learned the hard way that in the USA some lives matter a lot more than black lives.

H&D target of new legal crackdown

Actor Hugh Grant is the most famous public face of the lobby group Hacked Off, which is campaigning to extend a draft Online Safety law specifically to target H&D

The UK Government is preparing a new threat to online debate – extending the law to cover a wide range of material that until now has been perfectly acceptable.

And Heritage & Destiny is the top target of these new internet censors.

A document submitted to Parliament in September this year, but which we saw for the first time yesterday – quotes H&D as the main example of a website that is presently accepted by existing law as legitimate journalism – but which lawmakers now aim to restrict as ‘harmful’.

The new law intends not to criminalise us directly, but to force internet companies to ‘protect’ users from being offended by even ‘legal but harmful content’. These companies would face big fines under the new law if they failed to comply with instructions, for example to remove our content from their servers or remove us from search engine results.

The main examples of ‘harmful’ articles that in the document’s authors’ view should be restricted include our report on Henry Hafenmayer, the courageous German historical revisionist who died earlier this year at the tragically young age of 48.

H&D is targeted by planned changes to UK law, partly because of our obituary tribute to Henry Hafenmayer, seen here (above left) in July 2018 at the Munich trial of Alfred Schaefer (above centre), alongside Lady Michèle Renouf who faced similar charges until her legal victory in 2020.

Henry would no doubt be most amused to see that his campaigns for truth and justice continue to ‘threaten’ British parliamentarians even after his death, so that his work remains read posthumously in the corridors of UK power! He is most famous for his website Ende der Lüge (“End of the Lie”) and associated social media accounts: H&D‘s assistant editor Peter Rushton and campaigner for freedom of research Lady Michèle Renouf attended his funeral in Berlin two months ago, a funeral which itself made headlines.

During the 2018 trial of revisionist filmmaker and video blogger Alfred Schaefer in Munich, Henry cooperated closely with Lady Renouf so that her daily updates from the trial could reach the Anglosphere via American Free Press. He was a regular speaker at demonstrations in support of German sovereignty and justice. Alongside the late Richard Edmonds, Henry had been due to speak at the Dresden commemoration in February 2018 before police closed down the event and arrested Lady Renouf: an extended legal process fought by German attorney and patriot Wolfram Nahrath ended in Lady Renouf’s victory over Dresden prosecutors who dropped the case days before it was to come to trial in October 2020.

Lady Michèle Renouf and H&D assistant editor Peter Rushton at the graveside of Henry Hafenmeyer after his funeral in Berlin on 8th October 2021

Now it seems that UK legislators are heading (via an indirect route) to the same destination as many European countries, including Germany: attempting to silence normal historical debate and rational argument by means of a legal cudgel. London’s perfidious method will be to avoid outright criminalisation – allowing them to pretend that they still allow free speech, while in practice seeking to gag online discussion.

Roy Greenslade – a veteran spokesman for IRA terrorism – was among the founders of Hacked Off, the group now lobbying the government for new laws against H&D. Greenslade was appointed Daily Mirror editor by the Mossad agent and crook Robert Maxwell

The influential lobby group Hacked Offfronted by actor Hugh Grant – has demanded that the government’s draft Online Safety Bill be amended so as to target us. Hacked Off‘s founders include the leftwing Jewish author Don Guttenplan, who attended and wrote a book about the court battle between David Irving and Deborah Lipstadt, having been given special access by Irving during the trial; and former Daily Mirror editor Roy Greenslade, who wrote for many Fleet Street papers while also having a pseudonymous column for the Sinn Fein / IRA newspaper An Phoblacht. It’s quite an honour to be accused of ‘harmful extremism’ by a veteran spokesman for IRA terrorism.

Hacked Off told MPs that we “recently published a tribute to the Holocaust denier Henry Hafenmayer” but that under the draft bill, we “would likely gain an exemption” as a legitimate journalistic website. They also drew MPs’ attention to our US friends at National Vanguard, whom they similarly regard as a ‘harmful’ website that could be exempt from the draft bill.

No-one has ever suggested that the work of Henry Hafenmayer – or that of his comrades such as Sylvia Stolz, Horst Mahler and Ursula Haverbeck – has in any way infringed UK law.

But within weeks of the Hacked Off report, Nadine Dorries – newly appointed Culture & Media Minister in the UK’s Conservative government – agreed with the lobbyists that the draft bill had to be toughened. It is now expected to come before Parliament in March next year.

Nadine Dorries quaffs champagne after abandoning her constituents for a lucrative stint in the Australian jungle: such vulgar antics have won her promotion to the British Cabinet as ‘Culture Minister’ and she now presumes to introduce laws dictating the limits of decent journalism. Should we laugh, cry or call the Police?

Mrs Dorries is a notorious vulgarian who in 2012 accepted more than £20,000 to appear on the crass ‘reality TV show’ I’m a Celebrity Get Me Out of Here. Less than a decade ago, her behaviour was judged so reprehensible that she was briefly suspended from her party, and forced to apologise for a breach of parliamentary standards.

Yet in 2021 British politics has sunk so low that we must accept definitions of journalistic standards dictated by the likes of Mrs Dorries, a woman who abandoned her parliamentary duties so as to earn £20,000 eating an ostrich’s anus in the Australian jungle for the entertainment of television viewers.

For the time being – but who knows for how much longer – H&D readers can judge for themselves whether the articles highlighted in Hacked Off‘s complaint to Parliament are so ‘harmful’ that they justify new laws specially drafted to target us. The three articles they mention (and helpfully link from their document so that MPs and ministers can read them, even if they wish to prevent a wider public from doing so) are:

Henry Hafenmayer – champion of German freedom – dies aged 48

Two very different wings of the anti-Islam movement

and

Did ‘racism’ win on penalties?

Rest assured that whatever the legal obstacles, we will continue – as we have now for 105 issues of the magazine – to reflect a cross-section of 21st century racial nationalist opinion. We remain confident in the survival and eventual victory of our people and their traditional values.

New video: Justice in Germany (new link)

A celebration of those who have fought for justice and real history in Germany, the UK and across the European world. A shield and medal created by British campaigner Dr James Thring to celebrate a legal victory in this continuing battle, leads to broader discussion by Anglo-German friends of Lady Michèle Renouf including her attorney Wolfram Nahrath.

Discussion of the positive contributions made by friends of justice and historical truth includes those Britons who opposed terror bombing strategy in the 1940s, and the groundbreaking contribution to the honour of Britain by the British historian David Irving in his 1963 book The Destruction of Dresden.

This video marks the first anniversary of Lady Michèle Renouf’s Dresden court victory.

‘Racism’ at the ballot box?

Despite general politically correct acquiescence to every feature of the multiracial, multicultural society, voters sometimes rebel in the privacy of the ballot box.

Whenever a non-White candidate receives a lower than expected vote, the liberal media shames the area concerned for ‘racism’. A notable example was the Cheltenham constituency in 1992, where the Conservative Party selected a black barrister (John Taylor) to contest an almost entirely White, safe Tory seat. Against the national swing, Mr Taylor contrived to lose Cheltenham to a (White) Liberal Democrat – and the Cheltenham result is still quoted today as an example of genteel ‘racism’.

A smaller-scale example in the opposite direction was in the Audley ward of Blackburn at the 2004 council elections, where all three seats in the ward were up for election due to boundary changes.

Long-serving Labour leader of Blackburn Council, Sir Bill Taylor was one of the three Labour candidates. The other two were Asian.

When the ballots were counted, Sir Bill (who was also agent for Blackburn’s Labour MP Jack Straw) found that Audley ward’s majority Asian population had voted for his two Asian Labour colleagues and for an Asian Liberal Democrat, but not for him.

To be fair to Audley’s Asians, Sir Bill was only 73 votes short of election.

Sir Bill Taylor – Labour leader rejected by Blackburn Asians

A far more blatant example of voters exercising an ethnic preference at the ballot box occurred last week in the Kersal & Broughton Park ward, Salford. This is (according to the 2011 Census) the most Jewish ward in Britain. Moreover the Jewish population here is more religiously observant, and more conservative (socially and politically) than in most of England’s more cosmopolitan Jewish areas.

Last week’s council elections in Salford – like Blackburn in 2004 – were all-out contests with all three ward council seats up for election. In the above-mentioned ward, the Conservative candidates were two Jews and an Asian. Readers will not be astounded to learn that the two Jewish Tory candidates were easily elected, with 1,797 and 1,679 votes respectively, while the Asian Tory candidate finished well down the field with 711 votes, defeated by a Jewish Liberal Democrat for the ward’s third council seat.

Had this been a non-Jewish White area showing such ‘discrimination’ against a non-White candidate, there would have been a media outcry, but we can safely assume that H&D is the only magazine to have reported this result.

In principle of course we cannot object to Salford’s Jews or Blackburn’s Muslims exercising an ethnic preference for ‘one of their own’. We do regret however that indigenous Britons have been conditioned to regard such behaviour as ‘racist’ and to adopt instead (for their own communities) the lemming politics of multiculturalism.

23 years after his death, Enoch Powell’s legacy haunts modern Britain

Enoch Powell was sacked from the Conservative shadow cabinet in 1968 for warning against Britain’s racial transformation.

23 years ago the political prophet Enoch Powell died, aged 85. Though he had been a prominent figure in British politics for decades, he remains best known for one speech, delivered on 20th April 1968 in Birmingham, and known almost immediately as the “rivers of blood” speech.

This is a slight misquotation, as Powell was quoting the Roman poet Virgil, whose Aeneid – an epic composed around 20 BC – described a prophecy delivered to Aeneas, the Trojan hero and legendary founder of Rome.

“As I look ahead, I am filled with foreboding; like the Roman, I seem to see ‘the River Tiber foaming with much blood’.”

In the light of last year’s ‘Black Lives Matter’ protests, the previous sentence of Powell’s speech is especially prophetic. After giving several examples of the terrible consequences of the multiracialism that was beginning to transform our country, Powell mentioned the Race Relations Act then passing through Parliament.

“Here is the means of showing that the immigrant communities can organise to consolidate their members, to agitate and campaign against their fellow citizens, and to overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided.”

Whether Britons will continue to be overawed and dominated – whether we will continue to tear down statues and uproot our heritage – remains to be seen. ‘Normal politics’ is set to resume late next month as candidates are nominated for local and regional elections in most of the UK, though under circumstances that will make campaigning difficult.

These will be the first opportunity for Britons in the privacy of the ballot box to give their reaction to the anti-White agenda – the truly deadly virus of our times – that has spread across the world since the death of career criminal George Floyd.

Do the British retain the spirit of resistance to national suicide that animated Enoch Powell?

Football fans all over England boo Black Lives Matter “take the knee” nonsense

It seems football fans all over England – not just Millwall as reported by the Main Stream Media (MSM) – were booing the Black Lives Matter ‘taking the knee’ nonsense at football grounds this afternoon. At some grounds in Covid Tier 2 areas, the Government “allowed” up to 2,000 fans to attend games this week.

Most fans had hoped that the saga of the “taking of the knee” to show support for the Communist / Republican organisation Black Lives Matter was over, and they could just get back to watching football again.

However, this was not to be and at most grounds, some misguided players and many officials who should know better, continued with this nonsense.

Understandingly, a lot of fans thought: enough is enough is now. When the players “took the knee” again they booed – and rightly so. They pay good money to watch footballers play football, not support militant political groups.

Of course the MSM went mental, and started to attack Millwall fans, while at the same time trying to cover up what was going on at other grounds.

Those watching the live West Ham United v Manchester United game on Sky Sports (who are big BLM supporters) which kicked off at 5.30pm, were treated to even more booing from West Ham fans!

Well done to all football fans across England (and some in Scotland we understand) who booed: let’s keep it up, they can’t ban us all.

Footnote: Astrophel Sang, aged 19, a BLM supporter from Birmingham, who was filmed using a lighter to try and set the Union flag at the Cenotaph, on fire during the BLM riots in Whitehall in London, on June 7th, before being brought down by the met police and arrested, was spared a jail sentence, and instead got a pitiful fine and community order – you just could not make it up!

Sang, an African immigrant, could have been jailed for up to 18 months. He twice tried to torch the Union flag, after climbing the war memorial during the riot. However, he could not light the flag because it was made to anti-flammable EU standards (well the EU is good for something!). However, he was given a two-year conditional discharge and told to pay £340 in costs.
Compare that to what nationalists might have got for similar crimes. What’s the old saying – one law for them……

YouTube bans David Duke and Jared Taylor

Jared Taylor (second right) during a visit to the North of England with (left to right) H&D editor Mark Cotterill, assistant editor Peter Rushton, and former Member of the European Parliament Andrew Brons.

The online video platform YouTube yesterday banned several high profile pro-White and racial realist channels, including those run by former Louisiana state representative Dr David Duke, Jared Taylor’s American Renaissance, and prominent ‘Alt Right’ personality Richard Spencer.

This is the latest stage in an ongoing war against pro-White voices online. As regular readers will know, Heritage and Destiny was banned from YouTube just over a year ago, and from PayPal around four years ago.

We have to be realistic. Outside certain specific legal circumstances (such as making meeting-rooms and leaflet delivery available for election candidates), no one is under any obligation to provide us with a platform. Still less are they under any ‘free speech’ obligation when providing a free service such as YouTube or Facebook.

Sadly pro-White organisations and individuals will face continuing struggles online, having to move to platforms that refuse to censor us. This will risk ghettoising ourselves, since by comparison to YouTube, Facebook, etc. these platforms will tend to be populated mainly by folk who are already sympathetic to our movement.

The lesson is twofold.

(1) There is still an important role for hardcopy publications despite the proliferation of online access. If you subscribe to Heritage and Destiny, we can guarantee that you will receive your six issues each year – whereas if you subscribe to a YouTube channel it might disappear tomorrow.

(2) Pro-White activists must seek opportunities to engage with a wider public, whether online or in the ‘real’ world. When Covid-19 restrictions are relaxed, there will be no substitute for face to face engagement, both with existing movement sympathisers at conferences, rallies and the like; and with the general public via the electoral process and other public activity.

Fade to Black – The darkening of our screens and its part in the theft of our past and our future

You fly into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And, the villages of Midsomer are teeming with more people-of-colour than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black Vikings, Black Centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favourite gardening program is presented by a Brown person. The Brown person presenting your favourite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.

In disgust, you turn off your TV and browse through the latest brochure from The National Trust. But something is odd – most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But, you aren’t dreaming. You are living through a waking nightmare. And, I can tell you why.

Dev Patel (above right) as David Copperfield

I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups – old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And, I know how, why and by whom our screens are being darkened, I am being denied work and our past and future are being stolen from us.

The answer is BAME. It stands for Black, Asian or Mixed Ethnicity. And, that acronym is now an essential part of every media company’s ethos. When a brand is hiring actors for a commercial or a production company is hiring actors for a play, movie or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White.)

The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “colour-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing it big-time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or, a Black Macbeth and White Lady Macbeth. The audience wasn’t supposed to notice these racial absurdities and anyone who did was a racist. So, most people pretended not to notice and they still do.

Oriental audiences are more forthright in their opinions. They want White heroes. Star Wars films that feature Black actors flop in China – a very important film market. So, the Star Wars producers avoid putting Black faces on the film posters. And, the latest Star Wars had to remove a gay kiss to make it acceptable to Orientals who want their heroes straight, too.

We Occidentals feel the same even if most won’t admit it. We vote in private with our money. The producer of the mega-successful comic-book “cape hero” film franchise let slip at a convention that movies and action figures based on non-White characters don’t sell – worldwide. The sale of dolls, clothing and mugs etc. is a major part of the profit stream for any film or animation. It is a racially revealing economic fact that Black Barbie and Ken dolls don’t sell – even to Black kids. Gay and trannie Barbies and Kens also gather dust on store shelves. White heterosexuality is the go-to choice for everyone.

But, shouting “Commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI) which bestows crucial funding to film projects fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history. Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!

The levels of race and gender-blind casting mandated include –
• At least one lead character must be non-White
• 50-50 male-female ratio in entire cast
• At least 20% of cast must be non-White
• At least 10% must be LGBTQ
• At least 7% disabled
• A large proportion of plot lines and filming locations must be set among underrepresented groups.

With those parameters in mind, try writing a film that should by natural law, reason and historical fact be set in a White, male world. How can you fit that many women, homos, lesbians, trannies, Hindus, Muslims, Sikhs, Blacks and crippled, cis-phobic, bi-curious Eskimos into a Lancaster bomber, a monastery or the Alamo? And, I wonder if these same race and gender targets will apply if an all-Black film company sought funding for a movie set in a lesbian bathhouse in Somalia? Would the screenwriter have to find a way to squeeze White, Christian, hetero males into the steam room?

Shakespeare’s Globe Theatre recently produced Richard II with an all-black female cast

We aren’t being betrayed by the BFI alone. The British Academy of Film and Television Arts which bestows the prestigious BAFTA awards is equally on-board the globohomo express though it is (small comfort) privately funded. Still, if you want to win a BAFTA you must bow down to the Cultural Marxists who run that outfit.

And British Equity (the actors’ union) promotes and protects every race but White. It cares nothing for the race that only created theatre, film, television, radio, the internet and trade unions! It promotes and protects every sexual persuasion but heterosexuality. My union dues are currently paying for a campaign to ensure that “trans” actors get to audition for roles of any gender including those of the gender they claim to have left. Meanwhile, I can’t get an audition to play an old White guy because it’s being played by a Black female-to-male trannie!

The BBC admitted that its race-blind casting of period dramas is not historically accurate but feels it is important to do it in the interests of cultural cohesion. Well… if this BAME business is not part of an anti-White agenda but just a well-intentioned attempt to make us all race and gender-blind then when do I get to play Martin Luther King or Winnie Mandela?

Meanwhile, for all their disingenuous calls for race-blindness, Black performers insist on race based preferential treatment and love “acting Black” – especially in period dramas. Notice how Black actors in plays by Shaw, Ibsen or Wilde will use a ghetto pose and vocal inflection to get a cheap laugh. They are Black to their bones and they know it and are happy to play the minstrel if it’s to their advantage.

At this point a few questions come to mind. If non-Whites were important personages in what we thought had been a White world then what the hell are they complaining about? If Blacks really “wuz kangz” as the Black Israelites proclaim (including kangz of England) then where was the discrimination? And, if Blacks were capable of achieving so much back-in-the-day then what the heck happened? Did they simply forget how to be physicians, scientists, architects, engineers and, yes, kangz?

Remember those National Trust brochures full of photos of happy smiling Brown people? They are a staged hoax. The National Trust advertised on casting sites all over Britain for BAME models and actors to pose as visitors and staff at stately homes. But, in reality, if you visit NT properties you will see that with rare exception they are delightfully White in both staff and visitors. Still this hasn’t stopped the NT management from pushing globohomo. They “out” and promote queer members of the families that owned the properties. And, they suggest that bent Uncle Bertie was the best of the bunch. The NT even tried to force its volunteers to wear rainbow flags but most refused. Meanwhile, when I speak privately with older NT volunteers, I find they have fond memories of Enoch Powell and Oswald Mosley.

I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the colour of the actor’s skin? So, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black Nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And, we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on sacrificing profits for propaganda.

Case in point: Gillette recently ran an anti-male ad campaign that suggested all men (especially White men) are sex-pests. White men were outraged. This campaign culminated in an ad in which a Black father showed his daughter who had “transitioned to male” how to shave. This time Black men were outraged. This PC campaign cost Gillette a record amount of profit. But its CEO said it was worth it to promote diversity.

Alongside the tribe that foments and feasts off our replacement lives an opportunistic parasite – the Black “race hustler.” The uber-obnoxious Whoopi Goldberg is master of this scam. And, despite being as funny as a fire in an orphanage, Whoopi has made a fortune playing the fat, sassy soul-sista who is the depository of all wisdom. (Sort of an X-rated version of Mammy in Gone with the Wind or a potty-mouthed Aunt Jemima.) You’ll notice that this smart, sassy maid stereotype is a staple of sitcoms. She is always the smartest person in the house she cleans. She’s certainly smarter than the doofus White dad who is the butt of all her jokes. (There is literally a genre of US sitcom called “Doofus Dad.”)

Believing her own BS, Goldberg has morphed into a political pundit. She holds forth daily on US TV on all manner of subjects while injecting the race card into all of them – no matter how misplaced. She gets away with this because Whites are afraid of challenging her lest they be called racist. Believe me, if you think Jews are good at squeezing the holocaust into any discussion you ain’t seen nuthin’ till you see Whoopi at work. (We have the Jewish director Mike Nichols to thank for Goldberg’s rise to fame.)

Another race-hustler is Bonnie Greer, a smug, American negress based in the UK and a poor-man’s Goldberg. Greer is a regular on BBC political chat programs where she is introduced as, “Noted American playwright.” But, I challenge anyone on either side of the pond to name a single Bonnie Greer play. In fact, in America she is entirely unknown. The woman is a fraud. And, like Whoopi, she benefits from Whites’ reticence to call her out. Meanwhile, the BBC loves wheeling her out because it allows them to tick certain boxes on their diversity chart. Foreigner. Female. Black. Greer’s many appearances allow her to shoe-horn the race card into every subject imaginable while demonstrating the stultifying banality of her opinions. But, I gotta give this sassy, soul-sista credit because with no talent (especially no play writing talent) she has become the House Negro of the British middle-class and (wait for it) a board member of the British Museum!

Homosexuals are also useful idiots for their Cultural Marxist masters. They’ll do anything if it gives them the chance to snort poppers and wear frocks. The lesbians get to wear the pants on stage in taxpayer funded all-female Shakespearean productions. It is true that in Shakespeare’s day young men played the female roles. But, this was not transvestism by choice. It was necessary because women weren’t allowed on the Elizabethan stage. And, there was no kissing or touching in the original productions.

Homosexual playwrights, directors and designers rarely miss a chance to demean Whiteness and masculinity and to degrade females. In a recent London production of a play based on Patrick Hamilton’s brilliant WW2 novel The Slaves of Solitude, the queer director and adaptor changed the American GI who was the play’s love interest into a Black soldier. This was impossible casting for all sorts of reasons. But, it allowed the queers to indulge in their own fantasy of having a Black buck ravage the spinsterish English heroine.

There have been many other instances of plays and musicals being mangled by ludicrous race and gender-bending casting. Edward Albee, Arthur Miller, Tennessee Williams, Noel Coward and Rodgers and Hammerstein all forbade such changes. Some of those men were homosexual but they still recognised cultural vandalism when they saw it. Sadly, their estates are managed by their PC grandchildren determined to make their Grandpa’s back catalog hipster-friendly. That sound you hear is of those disrespected gents turning in their graves.

Meanwhile, the hypocrisy of the Cultural Marxists and their apparatchiks in the arts is stunning. They live in the Whitest communities they can find and send their children to the Whitest schools. (The Clintons live in the Whitest zip code in America, and Jewish Bernie Sanders moved from multi-ethnic Brooklyn to Vermont – the Whitest state!) The only contact these hypocrites have with any non-White is with their Black maid. And, if she gets too sassy, they’ll fire her Black behind.

As employers they are anything but progressive. All the major film, TV and commercial producers including the big streaming services film their projects in poor countries. South Africa and Eastern Europe are especially popular. They do this to bust the performer’s unions in the US and UK. This anti-worker behaviour is nothing new. In the 1930s, the Jewish movie moguls who ran Hollywood hired goon squads to bust up organising meetings for the Screen Actors Guild. Meanwhile, British Equity is too busy creating new genders to act as a genuine trade union and fight the media giants.

These media liberals also go abroad to abuse and exploit the local actors and crews. The same producers and stars who cry on the awards shows about Trump and climate change and animal rights allow film extras to be treated like cattle – forced to stand in the cold and wet for many hours (sometimes all night) and given little or no food and very meagre wages. I’ve had extras beg me for food while the loud-mouth lefty stars dined like Meghan Markle. And, the film crews are forced to work round the clock which leads to unsafe conditions. I have seen actors and extras almost decapitated by machinery. I have walked off unsafe sets but most actors are afraid to stand up for themselves.

If I sound angry it’s because I am. And, I’m proud of it. I’m also proud of my history, heritage and culture and I’ll be damned if I’ll let anyone degrade, destroy or steal them. My anger is fuelled by the blood of my ancestors that flows through my veins. And, as long as that most precious blood flows through me, I shall do all I can to expose and resist the deliberate genocide of our people. A genocide that is being dramatised and broadcast. On primetime. And, we are paying to watch the spectacle. If you don’t believe me just go to a movie or play. Turn on your radio or TV. Or, open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate. And, we can stop it. But the entirely legal means of doing so are best discussed elsewhere. In the meantime – Hail Victory!

Jack Antonio, Brooklyn, New York City

Editor’s Note: this article first appeared in the May-June issue #96 of Heritage and Destiny magazine.For a sample copy please send £5.00 or $10.00 to; H&D, 40 Birkett Drive, Preston, PR2 6HE, England, UK. Or email – heritageanddestiny@yahoo.com

Jack Antonio is the author of Boy Outa Brooklyn – a murder memoir. It is available on amazon as a paperback and eBook and from all major eBook distributors. Or, visit Jack’s blog at http://www.boyoutabrooklyn.com

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