Traditional Aussie ‘sledging’ causes new fake ‘racism’ row

Indian cricketer Mohammed Siraj complains to the umpire about ‘racist’ abuse from the Sydney crowd this week.

Generations of cricketers have experienced the unique pleasures of touring Australia.

Among these pleasures is to experience a stream of banter, often skirting or crossing the borderline of obscene abuse, when fielding anywhere within shouting distance of the crowd!

Historically some of the ripest language would come from particular sections of Australian grounds where, shall we say, the less refined spectators were concentrated – among them “The Hill” area of the Sydney Cricket Ground, and Bay 13 at Melbourne – both of which were redesigned so as to spread traditionally raucous elements more evenly.

In the early 20th century one famous barracker was nicknamed ‘Yabba’: he has since been immortalised in a bronze statue at the Sydney ground.

An example of Yabba’s humour was directed at a nervous visiting batsman who had played and missed many times, but just about survived. Between overs this batsman put his hand down his trousers to adjust his protective ‘box’, only for Yabba to shout: “Those are the only balls you’ve touched all day!”

The legendary Sydney sledger ‘Yabba’, now immortalised in bronze

Yet at the same time Australian crowds have been quick to applaud outstanding displays by visiting cricketers, just as they will spot a weak or easily distracted opponent and mercilessly taunt him.

Sadly this Australian tradition has now fallen foul of the race police.

In this week’s third Test between Australia and India at Sydney, New South Wales police were called in to investigate complaints of ‘racism’ levelled at the Aussie crowd by Indian fielder Mohammed Siraj.

Spectator Rishi Aryan told the Sydney Morning Herald that the issue had been greatly exaggerated:
“All these boys were doing is a bit of sledging of the player on the outfield.

“First it was (Jasprit) Bumrah then they had a sledge against Siraj. They kept calling him Shiraz and all that crap. Next thing you know they said: ‘Welcome to Sydney, Siraj’ and then he got the shits.

“That was literally it. Then he walked off. I don’t know why (the police kicked the men out). Next thing you know you see police everywhere.

“It didn’t make sense. It was confusing.”

Of course it didn’t make sense – it’s yet another example of the race police using any excuse to step in. Had a balding player, or an overweight player been taunted, there wouldn’t be any fuss – and there seems no evidence of racial epithets.

The bottom line is that Siraj is playing only his second ever Test match: the crowd thought they could exploit this inexperience and wind him up. This has always been part of the game, and the only answer is to grow up and pay back the opposing crowd by winning the match for your team: that way you will also win the crowd’s (perhaps reluctant) respect.

‘Antisemitism’ in Glasgow as Celtic fans turn on their Israeli player

Celtic midfielder Nir Bitton playing for Israel against Croatia

The latest ‘antisemitism’ scandal is not at a traditionally ‘rightwing’ club such as Chelsea or Millwall but north of the border at Celtic – defending Scottish champions – whose fans are turning on their team as they face up to losing their title this season to vastly improved rivals Rangers.

Celtic fans are traditionally ‘leftwing’ and especially pro-IRA, with close international ties to ‘antifa’ hooligans at ultraleft clubs such as Germany’s St Pauli.

This week’s Jewish Chronicle reports that Celtic fans have targeted their Israeli midfielder Nir Bitton. Abusive messages on social media include calls for Bitton “tae be hung on the streets”.

Celtic fans have repeatedly displayed pro-Palestinian banners, sometimes leading to the club being fined by Uefa

An earlier abusive message read:
“Expose him to the worst torture the Israeli Defence Force uses on young Palestinian kids, see how much of a man he is then. Scumbag.”

Bitton was born in the Israeli port city of Ashdod and made more than a hundred appearances for his local team before signing for Celtic in 2013. He has since made 143 appearances for the soon to be ex-champions, and has thirty caps for Israel.

Before joining Celtic, Bitton completed his national service with the Israeli Army.

Football fans all over England boo Black Lives Matter “take the knee” nonsense

It seems football fans all over England – not just Millwall as reported by the Main Stream Media (MSM) – were booing the Black Lives Matter ‘taking the knee’ nonsense at football grounds this afternoon. At some grounds in Covid Tier 2 areas, the Government “allowed” up to 2,000 fans to attend games this week.

Most fans had hoped that the saga of the “taking of the knee” to show support for the Communist / Republican organisation Black Lives Matter was over, and they could just get back to watching football again.

However, this was not to be and at most grounds, some misguided players and many officials who should know better, continued with this nonsense.

Understandingly, a lot of fans thought: enough is enough is now. When the players “took the knee” again they booed – and rightly so. They pay good money to watch footballers play football, not support militant political groups.

Of course the MSM went mental, and started to attack Millwall fans, while at the same time trying to cover up what was going on at other grounds.

Those watching the live West Ham United v Manchester United game on Sky Sports (who are big BLM supporters) which kicked off at 5.30pm, were treated to even more booing from West Ham fans!

Well done to all football fans across England (and some in Scotland we understand) who booed: let’s keep it up, they can’t ban us all.

Footnote: Astrophel Sang, aged 19, a BLM supporter from Birmingham, who was filmed using a lighter to try and set the Union flag at the Cenotaph, on fire during the BLM riots in Whitehall in London, on June 7th, before being brought down by the met police and arrested, was spared a jail sentence, and instead got a pitiful fine and community order – you just could not make it up!

Sang, an African immigrant, could have been jailed for up to 18 months. He twice tried to torch the Union flag, after climbing the war memorial during the riot. However, he could not light the flag because it was made to anti-flammable EU standards (well the EU is good for something!). However, he was given a two-year conditional discharge and told to pay £340 in costs.
Compare that to what nationalists might have got for similar crimes. What’s the old saying – one law for them……

Race police force resignation of FA Chairman

Greg Clarke, now ex-chairman of the Football Association

Greg Clarke, chairman of the Football Association, governing body in England for the world’s most popular sport, was forced to resign this week after using a forbidden racial word: not ‘n****r’ or ‘c**n’ or ‘w*g’ or ‘y*d’ – but merely ‘coloured’.

It didn’t help Mr Clarke that the context of this forbidden word was his testimony before a parliamentary committee, where he engaged in typical politically-correct grovelling. When discussing social media “abuse”, Clarke told the committee:

“…if I look at what has happened to high-profile female footballers, high-profile coloured footballers, and the abuse they have taken on social media. It is a free-for-all.

“People can see if you’re black and if they don’t like black people, because they’re filthy racists, they will abuse you anonymously online.

“They can see if you’re a woman, some of the high-profile black, female footballers take terrible abuse, absolutely vile abuse.”

Despite this typical White male self-abasement, the single word ‘coloured’ was picked out, and again despite a further abject apology, Clarke swiftly resigned.

Until about 1980, the word ‘coloured’ was perfectly normal in polite British discourse, but it’s now obligatory to say ‘black’ if one specifically means a negro, or use umbrella terms such as BAME if referring to non-Whites in general.

As with so much political correctness, this revision of vocabulary has come to Britain from the USA, where the term ‘coloured’ was part of the segregation of Whites and Coloureds that ended in the 1960s (although the word survives in its archaic meaning as part of the title of the anti-racist National Association for the Advancement of Coloured People (NAACP) founded in 1907).

‘Mixed race’ has followed ‘half-caste’ into the dustbin of forbidden terms (or perhaps as Mrs Clinton put it the “basket of deplorables”). This is because it’s no longer acceptable even to imply that there is such a thing as race, especially a putative ‘pure’ as opposed to ‘mixed’ race. Meanwhile the ‘N’ word is widely used at street level among ‘African-Americans’ and their co-racialists worldwide, but is among the worst sins imaginable if used by Whites. Other once-common words such as ‘piccaninny’, despite originating among blacks themselves, have long since been banned from White useage.

Many once common terms are now forbidden to Whites

This policing of language is a means of keeping Whites in line, constantly guarding their tongue and apologising for the imagined sins of their ancestors. Yet it’s becoming a dangerous game for the political establishment.

Organisations such as the FA are dependent on government cooperation, and grassroots football in particular depends on taxpayers’ largesse, so has no alternative but to play along with each successive politically correct obsession.

But the wider football-viewing public is increasingly exasperated. In the privacy of the polling booth, many once Labour-voting workers in northern England voted for Brexit (and in December 2019 for the Conservative Party) not solely because of constitutional issues and opposition to the European Union, but in a spirit of resistance to anti-White policies in the field of law and order, education, immigration and even sport.

The Greg Clarke ‘scandal’ proves the futility of attempting to appease ‘anti-racists’ by surrendering to their agenda. Ultimately it proves the futility of liberalism, ‘moderate’ conservatism and civic nationalism. Eventually Whites simply have to draw a line and say they will no longer accept this oppression. Will this resistance crystallise in post-Covid Britain?

Lib Dems drop mayoral candidate in ‘anti-semitism scandal’

Geeta Sidhu-Robb, Liberal Democrat candidate suspended over ‘anti-semitism’

The Liberal Democrats, struggling to hold on to their status as the UK’s third largest political party, have run into a storm over ‘anti-semitism’ as they attempt to select a candidate for next May’s London mayoral election to take on Labour’s Sadiq Khan, arguably the most powerful Muslim politician in the Western world.

London Lib Dem members were set to choose between two potential candidates in a postal ballot this month, but one of those candidates has today been suspended after discovery of a video from more than twenty years ago where she made an ‘anti-semitic’ attack on senior Labour politician Jack Straw.

Straw is an Anglican Christian of partly Jewish ancestry, who served in several prominent roles under Labour Prime Ministers Tony Blair and Gordon Brown, most famously as Foreign Secretary during the Iraq war.

At the 1997 general election Geeta Sidhu-Robb was the Conservative candidate against Straw in his Blackburn constituency. Malawi-born Ms Sidhu-Robb tried to stir up Pakistani voters in Blackburn’s Asian ghetto, telling them via megaphone: “Don’t vote for a Jew, Jack Straw is a Jew. If you vote for him, you’re voting for a Jew. Jews are the enemies of Muslims.”

As a committed Europhile, former corporate lawyer Sidhu-Robb later defected from the Tories to the anti-Brexit Lib Dems, and ended up on the shortlist to become London mayoral candidate, until her ‘anti-semitic’ record was discovered this week.

Watch Tory candidate (now Lib Dem) Geeta Sidhu-Robb making an ‘anti-semitic’ attack on Labour’s Jack Straw. (The relevant section of the video begins after a few seconds.)

What surprises H&D is that alarm bells hadn’t rung sooner among the Lib Dem leadership. It was reasonably well known during the Straw years that several Blackburn Tories encouraged antisemitic anti-Labour campaigns in Asian areas of Blackburn, and Ms Sidhu-Robb’s remarks were actually broadcast in a Channel 5 documentary more than 20 years ago!

Perhaps the Lib Dems were so pleased to tick three political boxes with Ms Sidhu-Robb – ex-Tory defector, non-White, and female – that they didn’t engage their brains. Moreover some concerned activists, including former mayoral candidate Siobhan Benita, have alleged that Ms Sidhu-Robb was being courted by the party because of her wealthy connections and her role in the anti-Brexit pressure group Open Britain and its new campaign ‘Democracy Unleashed’, formerly known as the ‘People’s Vote’ campaign.

Today Ms Sidhu-Robb issued a grovelling apology in an effort to save her rapidly sinking political career:
“I am deeply ashamed of the ignorant and abusive language I used on one occasion in the 1997 General Election campaign. As shown in the footage, I instantly regretted my appalling behaviour, which I continue to do.
“Those words are entirely inconsistent with my views and values, and though there are no excuses for my actions, there is some context; that is, that I was under a great deal of strain and retaliated to the racial abuse I was receiving in Blackburn ‘like for like’.”

Footballer and ‘rapper’ find out whose lives really matter

Tom Pope (above left) scoring for Port Vale against Manchester City in January 2020

Footballer Tom Pope has been banned for six matches by the Football Association – not for any offence committed on the field, nor for misuse of drugs, nor for anything remotely criminal.

His offence was to post something deemed ‘anti-semitic’ on Twitter.

Readers should understand that Tom Pope is not one of the multi-millionaire class of Premier League footballers. He has made his career at humbler levels of the English game, with 274 appearances for his present club Port Vale, in League Two – the old Fourth Division – scoring 90 goals and three times voted Port Vale’s Player of the Year.

Tom Pope is a long way from being a ‘famous’ footballer, but he has a cult following within a tiny subculture of the game – mainly among Port Vale fans, who are not numerous.

In January this year Tom Pope scored in one of Port Vale’s few ‘glamorous’ matches, an FA Cup tie against England’s wealthiest club Manchester City, who predictably won 4-1.

A jocular Twitter exchange after the match led one fan to ask him to “predict the World War III result”, to which Pope replied: “We invade Iran then Cuba then North Korea then the Rothchilds (sic) are crowned champions of every bank on the planet.”

Tom Pope’s offending ‘tweet’ for which he has now been fined and banned by the English Football Association.

The circumstances (and the typing error) showed that this was semi-jocular banter rather than premeditated ‘anti-semitism’, and indeed nothing about Jews or Judaism was mentioned.

However the thought police were soon on the case. This week an FA disciplinary panel convicted Pope of an “aggravated breach” of FA Rule E3 – “bringing the game into disrepute”.

One “aggravating” factor was that Pope had failed to accept that his post was “anti-semitic”. In his defence he had told the panel that he had watched hundreds of videos about 9/11. “He explained that he found the videos convincing in predicting the invasions of four countries – Afghanistan, Iraq, Libya and Sudan. He believed, based on those videos, that the Rothschild banking business had funded the invasions of those eight countries so as to be able to take over their banks.”

Though the FA has never claimed that Pope held “anti-semitic beliefs”, its judgment argued that “the ordinary reasonable person knows very well that the Rothschild family have been used for centuries as a synecdoche for the Jewish people – maligning the family in discourse in order to malign all Jewish people.”

They added: “It is of particular concern that even now Mr Pope does not acknowledge the antisemitic message that is conveyed by the Statement. It is also of concern that he has not seriously questioned the conspiracy theories that he has allowed to inform his views.”

Consequently in addition to his six-game ban Pope was fined £3,500 and ordered to complete an “education course” – i.e. at the age of almost 35 he is being forced to undergo a brainwashing course in establishment definitions of ‘antisemitism’.

In a now-deleted ‘tweet’, Jeremy Corbyn thanked ‘Wiley’ for supporting Labour during last year’s election campaign.

Also in the news this week for Twitter ‘anti-semitism’ is the rapper known as Wiley (real name Richard Cowie), whose art will be little-known to H&D readers but who is “considered a key figure in London’s grime music scene”.

This acclaimed “Godfather of Grime” was awarded an MBE for his “services to music” in 2018 – perhaps a desperate effort by Theresa May’s Conservative government to win some credibility among young urban blacks and their fellow-travellers – though he endorsed Jeremy Corbyn’s Labour Party in last year’s election.

During recent weeks ‘Wiley’ has made several posts to his now-suspended social media accounts, comparing Jews to the Ku Klux Klan (on the basis that both Jews and the KKK supposedly exploit blacks), and calling Jews “cowards” and “snakes”. So far as one can make out, his politics seem to be a version of the usual ‘victim game’, by which everyone else in the world – Europeans, Arabs and Jews included – is responsible for Africans’ misfortune.

What ‘Wiley’ fails to recognise is that in this ‘victim game’, one set of people (not blacks) will always hold the ultimate trump card. He has entered an auction that he can’t win, but where he will nevertheless have to pay.

‘Grime artist’ Wiley is in trouble for ‘antisemitism’.

Unlike Tom Pope, it seems that there is a prima facie case against ‘Wiley’ under Britain’s race laws, and police are investigating. The Zionist lobby group Campaign Against Antisemitism (who were behind the prosecution and jailing of London Forum founder Jez Turner) are petitioning the government to withdraw the rapper’s MBE, and he has been dropped by his management company.

Needless to say, even this is not enough. Leading Zionist campaigners including Jewish Chronicle editor Stephen Pollard are staging a 48-hour boycott of Twitter this week, writing: “You refuse to act against Jew hate. You enable the likes of @WileyCEO to spread their poison.” The Chief Rabbi Ephraim Mirvis also joined the Twitter boycott.

Even the Home Office and the Prime Minister’s office have joined in the kvetching, with Downing Street spokesmen saying this afternoon that social media companies must “go much further and faster in removing hateful content”.

And here of course is the real issue. While mainstream conservative parties on both sides of the Atlantic depend heavily on Facebook (in particular) to manipulate voters’ minds – including playing subtle games with racial politics – they are determined to censor anyone using social media to ask radical questions. Hence they seize on the likes of Tom Pope and ‘Wiley’, so as to justify a broader purge.

Generation Identity targeted in latest Twitter purge

The international ‘Alt Right’ group Generation Identity – which grew eight years ago out of the French Bloc Identitaire and its Scandinavian allies but now has branches in many White countries – has been targeted in the latest social media purge.

During the last 24 hours accounts belonging to several GI linked groups have been banned from Twitter, as has GI’s highest-profile leader Martin Sellner. NBC News claims that around fifty accounts have been removed following a hostile report by an ‘anti-racist’ group.

So far Mr Sellner’s American wife Brittany (née Pettibone) has escaped the purge, but is likely to be caught in a further wave of expulsions from Twitter during the next few days.

GI leader Martin Sellner and his wife Brittany Pettibone

Defenders of European values – ranging from the ‘non-racist’ ‘Alt Lite’, through varying shades of civic nationalist, identitarian, Islam-obsessed, racially conscious and fully racial nationalist – have been removed from social media channels (notably YouTube, Twitter and most recently Facebook) at different stages during the past year.

(Generation Identity was analysed in H&D Issue 83 by Tony Paulsen.)

YouTube bans David Duke and Jared Taylor

Jared Taylor (second right) during a visit to the North of England with (left to right) H&D editor Mark Cotterill, assistant editor Peter Rushton, and former Member of the European Parliament Andrew Brons.

The online video platform YouTube yesterday banned several high profile pro-White and racial realist channels, including those run by former Louisiana state representative Dr David Duke, Jared Taylor’s American Renaissance, and prominent ‘Alt Right’ personality Richard Spencer.

This is the latest stage in an ongoing war against pro-White voices online. As regular readers will know, Heritage and Destiny was banned from YouTube just over a year ago, and from PayPal around four years ago.

We have to be realistic. Outside certain specific legal circumstances (such as making meeting-rooms and leaflet delivery available for election candidates), no one is under any obligation to provide us with a platform. Still less are they under any ‘free speech’ obligation when providing a free service such as YouTube or Facebook.

Sadly pro-White organisations and individuals will face continuing struggles online, having to move to platforms that refuse to censor us. This will risk ghettoising ourselves, since by comparison to YouTube, Facebook, etc. these platforms will tend to be populated mainly by folk who are already sympathetic to our movement.

The lesson is twofold.

(1) There is still an important role for hardcopy publications despite the proliferation of online access. If you subscribe to Heritage and Destiny, we can guarantee that you will receive your six issues each year – whereas if you subscribe to a YouTube channel it might disappear tomorrow.

(2) Pro-White activists must seek opportunities to engage with a wider public, whether online or in the ‘real’ world. When Covid-19 restrictions are relaxed, there will be no substitute for face to face engagement, both with existing movement sympathisers at conferences, rallies and the like; and with the general public via the electoral process and other public activity.

Fade to Black – The darkening of our screens and its part in the theft of our past and our future

You fly into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And, the villages of Midsomer are teeming with more people-of-colour than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black Vikings, Black Centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favourite gardening program is presented by a Brown person. The Brown person presenting your favourite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.

In disgust, you turn off your TV and browse through the latest brochure from The National Trust. But something is odd – most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But, you aren’t dreaming. You are living through a waking nightmare. And, I can tell you why.

Dev Patel (above right) as David Copperfield

I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups – old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And, I know how, why and by whom our screens are being darkened, I am being denied work and our past and future are being stolen from us.

The answer is BAME. It stands for Black, Asian or Mixed Ethnicity. And, that acronym is now an essential part of every media company’s ethos. When a brand is hiring actors for a commercial or a production company is hiring actors for a play, movie or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White.)

The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “colour-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing it big-time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or, a Black Macbeth and White Lady Macbeth. The audience wasn’t supposed to notice these racial absurdities and anyone who did was a racist. So, most people pretended not to notice and they still do.

Oriental audiences are more forthright in their opinions. They want White heroes. Star Wars films that feature Black actors flop in China – a very important film market. So, the Star Wars producers avoid putting Black faces on the film posters. And, the latest Star Wars had to remove a gay kiss to make it acceptable to Orientals who want their heroes straight, too.

We Occidentals feel the same even if most won’t admit it. We vote in private with our money. The producer of the mega-successful comic-book “cape hero” film franchise let slip at a convention that movies and action figures based on non-White characters don’t sell – worldwide. The sale of dolls, clothing and mugs etc. is a major part of the profit stream for any film or animation. It is a racially revealing economic fact that Black Barbie and Ken dolls don’t sell – even to Black kids. Gay and trannie Barbies and Kens also gather dust on store shelves. White heterosexuality is the go-to choice for everyone.

But, shouting “Commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI) which bestows crucial funding to film projects fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history. Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!

The levels of race and gender-blind casting mandated include –
• At least one lead character must be non-White
• 50-50 male-female ratio in entire cast
• At least 20% of cast must be non-White
• At least 10% must be LGBTQ
• At least 7% disabled
• A large proportion of plot lines and filming locations must be set among underrepresented groups.

With those parameters in mind, try writing a film that should by natural law, reason and historical fact be set in a White, male world. How can you fit that many women, homos, lesbians, trannies, Hindus, Muslims, Sikhs, Blacks and crippled, cis-phobic, bi-curious Eskimos into a Lancaster bomber, a monastery or the Alamo? And, I wonder if these same race and gender targets will apply if an all-Black film company sought funding for a movie set in a lesbian bathhouse in Somalia? Would the screenwriter have to find a way to squeeze White, Christian, hetero males into the steam room?

Shakespeare’s Globe Theatre recently produced Richard II with an all-black female cast

We aren’t being betrayed by the BFI alone. The British Academy of Film and Television Arts which bestows the prestigious BAFTA awards is equally on-board the globohomo express though it is (small comfort) privately funded. Still, if you want to win a BAFTA you must bow down to the Cultural Marxists who run that outfit.

And British Equity (the actors’ union) promotes and protects every race but White. It cares nothing for the race that only created theatre, film, television, radio, the internet and trade unions! It promotes and protects every sexual persuasion but heterosexuality. My union dues are currently paying for a campaign to ensure that “trans” actors get to audition for roles of any gender including those of the gender they claim to have left. Meanwhile, I can’t get an audition to play an old White guy because it’s being played by a Black female-to-male trannie!

The BBC admitted that its race-blind casting of period dramas is not historically accurate but feels it is important to do it in the interests of cultural cohesion. Well… if this BAME business is not part of an anti-White agenda but just a well-intentioned attempt to make us all race and gender-blind then when do I get to play Martin Luther King or Winnie Mandela?

Meanwhile, for all their disingenuous calls for race-blindness, Black performers insist on race based preferential treatment and love “acting Black” – especially in period dramas. Notice how Black actors in plays by Shaw, Ibsen or Wilde will use a ghetto pose and vocal inflection to get a cheap laugh. They are Black to their bones and they know it and are happy to play the minstrel if it’s to their advantage.

At this point a few questions come to mind. If non-Whites were important personages in what we thought had been a White world then what the hell are they complaining about? If Blacks really “wuz kangz” as the Black Israelites proclaim (including kangz of England) then where was the discrimination? And, if Blacks were capable of achieving so much back-in-the-day then what the heck happened? Did they simply forget how to be physicians, scientists, architects, engineers and, yes, kangz?

Remember those National Trust brochures full of photos of happy smiling Brown people? They are a staged hoax. The National Trust advertised on casting sites all over Britain for BAME models and actors to pose as visitors and staff at stately homes. But, in reality, if you visit NT properties you will see that with rare exception they are delightfully White in both staff and visitors. Still this hasn’t stopped the NT management from pushing globohomo. They “out” and promote queer members of the families that owned the properties. And, they suggest that bent Uncle Bertie was the best of the bunch. The NT even tried to force its volunteers to wear rainbow flags but most refused. Meanwhile, when I speak privately with older NT volunteers, I find they have fond memories of Enoch Powell and Oswald Mosley.

I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the colour of the actor’s skin? So, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black Nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And, we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on sacrificing profits for propaganda.

Case in point: Gillette recently ran an anti-male ad campaign that suggested all men (especially White men) are sex-pests. White men were outraged. This campaign culminated in an ad in which a Black father showed his daughter who had “transitioned to male” how to shave. This time Black men were outraged. This PC campaign cost Gillette a record amount of profit. But its CEO said it was worth it to promote diversity.

Alongside the tribe that foments and feasts off our replacement lives an opportunistic parasite – the Black “race hustler.” The uber-obnoxious Whoopi Goldberg is master of this scam. And, despite being as funny as a fire in an orphanage, Whoopi has made a fortune playing the fat, sassy soul-sista who is the depository of all wisdom. (Sort of an X-rated version of Mammy in Gone with the Wind or a potty-mouthed Aunt Jemima.) You’ll notice that this smart, sassy maid stereotype is a staple of sitcoms. She is always the smartest person in the house she cleans. She’s certainly smarter than the doofus White dad who is the butt of all her jokes. (There is literally a genre of US sitcom called “Doofus Dad.”)

Believing her own BS, Goldberg has morphed into a political pundit. She holds forth daily on US TV on all manner of subjects while injecting the race card into all of them – no matter how misplaced. She gets away with this because Whites are afraid of challenging her lest they be called racist. Believe me, if you think Jews are good at squeezing the holocaust into any discussion you ain’t seen nuthin’ till you see Whoopi at work. (We have the Jewish director Mike Nichols to thank for Goldberg’s rise to fame.)

Another race-hustler is Bonnie Greer, a smug, American negress based in the UK and a poor-man’s Goldberg. Greer is a regular on BBC political chat programs where she is introduced as, “Noted American playwright.” But, I challenge anyone on either side of the pond to name a single Bonnie Greer play. In fact, in America she is entirely unknown. The woman is a fraud. And, like Whoopi, she benefits from Whites’ reticence to call her out. Meanwhile, the BBC loves wheeling her out because it allows them to tick certain boxes on their diversity chart. Foreigner. Female. Black. Greer’s many appearances allow her to shoe-horn the race card into every subject imaginable while demonstrating the stultifying banality of her opinions. But, I gotta give this sassy, soul-sista credit because with no talent (especially no play writing talent) she has become the House Negro of the British middle-class and (wait for it) a board member of the British Museum!

Homosexuals are also useful idiots for their Cultural Marxist masters. They’ll do anything if it gives them the chance to snort poppers and wear frocks. The lesbians get to wear the pants on stage in taxpayer funded all-female Shakespearean productions. It is true that in Shakespeare’s day young men played the female roles. But, this was not transvestism by choice. It was necessary because women weren’t allowed on the Elizabethan stage. And, there was no kissing or touching in the original productions.

Homosexual playwrights, directors and designers rarely miss a chance to demean Whiteness and masculinity and to degrade females. In a recent London production of a play based on Patrick Hamilton’s brilliant WW2 novel The Slaves of Solitude, the queer director and adaptor changed the American GI who was the play’s love interest into a Black soldier. This was impossible casting for all sorts of reasons. But, it allowed the queers to indulge in their own fantasy of having a Black buck ravage the spinsterish English heroine.

There have been many other instances of plays and musicals being mangled by ludicrous race and gender-bending casting. Edward Albee, Arthur Miller, Tennessee Williams, Noel Coward and Rodgers and Hammerstein all forbade such changes. Some of those men were homosexual but they still recognised cultural vandalism when they saw it. Sadly, their estates are managed by their PC grandchildren determined to make their Grandpa’s back catalog hipster-friendly. That sound you hear is of those disrespected gents turning in their graves.

Meanwhile, the hypocrisy of the Cultural Marxists and their apparatchiks in the arts is stunning. They live in the Whitest communities they can find and send their children to the Whitest schools. (The Clintons live in the Whitest zip code in America, and Jewish Bernie Sanders moved from multi-ethnic Brooklyn to Vermont – the Whitest state!) The only contact these hypocrites have with any non-White is with their Black maid. And, if she gets too sassy, they’ll fire her Black behind.

As employers they are anything but progressive. All the major film, TV and commercial producers including the big streaming services film their projects in poor countries. South Africa and Eastern Europe are especially popular. They do this to bust the performer’s unions in the US and UK. This anti-worker behaviour is nothing new. In the 1930s, the Jewish movie moguls who ran Hollywood hired goon squads to bust up organising meetings for the Screen Actors Guild. Meanwhile, British Equity is too busy creating new genders to act as a genuine trade union and fight the media giants.

These media liberals also go abroad to abuse and exploit the local actors and crews. The same producers and stars who cry on the awards shows about Trump and climate change and animal rights allow film extras to be treated like cattle – forced to stand in the cold and wet for many hours (sometimes all night) and given little or no food and very meagre wages. I’ve had extras beg me for food while the loud-mouth lefty stars dined like Meghan Markle. And, the film crews are forced to work round the clock which leads to unsafe conditions. I have seen actors and extras almost decapitated by machinery. I have walked off unsafe sets but most actors are afraid to stand up for themselves.

If I sound angry it’s because I am. And, I’m proud of it. I’m also proud of my history, heritage and culture and I’ll be damned if I’ll let anyone degrade, destroy or steal them. My anger is fuelled by the blood of my ancestors that flows through my veins. And, as long as that most precious blood flows through me, I shall do all I can to expose and resist the deliberate genocide of our people. A genocide that is being dramatised and broadcast. On primetime. And, we are paying to watch the spectacle. If you don’t believe me just go to a movie or play. Turn on your radio or TV. Or, open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate. And, we can stop it. But the entirely legal means of doing so are best discussed elsewhere. In the meantime – Hail Victory!

Jack Antonio, Brooklyn, New York City

Editor’s Note: this article first appeared in the May-June issue #96 of Heritage and Destiny magazine.For a sample copy please send £5.00 or $10.00 to; H&D, 40 Birkett Drive, Preston, PR2 6HE, England, UK. Or email – heritageanddestiny@yahoo.com

Jack Antonio is the author of Boy Outa Brooklyn – a murder memoir. It is available on amazon as a paperback and eBook and from all major eBook distributors. Or, visit Jack’s blog at http://www.boyoutabrooklyn.com

A predictable disaster: but don’t let it obscure the truth

This is how it should have been: British patriots including ex-servicemen celebrating victory over the anti-British mob – but our “own” side let them down.

Today’s counter-demonstration in Central London by “football lads” seeking to defend British heritage against the violent “Black Lives Matter” and “antifa” mobs, should have been a victory celebration.

The anti-British rabble had cancelled their own event, no doubt fearing they would come off worse in any confrontation with the “far right”. Late last night, even the most violent hard core of “London Antifa” gave up and advised their followers not to be in Whitehall today – causing some excellent disputes among their own side about lack of planning.

This was a moment calling for leadership and discipline. The “right-wing” demonstrators today should have been friendly and cooperative with the police. There should have been a couple of speeches celebrating victory and warning BLM and “antifa” that any further nonsense from them would again be confronted and defeated.

Then the troops could disperse, vowing to meet at a hostelry for further celebrations as soon as such venues reopen.

Unfortunately a large part of the so-called “far right'” has no leadership worthy of the name and no discipline, just as it has no ideological backbone. Though there were many hundreds of good, decent patriots in Whitehall today, they aren’t the ones who will be featured by the media.

A disciplined demonstration in Bristol today defending the Cenotaph, sadly let down by a section of the London demo: we aren’t going to publish photos of the scum who disgraced the patriotic cause today – but the mainstream media certainly will.

As was sadly predictable, a large percentage of the “demonstrators” supposedly on our “own” side were already incapably drunk before the event began, and like children were unable to control their bladders. Whitehall became an ocean of urine, and one so-called “patriot” was photographed micturating against the memorial to murdered police officer Keith Palmer, killed by a terrorist in 2017.

In other words an absolute gift to our anti-British media, who can now conveniently forget the bigger picture and report on the “far right” literally p*****g on our heritage.

Our disgust at this pathetic display shouldn’t however blind us to the bigger picture. Once this weekend’s headlines have faded, we shall still be confronted by alien mobs determined to tear down monuments across our country and across the White world, so as to impose their own fake history and their own multiracial nightmare.

And once their understandable disgust at the lagered-up yobs purporting to represent Britain has faded, our fellow countrymen will still be on our side rather than on the side of the culture-distorters and the nation-wreckers.

The challenge will be how to mobilise that support. It should now be clear that the likes of “Tommy Robinson” and Paul Golding have nothing to offer the nationalist movement that will rise in post-Corona Britain.

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