Lib Dems drop mayoral candidate in ‘anti-semitism scandal’

Geeta Sidhu-Robb, Liberal Democrat candidate suspended over ‘anti-semitism’

The Liberal Democrats, struggling to hold on to their status as the UK’s third largest political party, have run into a storm over ‘anti-semitism’ as they attempt to select a candidate for next May’s London mayoral election to take on Labour’s Sadiq Khan, arguably the most powerful Muslim politician in the Western world.

London Lib Dem members were set to choose between two potential candidates in a postal ballot this month, but one of those candidates has today been suspended after discovery of a video from more than twenty years ago where she made an ‘anti-semitic’ attack on senior Labour politician Jack Straw.

Straw is an Anglican Christian of partly Jewish ancestry, who served in several prominent roles under Labour Prime Ministers Tony Blair and Gordon Brown, most famously as Foreign Secretary during the Iraq war.

At the 1997 general election Geeta Sidhu-Robb was the Conservative candidate against Straw in his Blackburn constituency. Malawi-born Ms Sidhu-Robb tried to stir up Pakistani voters in Blackburn’s Asian ghetto, telling them via megaphone: “Don’t vote for a Jew, Jack Straw is a Jew. If you vote for him, you’re voting for a Jew. Jews are the enemies of Muslims.”

As a committed Europhile, former corporate lawyer Sidhu-Robb later defected from the Tories to the anti-Brexit Lib Dems, and ended up on the shortlist to become London mayoral candidate, until her ‘anti-semitic’ record was discovered this week.

Watch Tory candidate (now Lib Dem) Geeta Sidhu-Robb making an ‘anti-semitic’ attack on Labour’s Jack Straw. (The relevant section of the video begins after a few seconds.)

What surprises H&D is that alarm bells hadn’t rung sooner among the Lib Dem leadership. It was reasonably well known during the Straw years that several Blackburn Tories encouraged antisemitic anti-Labour campaigns in Asian areas of Blackburn, and Ms Sidhu-Robb’s remarks were actually broadcast in a Channel 5 documentary more than 20 years ago!

Perhaps the Lib Dems were so pleased to tick three political boxes with Ms Sidhu-Robb – ex-Tory defector, non-White, and female – that they didn’t engage their brains. Moreover some concerned activists, including former mayoral candidate Siobhan Benita, have alleged that Ms Sidhu-Robb was being courted by the party because of her wealthy connections and her role in the anti-Brexit pressure group Open Britain and its new campaign ‘Democracy Unleashed’, formerly known as the ‘People’s Vote’ campaign.

Today Ms Sidhu-Robb issued a grovelling apology in an effort to save her rapidly sinking political career:
“I am deeply ashamed of the ignorant and abusive language I used on one occasion in the 1997 General Election campaign. As shown in the footage, I instantly regretted my appalling behaviour, which I continue to do.
“Those words are entirely inconsistent with my views and values, and though there are no excuses for my actions, there is some context; that is, that I was under a great deal of strain and retaliated to the racial abuse I was receiving in Blackburn ‘like for like’.”

Footballer and ‘rapper’ find out whose lives really matter

Tom Pope (above left) scoring for Port Vale against Manchester City in January 2020

Footballer Tom Pope has been banned for six matches by the Football Association – not for any offence committed on the field, nor for misuse of drugs, nor for anything remotely criminal.

His offence was to post something deemed ‘anti-semitic’ on Twitter.

Readers should understand that Tom Pope is not one of the multi-millionaire class of Premier League footballers. He has made his career at humbler levels of the English game, with 274 appearances for his present club Port Vale, in League Two – the old Fourth Division – scoring 90 goals and three times voted Port Vale’s Player of the Year.

Tom Pope is a long way from being a ‘famous’ footballer, but he has a cult following within a tiny subculture of the game – mainly among Port Vale fans, who are not numerous.

In January this year Tom Pope scored in one of Port Vale’s few ‘glamorous’ matches, an FA Cup tie against England’s wealthiest club Manchester City, who predictably won 4-1.

A jocular Twitter exchange after the match led one fan to ask him to “predict the World War III result”, to which Pope replied: “We invade Iran then Cuba then North Korea then the Rothchilds (sic) are crowned champions of every bank on the planet.”

Tom Pope’s offending ‘tweet’ for which he has now been fined and banned by the English Football Association.

The circumstances (and the typing error) showed that this was semi-jocular banter rather than premeditated ‘anti-semitism’, and indeed nothing about Jews or Judaism was mentioned.

However the thought police were soon on the case. This week an FA disciplinary panel convicted Pope of an “aggravated breach” of FA Rule E3 – “bringing the game into disrepute”.

One “aggravating” factor was that Pope had failed to accept that his post was “anti-semitic”. In his defence he had told the panel that he had watched hundreds of videos about 9/11. “He explained that he found the videos convincing in predicting the invasions of four countries – Afghanistan, Iraq, Libya and Sudan. He believed, based on those videos, that the Rothschild banking business had funded the invasions of those eight countries so as to be able to take over their banks.”

Though the FA has never claimed that Pope held “anti-semitic beliefs”, its judgment argued that “the ordinary reasonable person knows very well that the Rothschild family have been used for centuries as a synecdoche for the Jewish people – maligning the family in discourse in order to malign all Jewish people.”

They added: “It is of particular concern that even now Mr Pope does not acknowledge the antisemitic message that is conveyed by the Statement. It is also of concern that he has not seriously questioned the conspiracy theories that he has allowed to inform his views.”

Consequently in addition to his six-game ban Pope was fined £3,500 and ordered to complete an “education course” – i.e. at the age of almost 35 he is being forced to undergo a brainwashing course in establishment definitions of ‘antisemitism’.

In a now-deleted ‘tweet’, Jeremy Corbyn thanked ‘Wiley’ for supporting Labour during last year’s election campaign.

Also in the news this week for Twitter ‘anti-semitism’ is the rapper known as Wiley (real name Richard Cowie), whose art will be little-known to H&D readers but who is “considered a key figure in London’s grime music scene”.

This acclaimed “Godfather of Grime” was awarded an MBE for his “services to music” in 2018 – perhaps a desperate effort by Theresa May’s Conservative government to win some credibility among young urban blacks and their fellow-travellers – though he endorsed Jeremy Corbyn’s Labour Party in last year’s election.

During recent weeks ‘Wiley’ has made several posts to his now-suspended social media accounts, comparing Jews to the Ku Klux Klan (on the basis that both Jews and the KKK supposedly exploit blacks), and calling Jews “cowards” and “snakes”. So far as one can make out, his politics seem to be a version of the usual ‘victim game’, by which everyone else in the world – Europeans, Arabs and Jews included – is responsible for Africans’ misfortune.

What ‘Wiley’ fails to recognise is that in this ‘victim game’, one set of people (not blacks) will always hold the ultimate trump card. He has entered an auction that he can’t win, but where he will nevertheless have to pay.

‘Grime artist’ Wiley is in trouble for ‘antisemitism’.

Unlike Tom Pope, it seems that there is a prima facie case against ‘Wiley’ under Britain’s race laws, and police are investigating. The Zionist lobby group Campaign Against Antisemitism (who were behind the prosecution and jailing of London Forum founder Jez Turner) are petitioning the government to withdraw the rapper’s MBE, and he has been dropped by his management company.

Needless to say, even this is not enough. Leading Zionist campaigners including Jewish Chronicle editor Stephen Pollard are staging a 48-hour boycott of Twitter this week, writing: “You refuse to act against Jew hate. You enable the likes of @WileyCEO to spread their poison.” The Chief Rabbi Ephraim Mirvis also joined the Twitter boycott.

Even the Home Office and the Prime Minister’s office have joined in the kvetching, with Downing Street spokesmen saying this afternoon that social media companies must “go much further and faster in removing hateful content”.

And here of course is the real issue. While mainstream conservative parties on both sides of the Atlantic depend heavily on Facebook (in particular) to manipulate voters’ minds – including playing subtle games with racial politics – they are determined to censor anyone using social media to ask radical questions. Hence they seize on the likes of Tom Pope and ‘Wiley’, so as to justify a broader purge.

Generation Identity targeted in latest Twitter purge

The international ‘Alt Right’ group Generation Identity – which grew eight years ago out of the French Bloc Identitaire and its Scandinavian allies but now has branches in many White countries – has been targeted in the latest social media purge.

During the last 24 hours accounts belonging to several GI linked groups have been banned from Twitter, as has GI’s highest-profile leader Martin Sellner. NBC News claims that around fifty accounts have been removed following a hostile report by an ‘anti-racist’ group.

So far Mr Sellner’s American wife Brittany (née Pettibone) has escaped the purge, but is likely to be caught in a further wave of expulsions from Twitter during the next few days.

GI leader Martin Sellner and his wife Brittany Pettibone

Defenders of European values – ranging from the ‘non-racist’ ‘Alt Lite’, through varying shades of civic nationalist, identitarian, Islam-obsessed, racially conscious and fully racial nationalist – have been removed from social media channels (notably YouTube, Twitter and most recently Facebook) at different stages during the past year.

(Generation Identity was analysed in H&D Issue 83 by Tony Paulsen.)

YouTube bans David Duke and Jared Taylor

Jared Taylor (second right) during a visit to the North of England with (left to right) H&D editor Mark Cotterill, assistant editor Peter Rushton, and former Member of the European Parliament Andrew Brons.

The online video platform YouTube yesterday banned several high profile pro-White and racial realist channels, including those run by former Louisiana state representative Dr David Duke, Jared Taylor’s American Renaissance, and prominent ‘Alt Right’ personality Richard Spencer.

This is the latest stage in an ongoing war against pro-White voices online. As regular readers will know, Heritage and Destiny was banned from YouTube just over a year ago, and from PayPal around four years ago.

We have to be realistic. Outside certain specific legal circumstances (such as making meeting-rooms and leaflet delivery available for election candidates), no one is under any obligation to provide us with a platform. Still less are they under any ‘free speech’ obligation when providing a free service such as YouTube or Facebook.

Sadly pro-White organisations and individuals will face continuing struggles online, having to move to platforms that refuse to censor us. This will risk ghettoising ourselves, since by comparison to YouTube, Facebook, etc. these platforms will tend to be populated mainly by folk who are already sympathetic to our movement.

The lesson is twofold.

(1) There is still an important role for hardcopy publications despite the proliferation of online access. If you subscribe to Heritage and Destiny, we can guarantee that you will receive your six issues each year – whereas if you subscribe to a YouTube channel it might disappear tomorrow.

(2) Pro-White activists must seek opportunities to engage with a wider public, whether online or in the ‘real’ world. When Covid-19 restrictions are relaxed, there will be no substitute for face to face engagement, both with existing movement sympathisers at conferences, rallies and the like; and with the general public via the electoral process and other public activity.

Fade to Black – The darkening of our screens and its part in the theft of our past and our future

You fly into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And, the villages of Midsomer are teeming with more people-of-colour than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black Vikings, Black Centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favourite gardening program is presented by a Brown person. The Brown person presenting your favourite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.

In disgust, you turn off your TV and browse through the latest brochure from The National Trust. But something is odd – most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But, you aren’t dreaming. You are living through a waking nightmare. And, I can tell you why.

Dev Patel (above right) as David Copperfield

I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups – old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And, I know how, why and by whom our screens are being darkened, I am being denied work and our past and future are being stolen from us.

The answer is BAME. It stands for Black, Asian or Mixed Ethnicity. And, that acronym is now an essential part of every media company’s ethos. When a brand is hiring actors for a commercial or a production company is hiring actors for a play, movie or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White.)

The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “colour-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing it big-time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or, a Black Macbeth and White Lady Macbeth. The audience wasn’t supposed to notice these racial absurdities and anyone who did was a racist. So, most people pretended not to notice and they still do.

Oriental audiences are more forthright in their opinions. They want White heroes. Star Wars films that feature Black actors flop in China – a very important film market. So, the Star Wars producers avoid putting Black faces on the film posters. And, the latest Star Wars had to remove a gay kiss to make it acceptable to Orientals who want their heroes straight, too.

We Occidentals feel the same even if most won’t admit it. We vote in private with our money. The producer of the mega-successful comic-book “cape hero” film franchise let slip at a convention that movies and action figures based on non-White characters don’t sell – worldwide. The sale of dolls, clothing and mugs etc. is a major part of the profit stream for any film or animation. It is a racially revealing economic fact that Black Barbie and Ken dolls don’t sell – even to Black kids. Gay and trannie Barbies and Kens also gather dust on store shelves. White heterosexuality is the go-to choice for everyone.

But, shouting “Commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI) which bestows crucial funding to film projects fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history. Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!

The levels of race and gender-blind casting mandated include –
• At least one lead character must be non-White
• 50-50 male-female ratio in entire cast
• At least 20% of cast must be non-White
• At least 10% must be LGBTQ
• At least 7% disabled
• A large proportion of plot lines and filming locations must be set among underrepresented groups.

With those parameters in mind, try writing a film that should by natural law, reason and historical fact be set in a White, male world. How can you fit that many women, homos, lesbians, trannies, Hindus, Muslims, Sikhs, Blacks and crippled, cis-phobic, bi-curious Eskimos into a Lancaster bomber, a monastery or the Alamo? And, I wonder if these same race and gender targets will apply if an all-Black film company sought funding for a movie set in a lesbian bathhouse in Somalia? Would the screenwriter have to find a way to squeeze White, Christian, hetero males into the steam room?

Shakespeare’s Globe Theatre recently produced Richard II with an all-black female cast

We aren’t being betrayed by the BFI alone. The British Academy of Film and Television Arts which bestows the prestigious BAFTA awards is equally on-board the globohomo express though it is (small comfort) privately funded. Still, if you want to win a BAFTA you must bow down to the Cultural Marxists who run that outfit.

And British Equity (the actors’ union) promotes and protects every race but White. It cares nothing for the race that only created theatre, film, television, radio, the internet and trade unions! It promotes and protects every sexual persuasion but heterosexuality. My union dues are currently paying for a campaign to ensure that “trans” actors get to audition for roles of any gender including those of the gender they claim to have left. Meanwhile, I can’t get an audition to play an old White guy because it’s being played by a Black female-to-male trannie!

The BBC admitted that its race-blind casting of period dramas is not historically accurate but feels it is important to do it in the interests of cultural cohesion. Well… if this BAME business is not part of an anti-White agenda but just a well-intentioned attempt to make us all race and gender-blind then when do I get to play Martin Luther King or Winnie Mandela?

Meanwhile, for all their disingenuous calls for race-blindness, Black performers insist on race based preferential treatment and love “acting Black” – especially in period dramas. Notice how Black actors in plays by Shaw, Ibsen or Wilde will use a ghetto pose and vocal inflection to get a cheap laugh. They are Black to their bones and they know it and are happy to play the minstrel if it’s to their advantage.

At this point a few questions come to mind. If non-Whites were important personages in what we thought had been a White world then what the hell are they complaining about? If Blacks really “wuz kangz” as the Black Israelites proclaim (including kangz of England) then where was the discrimination? And, if Blacks were capable of achieving so much back-in-the-day then what the heck happened? Did they simply forget how to be physicians, scientists, architects, engineers and, yes, kangz?

Remember those National Trust brochures full of photos of happy smiling Brown people? They are a staged hoax. The National Trust advertised on casting sites all over Britain for BAME models and actors to pose as visitors and staff at stately homes. But, in reality, if you visit NT properties you will see that with rare exception they are delightfully White in both staff and visitors. Still this hasn’t stopped the NT management from pushing globohomo. They “out” and promote queer members of the families that owned the properties. And, they suggest that bent Uncle Bertie was the best of the bunch. The NT even tried to force its volunteers to wear rainbow flags but most refused. Meanwhile, when I speak privately with older NT volunteers, I find they have fond memories of Enoch Powell and Oswald Mosley.

I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the colour of the actor’s skin? So, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black Nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And, we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on sacrificing profits for propaganda.

Case in point: Gillette recently ran an anti-male ad campaign that suggested all men (especially White men) are sex-pests. White men were outraged. This campaign culminated in an ad in which a Black father showed his daughter who had “transitioned to male” how to shave. This time Black men were outraged. This PC campaign cost Gillette a record amount of profit. But its CEO said it was worth it to promote diversity.

Alongside the tribe that foments and feasts off our replacement lives an opportunistic parasite – the Black “race hustler.” The uber-obnoxious Whoopi Goldberg is master of this scam. And, despite being as funny as a fire in an orphanage, Whoopi has made a fortune playing the fat, sassy soul-sista who is the depository of all wisdom. (Sort of an X-rated version of Mammy in Gone with the Wind or a potty-mouthed Aunt Jemima.) You’ll notice that this smart, sassy maid stereotype is a staple of sitcoms. She is always the smartest person in the house she cleans. She’s certainly smarter than the doofus White dad who is the butt of all her jokes. (There is literally a genre of US sitcom called “Doofus Dad.”)

Believing her own BS, Goldberg has morphed into a political pundit. She holds forth daily on US TV on all manner of subjects while injecting the race card into all of them – no matter how misplaced. She gets away with this because Whites are afraid of challenging her lest they be called racist. Believe me, if you think Jews are good at squeezing the holocaust into any discussion you ain’t seen nuthin’ till you see Whoopi at work. (We have the Jewish director Mike Nichols to thank for Goldberg’s rise to fame.)

Another race-hustler is Bonnie Greer, a smug, American negress based in the UK and a poor-man’s Goldberg. Greer is a regular on BBC political chat programs where she is introduced as, “Noted American playwright.” But, I challenge anyone on either side of the pond to name a single Bonnie Greer play. In fact, in America she is entirely unknown. The woman is a fraud. And, like Whoopi, she benefits from Whites’ reticence to call her out. Meanwhile, the BBC loves wheeling her out because it allows them to tick certain boxes on their diversity chart. Foreigner. Female. Black. Greer’s many appearances allow her to shoe-horn the race card into every subject imaginable while demonstrating the stultifying banality of her opinions. But, I gotta give this sassy, soul-sista credit because with no talent (especially no play writing talent) she has become the House Negro of the British middle-class and (wait for it) a board member of the British Museum!

Homosexuals are also useful idiots for their Cultural Marxist masters. They’ll do anything if it gives them the chance to snort poppers and wear frocks. The lesbians get to wear the pants on stage in taxpayer funded all-female Shakespearean productions. It is true that in Shakespeare’s day young men played the female roles. But, this was not transvestism by choice. It was necessary because women weren’t allowed on the Elizabethan stage. And, there was no kissing or touching in the original productions.

Homosexual playwrights, directors and designers rarely miss a chance to demean Whiteness and masculinity and to degrade females. In a recent London production of a play based on Patrick Hamilton’s brilliant WW2 novel The Slaves of Solitude, the queer director and adaptor changed the American GI who was the play’s love interest into a Black soldier. This was impossible casting for all sorts of reasons. But, it allowed the queers to indulge in their own fantasy of having a Black buck ravage the spinsterish English heroine.

There have been many other instances of plays and musicals being mangled by ludicrous race and gender-bending casting. Edward Albee, Arthur Miller, Tennessee Williams, Noel Coward and Rodgers and Hammerstein all forbade such changes. Some of those men were homosexual but they still recognised cultural vandalism when they saw it. Sadly, their estates are managed by their PC grandchildren determined to make their Grandpa’s back catalog hipster-friendly. That sound you hear is of those disrespected gents turning in their graves.

Meanwhile, the hypocrisy of the Cultural Marxists and their apparatchiks in the arts is stunning. They live in the Whitest communities they can find and send their children to the Whitest schools. (The Clintons live in the Whitest zip code in America, and Jewish Bernie Sanders moved from multi-ethnic Brooklyn to Vermont – the Whitest state!) The only contact these hypocrites have with any non-White is with their Black maid. And, if she gets too sassy, they’ll fire her Black behind.

As employers they are anything but progressive. All the major film, TV and commercial producers including the big streaming services film their projects in poor countries. South Africa and Eastern Europe are especially popular. They do this to bust the performer’s unions in the US and UK. This anti-worker behaviour is nothing new. In the 1930s, the Jewish movie moguls who ran Hollywood hired goon squads to bust up organising meetings for the Screen Actors Guild. Meanwhile, British Equity is too busy creating new genders to act as a genuine trade union and fight the media giants.

These media liberals also go abroad to abuse and exploit the local actors and crews. The same producers and stars who cry on the awards shows about Trump and climate change and animal rights allow film extras to be treated like cattle – forced to stand in the cold and wet for many hours (sometimes all night) and given little or no food and very meagre wages. I’ve had extras beg me for food while the loud-mouth lefty stars dined like Meghan Markle. And, the film crews are forced to work round the clock which leads to unsafe conditions. I have seen actors and extras almost decapitated by machinery. I have walked off unsafe sets but most actors are afraid to stand up for themselves.

If I sound angry it’s because I am. And, I’m proud of it. I’m also proud of my history, heritage and culture and I’ll be damned if I’ll let anyone degrade, destroy or steal them. My anger is fuelled by the blood of my ancestors that flows through my veins. And, as long as that most precious blood flows through me, I shall do all I can to expose and resist the deliberate genocide of our people. A genocide that is being dramatised and broadcast. On primetime. And, we are paying to watch the spectacle. If you don’t believe me just go to a movie or play. Turn on your radio or TV. Or, open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate. And, we can stop it. But the entirely legal means of doing so are best discussed elsewhere. In the meantime – Hail Victory!

Jack Antonio, Brooklyn, New York City

Editor’s Note: this article first appeared in the May-June issue #96 of Heritage and Destiny magazine.For a sample copy please send £5.00 or $10.00 to; H&D, 40 Birkett Drive, Preston, PR2 6HE, England, UK. Or email – heritageanddestiny@yahoo.com

Jack Antonio is the author of Boy Outa Brooklyn – a murder memoir. It is available on amazon as a paperback and eBook and from all major eBook distributors. Or, visit Jack’s blog at http://www.boyoutabrooklyn.com

A predictable disaster: but don’t let it obscure the truth

This is how it should have been: British patriots including ex-servicemen celebrating victory over the anti-British mob – but our “own” side let them down.

Today’s counter-demonstration in Central London by “football lads” seeking to defend British heritage against the violent “Black Lives Matter” and “antifa” mobs, should have been a victory celebration.

The anti-British rabble had cancelled their own event, no doubt fearing they would come off worse in any confrontation with the “far right”. Late last night, even the most violent hard core of “London Antifa” gave up and advised their followers not to be in Whitehall today – causing some excellent disputes among their own side about lack of planning.

This was a moment calling for leadership and discipline. The “right-wing” demonstrators today should have been friendly and cooperative with the police. There should have been a couple of speeches celebrating victory and warning BLM and “antifa” that any further nonsense from them would again be confronted and defeated.

Then the troops could disperse, vowing to meet at a hostelry for further celebrations as soon as such venues reopen.

Unfortunately a large part of the so-called “far right'” has no leadership worthy of the name and no discipline, just as it has no ideological backbone. Though there were many hundreds of good, decent patriots in Whitehall today, they aren’t the ones who will be featured by the media.

A disciplined demonstration in Bristol today defending the Cenotaph, sadly let down by a section of the London demo: we aren’t going to publish photos of the scum who disgraced the patriotic cause today – but the mainstream media certainly will.

As was sadly predictable, a large percentage of the “demonstrators” supposedly on our “own” side were already incapably drunk before the event began, and like children were unable to control their bladders. Whitehall became an ocean of urine, and one so-called “patriot” was photographed micturating against the memorial to murdered police officer Keith Palmer, killed by a terrorist in 2017.

In other words an absolute gift to our anti-British media, who can now conveniently forget the bigger picture and report on the “far right” literally p*****g on our heritage.

Our disgust at this pathetic display shouldn’t however blind us to the bigger picture. Once this weekend’s headlines have faded, we shall still be confronted by alien mobs determined to tear down monuments across our country and across the White world, so as to impose their own fake history and their own multiracial nightmare.

And once their understandable disgust at the lagered-up yobs purporting to represent Britain has faded, our fellow countrymen will still be on our side rather than on the side of the culture-distorters and the nation-wreckers.

The challenge will be how to mobilise that support. It should now be clear that the likes of “Tommy Robinson” and Paul Golding have nothing to offer the nationalist movement that will rise in post-Corona Britain.

Back to Africa Day: 10th June

On this 80th anniversary of Marcus Garvey’s death, we commemorate his movement for a just repatriation of today’s uprooted descendants of past stolen slaves to their native African homeland.

What would Garvey have made of today’s ‘Black Lives Matter’ mob and their rabble of ‘antifa’ followers/inciters?

Surely BLM’s insistence on wiping out White European heritage in favour of a multiculti melting-pot is the polar opposite of Garvey’s ideas?

Perhaps Garvey would instead have supported next Saturday’s “Defend Our Memorials” initiative, organised by the Democratic Football Lads Alliance and Veterans Against Terror?

First they came for the Confederates – and I did not speak out, because I was not a Confederate…

The Robert E. Lee Monument in Richmond, Virginia, unveiled in 1890, now to be removed as Virginia’s Governor surrenders to the BAME brigade.

Virginia’s Democratic Party Governor Ralph Northam (himself from a slave owning family) has finally backed down to the BAME brigade and has instructed Richmond Council to take down the great statues of the Confederate Generals on Monument Avenue just outside of down-town Richmond.

I lived in Virginia for over seven years (1995 – 2002) and had the pleasure of visiting Monument Avenue three or four times during my time in America. It was one hell of a place. The giant statues were like nothing I had seen before.

Apart from General Robert E Lee (a direct descendant of King Robert the Bruce of Scotland), Richmond Council plan to take down the statues of President Jefferson Davis (who was of English/Welsh descent), General Thomas “Stonewall” Jackson (who was of Ulster-Scots descent), and General James “Jeb” Stuart (also of Ulster-Scots descent). All were British-Americans.

The J.E.B. Stuart monument, photographed here in 1933, was the second Civil War statue to be unveiled in Richmond in 1907.

Just this last week, the General Lee Statue was attacked and vandalised by hundreds of communist and anarchist demonstrators, who joined the BAME brigade, protesting the death of black career criminal George Floyd.

Floyd had been arrested by four police officers in Minneapolis, for passing forged $20 bills in local shops. He resisted arrest and was forced to the ground, where he died. Some years before in Houston, Texas, Floyd had been arrested for an armed home invasion (burglary) – he forced his way into a lady’s house and threatened her with a gun before robbing her. Due to a plea-bargain, he got away with just a five-year jail sentence.

I wonder how long it will be before the BAME brigade here in England and in the rest of the UK start demanding that our statues be taken down too, as they are not to their liking, i.e. too WASP-like. In Scotland under their neo-Marxist SNP Government this is already happening. And once Sinn Fein become the majority in Northern Ireland, they will follow suit.

The statue of King William III in St James’s Square, SW1, will doubtless have to go.

And before you say that’s never going to happen, remember the BAME group are only 15% of the UK population now (and look how much sway they have). Long before they reach 50% you can say goodbye to our history, our heritage, our heroes: statues and all. Boadicea, King Billy, Oliver Cromwell, Lord Nelson, Duke of Wellington, Cecil Rhodes, Winston Churchill, Bomber Harris and many others. They will all be written out of the new PC history books.

Will this statue of wartime allies Roosevelt and Churchill (in New Bond St, London) survive the purge?

End note: On the subject of slavery and the American Civil War, fewer than 10% of families in those Southern states that became part of the Confederacy in 1861-1865 owned slaves. And it should also be remembered that on the Northern side, many of them had owned slaves too in the recent past.

The rose-coloured myth of the Civil War is that the blue-clad Union soldiers and their brave, doomed President, Abraham Lincoln, were fighting to free the slaves. They weren’t, at least not initially. They were fighting to hold their nation – the Union – together. Lincoln was known personally to oppose slavery (which is one reason why the South seceded after his election in 1860), but his chief goal was preserving the Union. In August 1862, he famously wrote to the New York Tribune: “If I could save the Union without freeing any slave, I would do it; and if I could save it by freeing all the slaves, I would do it; and if I could save it by freeing some and leaving others alone, I would also do that.”

Oliver Cromwell is yet another “dead White male” who will presumably have to be sacrificed to appease the PC crusaders.

Lincoln was also part of a group in the Republican Party that wanted to remove former black slaves from the US altogether. From roughly late 1861 onward, he was involved in some very serious policy discussions about what the post-slavery US would look like, and one of his solutions that he offered, drawing on something that had long been a part of his political advocacy, was to colonise the black slaves abroad. Historically, the most famous example of this is Liberia, which was founded in 1816. Over the course of the next 50 or 60 years, several thousand former slaves migrated to Liberia and colonised it.

Lincoln liked this model, but wanted to expand upon it, and he was willing to look in Central and South America, and across the Caribbean. He pursued this policy for the better part of his presidency, secured funding from Congress in 1862, and carried it out in conjunction with the Emancipation Proclamation in 1863.

H&D Editor Mark Cotterill, who reports from semi-enriched Preston, was chairman of the Virginian-based American Friends of the BNP, from 1999 – 2001.

Sir Arthur ‘Bomber’ Harris might just be the only historic White Briton whose statue is permissible in the PC World.

UPDATE: Saturday June 6th (76th anniversary of the D-Day landings).

It didn’t take long for the usual suspects to fulfil our editor’s prediction! The Churchill statue was vandalised twice this weekend, once as reported by The Sun in the link above, then again the next day (see photo below).

The video below was shot at 5 am on the morning of Sunday June 7th, showing widespread vandalism of statues in Parliament Square. St Nelson Mandela seems to have escaped unscathed, but Abraham Lincoln and an array of British statesmen from Disraeli to Palmerston were all sprayed with slogans such as BLM (Black Lives Matter) and ACAB (All Cops Are Bastards). The latter referring to the same ‘cops’ who had cravenly knelt before the mob in previous days.

H&D readers will have mixed feelings about some of the historical figures commemorated outside Parliament, but none of us should be in any doubt – this vandalism isn’t a commentary on the historical record of Abraham Lincoln or Disraeli. In fact we can safely bet that fewer than 1% of the black protesters had the slightest idea who Lord Beaconsfield might be.

Their impulse was to demonstrate control of the streets and contempt for white civilisation. Our political leaders – and following years of brainwashing, also our police – have allowed them free rein.

TERMINATED: Lowles leaves Hope not Hate

The CIA’s favourite anti-fascist, Ruth Smeeth lost her seat at the General Election in December. Could she fill Nick Lowles’ editorial chair at Hope not Hate?

Earlier today one of Britain’s most infamous ‘anti-fascists’ mysteriously quit as a director of the organisation he founded. According to documents filed at Companies House a few hours ago, Nick Lowles is no longer a director of Hope not Hate.

This adds to the mystery of Matthew Collins’ disappearance. Collins, once proudly described as HnH’s ‘head of intelligence’ but whose greatest exploit was to have poisoned the fish in a school fish tank some years ago, has not been heard of since before Christmas.

Is this a Griffin-style fallout over money; is at about jobs for the boys – or bearing in mind the recent election result in Stoke North, is it about jobs for the girls?

Watch this space for further news from the ferrets-in-a-sack world of ‘anti-fascism’.

Good news from the courts!

Long delayed justice was achieved yesterday for Lawrence Burns, who had been imprisoned since January for the ‘crime’ of attending last November’s National Front’s Remembrance Day march to the cenotaph in memory of Britain’s war dead. (This is misleadingly described by a local Cambridge journalist as a “National Front rally”.)

This was deemed a punishable offence because Mr Burns was under a ‘Criminal Behaviour Order’ (CBO), despite having been released at the end of an earlier prison sentence.

A CBO means that one is obliged to notify the authorities before attending even a perfectly lawful and respectable political event.

The good news is that after representations by Mr Burns’s barrister Adrian Davies, Judge Jonathan Cooper at Cambridge Crown Court agreed yesterday to impose a sentence that means in practice Mr Burns will be immediately released from Peterborough prison.

A further report on this case will be published by H&D soon.

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